May
22
Tue May 22nd, 2018
8:00PM
Main Space
Minimum Age: 18+
Doors Open: 7:00PM
Show Time: 8:00PM
Event Ticket: $25
Day of Show: $30
The story of the unidentified female spy who helped win the Revolutionary War. Told by American colonial women reimagined as an all-girl punk rock band and based on the true history of the Culper Spy Ring, Agent 355 celebrates the loyalty, heritage, and courage of these real Revolutionary women as they share their stories, sacrifices, and most importantly, secrets.
Music, Lyrics, and Book by Preston Max Allen
Book and Dramaturgy by Jessica Kahkoska
Directed by Sammi Cannold
Music Direction and Orchestrations by Madeline Smith
Featuring: Laura Dadap, Angela Sclafani, Cathryn Wake, Maya Sharpe, Debbie Tjong, Kristin Stokes & Kelsee Sweigard
Agent 355 is produced by Dori Berinstein.
Ticketing Policy
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
Agent 355: In Concert
Preston Max Allen (Music, Lyrics, and Book) Allen’s work as a writer, composer, and lyricist has been featured at the New York Musical Festival, Musical Theatre Factory, Feinstein’s/54 Below, Joe’s Pub, Signature Theatre, and Second City Chicago. Preston’s musicals include WE ARE THE TIGERS (Hudson Backstage Theatre, L.A. Stage Alliance Ovation winner for Best Lyrics/Composition), REMISSION (NYMF Developmental Reading Series), and THE RAGE: CARRIE 2, AN UNAUTHORIZED MUSICAL PARODY. Additional projects include FRANKLIN PIERCE: DRAGON SLAYER (composer Will Buck, Sound Bites 4.0 Selection) and music/lyrics for BRADICAL AND THE PINK SOCKS (Diverging Elements). Preston is an alum of the BMI Lehman Engel Musical Theater Workshop.
Jessica Kahkoska (Book and Dramaturgy) Kahkoska is a Colorado and NYC-based performer, writer, and dramaturg. Her writing has been developed and presented by American Music Theatre Project, Joe’s Pub, Ars Nova ANT FEST, Musical Theatre Factory, Village Theatre, Barn Arts Collective, Chautauqua Institution, and UCROSS Foundation. She has performed at New York Theatre Barn, Ars Nova, the Bushwick Starr, and NYMF, among others, and regionally at the CS Fine Arts Center, Theatre Aspen, American Stage Theatre, Notre Dame Shakespeare, and the Smithsonian Festival. Artistic Associate at Local Theater Company in Boulder, Colorado. Graduate of Northwestern University.
Sammi Cannold (Director) Cannold is a theater director whose recent credits include Ragtime on Ellis Island and Violet on a moving bus at the A.R.T. Sammi recently served as the associate director on the Broadway production of Natasha, Pierre & The Great Comet of 1812 among other associate work for Rachel Chavkin and Diane Paulus. Sammi also served as an Artistic Fellow at the A.R.T. and a Sundance Institute Fellow. She holds a B.A. from Stanford University and an M.A. from Harvard University. www.sammicannold.com.
Madeline Smith (Music Direction and Orchestrations) Favorite recent endeavors include conducting WAITRESS and RAGTIME ON ELLIS ISLAND, developing the EDM musical NIKOLA TESLA DROPS THE BEAT and adapting and orchestrating Disney’s FROZEN JR. Other Broadway: WAR PAINT (Key 1 sub). Off-Broadway: SKIN OF OUR TEETH (Theatre for a New Audience), 1001 NIGHTS (Atlantic Theater Company), THE LIGHT PRINCESS (ART/New Victory Theater), FUTURITY (Soho Rep/Ars Nova), and AN OCTOROON (Theatre for a New Audience). Madeline is history’s youngest female Broadway conductor. B.A. from Harvard University.