LPR MAINSPACE TECHNICAL HIGHLIGHTS
- Flexible 350-750 capacity utilizing either corner stage or centerstage and fully seated, partially seated, and fully standing configurations.
- Martin Audio PA and monitors for both stage configurations for excellent, hi-fidelity sound in the house and on stage
- Audio Control by Avid S6L 24D (FOH) and Avid S6L 24C (Monitors – To be advanced, some shows mons are mixed from FOH)
- Extensive selection of microphones, dis, and backline.
- Extensive Lighting Rig of over 80 Instruments, Including Over 40 Intelligent Fixtures (GLP Impression Spot Ones, GLP X4S, Martin Atomic Strobes, ETC ColorSource Spots for Front/Side light)
- Lighting Control By ETC GIO@5 + ETC Motorized Fader Wing
- Projection capabilities to two onstage projection screens and 1 bar television from FOH booth or stage
- Audio and Video Recording Capabilities In-house
FULL PRODUCTION SPECIFICATIONS
GENERAL | AUDIO | LIGHTING | VIDEO| BACKLINE
ADVANCE
If your show has been confirmed at LPR, you will be contacted by our production team to advance your show. If you have not received a production advance email within seven (7) days of receiving a confirmation email, or have any production related questions in the interim, please email production@lprnyc.com.
THE LPR PRODUCTION TEAM
Jay Eigenmann – Director of Production (TD/PM) | Chief Audio Engineer
Bernie Girman – Production Coordinator | Staff Engineer
Matt Finch – Artist Liaison / Box Office Manager
LPR proudly chooses Sennheiser microphones to maintain our premium production standards, offering a complete assortment of vocal and instrument microphones to cover your needs.
SonicScoop’s interview with former LPR Technical Director Richie Clarke.