Y La Bamba
Y La Bamba has been many things, but at the heart of it is singer-songwriter Luz Elena Mendoza’s inquisitive sense of self. Their fifth record, Mujeres, carries on the Portland-based band’s affinity for spiritual contemplation, but goes a step further in telling a story with a full emotional spectrum. Coming off Ojos Del Sol, one of NPR’s Top 50 Albums of 2016, Mujeres exhibits the scope of Mendoza’s artistic voice like never before. “Soy como soy,” Mendoza says, and that declaration is the bold— even political— statement that positions Mujeres to be Y La Bamba’s most unbridled offering yet.
The record exists in the post-2016 landscape of a national identity crisis, and Mendoza explores what it means to be a Mexican American woman by leading us through places we are afraid to go. Mujeres ventures in to the discomfort of the stories we tell ourselves. Those of our past, our futures. We all have these stories somewhere inside of us, but with Y La Bamba, Mendoza forges new narratives from old stories of heritage and family, tracing history while forging modern chicana feminism.
“Music is an extension of everything I have inside. It’s how I emote,” Mendoza says. The raw honesty of Mujeres is in fact the raw honesty of Mendoza. Armed with the emotionality of traditional música mexicana and the storytelling of American folk, Y La Bamba’s artistry is not just their musical ability but Mendoza’s search for unadulterated truth. It is in an ancestral, spiritual journey in which Mendoza comes to terms with the influence and limitations of her upbringing. Mendoza’s experience of childhood summers in the San Joaquin Valley listening to mariachi, of being raised strict Catholic by immigrant parents, of being a woman having to prove herself to the boys, paints strokes of both melancholy and healing on the tracks. “From the way that my family struggles, to the way they shoot the shit… it’s so different from whiteness,” Mendoza says. “It’s a different dimension.”
Y La Bamba exists in the dimension of the Mexican American imagination: somewhere cynical and optimistic at the same time. While there is a celebration of the Mexican creativity that has informed Mendoza’s life, there is a darker side to reconcile with. Where do mujeres fit in to the American story? What are the sins for which we are all guilty? How do different generations interact with the world? How can a culture become visible without tokenization? It is no surprise that in Mujeres, Y La Bamba’s first record with Mendoza at the helm of production, Mendoza contemplates these questions to tell her story. But it is not just Mendoza’s story. Challenging a narrative and dealing with the emotionality of that effort— that is everyone’s story.
Whether it’s ‘Punk’, ‘Garage’, ‘Rock’ or whatever, one thing is for sure. Argentinean Tall Juan, transplanted in Far Rockaway, has managed to evade labels and put out songs that only an Elvis Latino inspired by Ramones could deliver. Short, fast and packed with attitude, the lyrics of Tall Juan are autobiographical nuggets about everything from drug addiction, the perils of dating someone to living in Queens County.
With two EPs Why Not? (2015) Joya Nedo (2017) and his recent LP Olden Goldies (2017), Tall Juan has played more than 350 shows in just 4 years within his current home New York City, and with three extensive tours through the USA, three European tours in 2016 and 2017, and at some of the biggest festivals in the world such as Coachella 2017 and SXSW 2018, plus his recent shows in Japan, Mexico and Puerto Rico . Now he is ready to return to his homeland to give a show at the Caras y Caretas in San Telmo.
In 2015, Juan brought to light Why Not? his first EP, which was recorded and mixed by Mac Demarco and Tall Juan at his home in Far Rockaway, NY. Having been greatly influenced by the Ramones, Tall Juan sings with passion and anger to a lost love. Why Not? is a group of three original love songs plus the cover of Dee Dee Ramone’s “Chinese Rock” played by Tall Juan on the guitar and vocals. His friends Juan Wauters on drums and Dee Dee’s wife, Barbara Ramone Zampini, on the bass as special guests