TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All ticket sales are final. No refunds or credits.
Trixie Whitley has never been one to follow traditional paths or conform herself to the expectations of others – both in life and in music. Blessed with a creative spirit as remarkable as her transatlantic upbringing, she thrives when challenged to push her boundaries and reinvent herself. And that’s exactly what Run The Jewels producer Little Shalimar went for on her new album ‘Lacuna’. By pairing her trademark vocals and gut-punching lyrics with a heady blend of hi-fi electronic sonics and hypnotic rhythms, we hear Trixie pulling classic R&B and indie rock into a future world of her own on a wonderfully intriguing album that feels both fresh and familiar at the same time. By pairing her trademark vocals and gut punching lyrics with a heady blend of hi-fi electronic sounds and hypnotic rhythms, he has Trixie pulling classic soul into a future world on a wonderfully intriguing album that feels both fresh and familiar at the same time. A bold move, and one that couldn’t be more fitting for her continuous development as a performer, writer and multi-intrumentalist.
Never resting on her musical lineage, Brooklyn-based Trixie Whitley has crafted a unique personal and artistic identity since her on stage debut at age 3 alongside father Chris Whitley. And while his early passing as well as several childhood experiences propelled her into adulthood faster than she could process, they certainly added to the depth of her vulnerability, honesty, and sense of exploration.
Over the years her captivating personality and talent have triggered collaborations with the likes of Daniel Lanois and Brian Blade – who enlisted her to front their supergroup Black Dub – Robert Plant, Marianne Faithful, Meshell Ndegeocello, Daryl Johnson, Emmylou Harris, Marc Ribot, Joe Henry, Bill Frisell, Sam Amidon, Thomas Bartlett, the Resistance Revival Chorus and many more. Most recently she also collaborated with Kid Koala on his latest release ‘Music To Draw To: Io’, out on Arts & Crafts since January 25th.
Trixie’s new album ‘Lacuna’ will be out on March 29. Listen to the single ‘Touch’ here.
New York City based singer/songwriter Roxiny was born in the Dominican Republic and raised in Spain, Panama, and Italy. Roxiny’s first big break would come in 2013 when Brooklyn based noise pop duo Sleigh Bells enlisted her as a backup singer. Two years later, she partnered with Little Shalimar of Run the Jewels and TV on the Radio’s Tunde Adebimpe to write the song “Phoenix” for the Rubble Kings soundtrack. It was around this time that she was introduced to producers Chris Coady (Yeah Yeah Yeahs, Future Islands, Beach House) and Jonathan Kreinik (Run the Jewels, Cassius, The Rapture). The outcome of these sessions was Rituals, a profound diary of Roxiny’s personal battles and raw sexuality; her feverish voice moving effortlessly from velvety-sung confessions to hair-raising wails amidst a backdrop of pulsing synthesizers, snarling guitars, and primitive drum machines. Although the stories she tells are weighty, catharsis is most often found. As an artist and activist, Roxiny is laying the groundwork for a new kind of counterculture femme – embracing her power, defiance, and femininity all the while honoring her life’s most intimate details.