with M.A.K.U. Soundsystem, Main Squeeze Orchestra, MC Reverend Billy, Mamarazzi & many more

Tue March 4th, 2014


Main Space

Minimum Age: 18+

Doors Open: 6:30PM

Show Time: 6:30PM

Event Ticket: $35/$40/$60/$125

event description event description

Join us on March 4th for NYC’s most authentic Fat Tuesday celebration! Featuring music from MAKU Soundsystem, Mamarazzi, Hungry March Band, and The Main Squeeze Orchestra. See live art by Zito, stiltwalkers from The Lady Circus and Celebrity King & Queen to be announced!
$35 admission for one
$60 admission for two
$125 VIP admission
$40 GA admission at the door
This is a general admission, standing event.

the artists the artists



Hungry March Band

Roaring out of Brooklyn comes the Hungry March Band, NYC’s legendary street brass march band in the anarchic style that has become their trademark . Put on your dancing shoes and break out the fancy threads because they’ve got a party going on – a blazing parade of flesh, blood, steel, brass and wood. They are the music of the people!
The Hungry March Band has earned a reputation for mythical revelry having performed at a huge variety of fine venues and celebrated events. Such planned and spontaneous performances have included guerilla art events, mermaid parades, rural raves, subway parties, eccentric weddings, community affairs, protests, high art events, the Staten Island Ferry, Brighton Beach Boardwalks, MOMA, Lincoln Center, steps of the NYC Post Office, playing themselves in the final scene of John Cameron Mitchell’s recent film “Shortbus and many other forays into the territories of free spirit.

M.A.K.U. Soundsystem

M.A.K.U. Soundsystem official site | M.A.K.U. Soundsystem on Facebook
| M.A.K.U. Soundsystem on Twitter | M.A.K.U. Soundsystem on Bandcamp

M.A.K.U Soundsystem is an immigrant band from New York City. With most of its members hailing from Colombia, M.A.K.U embodies an active quest for identity through sound and bodies in motion, and puts on a party for everyday people. Born in 2010 the band has independently released two full-length albums, one EP, and toured across the U.S. with their fiery grooves.

M.A.K.U’s distinctive sound is enriched with a variety of musical backgrounds brought to the table by each of its members. Although not inherently discernible there are hints of Colombian Folklore, Psychedelic-rock and Caribbean grooves. It all comes together through a D.I.Y. attitude of getting things done, from composing to releasing independent records; M.A.K.U is as much about the music as it is about a way of life.

On stage MA.K.U juxtaposes traditional Colombian percussion, drum-set, synthesizers, electric base, guitar and sizzling horns, creating an explosive performance filled with unshakable grooves. Lyrically M.A.K.U talks about the realities of everyday people, encompassing love, hardships, culture, and the immigrant experience, but with a positive, spiritual and sometimes humorous spin.

M.A.K.U released their first album at Lincoln Center Out-of-Doors’ La Casita in the summer of 2010. Vamos Bien is an experimental record made as the band explored different musical landscapes and collaborators. This album served as a stepping-stone for the formation of the band.

By 2011 the band consolidated its members and further developed its sound leading to the recording of their second record MAKUMBALA. This time the album was recorded directly to tape and with all musicians playing together, choosing the best out of three takes. MAKUMBALA was released at S.O.B’s as a limited 7-inch vinyl single, and a full-length digital download. The album art on this record was the result of collaboration with Brazilian street-artist Eder Muñiz, who took the ideas and concept developed by the band and turned them into a breathtaking mural. Photographs of the mural were adapted to fit the cover, providing the final touch to the band’s second musical work.

M.A.K.U’s third album M.N.D. (Music Never Dies) was released as a 12-inch vinyl EP at New York City’s Joe’s Pub in November of 2012. Through it the band illustrates its discovery and development of a shared musical language they like to refer to as “Immigrantbeat.” Recorded at Brooklyn’s The Bunker Studio in collaboration with Strange Weather, M.N.D. came together by choosing the best out of a few takes of the full band playing virtually in the same room, in an effort to capture the rambunctious energy of their live performances, and once again recording directly onto tape. The album art was developed in collaboration with members of a local New York band called The Peeps, and illustrates a combination of scenes described through the album’s lyrics with splashes of vibrant color and lively characters. This art was featured on Remezcla (an online Latin culture magazine) as one of the best 12 album covers of 2012.

In August of 2013 M.A.K.U released the official music video for the song El Jugo from M.N.D. In a raw and simple way the video aims to illustrate the struggle found in following artistic dreams while working extra to make a living in the hustle of New York City. Directed and edited by Max Ocampo, this message quickly reached a wide audience thanks to multiple shares through social media and a variety of music blogs and online outlets both local and internationally.

M.A.K.U is currently tightening new grooves and sharpening their moves for the completely independent recording of their fourth album to date, to be released in 2014.

M.A.K.U has been the recipient of the globalFEST Touring Fund in 2012 and was nominated and selected as one of nine artist to join the 2014-15 New York State Presenters Network Touring Roster. They have been featured in such prominent media outlets as Afropop, WNYC, NY Daily News, Village Voice, TimeOut NY, Remezcla (NY, Los Angeles and Chicago), Periscope, Sounds and Colours.

M.A.K.U has performed at universities, festivals and venues across the east and west coast including: SXSW (Austin, TX), GlobalFest (New York, NY), Lincoln Center Out of Doors Festival (Lincoln Center, New York, NY), S.O.B’s (New York, NY), Joe’s Pub, (New York, NY), Le Poisson Rouge (New York, NY), BAMcafé Live, (Brooklyn, NY), Music Hall of Williamsburg (Brooklyn, NY), Brooklyn Bowl (Brooklyn, NY), Millennium Park (Chicago, IL), Old Town School of Folk Music (Chicago, IL), World Music Festival (Chicago, IL) Real Art Ways (Hartford, CT), Global Roots Festival, The Cedar, (Minneapolis, MN)
Echale Festival (San Antonio, TX) Levitt Pavilion (Pasadena, CA), Los Globos (Los Angeles, CA, Global Union(Milwaukee, WI), Concert of Colors (Detroit, MI), Musikfest (Bethlehem, PA), Small World Music Festival (Toronto, Canada) Swarthmore College, Princeton University, Darmouth College to name but a few.

Main Squeeze Orchestra

MAIN SQUEEZE ORCHESTRA is NYC’s all-female squeezebox fantasy brought to life by the “Hugh Hefner of the accordion world”, Walter Kuehr. The band defies nerdy stereotypes of accordion music with a diverse genre-bending repertoire of cool music, and has attracted a dedicated following of fans. In a tribute to our bandleader Walter Kuehr, Main Squeeze Orchestra will be playing a selection of his favorite songs, including a debut performance ‎of a new arrangement that he had in mind for the band.

MC Reverend Billy


Rooted in the sweaty dance floor revivals that have defined their live shows over the past five years, Brooklyn’s “8-piece Afro-funk-hop Juggernaut” mamarazzi serves up a deliciously greasy dish with spices cultivated from across the planet. Spontaneously combusting under the careless scientific supervision of a group of Wesleyan University (MGMT, Das Racist, Santigold, etc) alumni, mamarazzi has since been on its perpetual quest to leave no genre behind and no hip unshaken. The band likens its sound to a laced grapefruit: tart funk, acidic groove, pulp-n-rind hiphop, and nectar of ancient lullaby. Think of an orgy with Fela Kuti, Thom York, Maceo Parker and Lauryn Hill. Then stop thinking about that.
The following celebrities have heard of mamarazzi: Seth Rogen, Javier Bardem, Willem Dafoe, Susan Sarandon, John Legend, Luis Guzman and New York Mets Manager Terry Collins. See for yourself why the New York Times raves: “mamarazzi”

photo credit: Esteban Figueroa

many more

similar artists