Table Seating: $25 advance, $30 day of show
Standing Room: $20 advance, $25 day of show
For 16 years straight, Brooklyn’s Darmstadt ensemble has performed its unique interpretation of Terry Riley’s 1964 masterwork, In C, to celebrate its birthday. Cited more than once by the New York Times for its energy and audaciousness, Darmstadt’s version brings together some of the city’s most vital practitioners of experimental music.
Pauline Kim Harris
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All ticket sales are final. No refunds or credits.
Terry Riley’s “In C”, presented by Darmstadt
Darmstadt is the presenting series led by composers Nick Hallett and Zach Layton, known for staging radical re-interpretations of works from the canon of experimental music and art, including John Cage, Morton Feldman, Pauline Oliveros, Meredith Monk, Karlheinz Stockhausen, Alvin Lucier, and Anthony Braxton.