Feb
20
Wed February 20th, 2019
8:00PM
Main Space
Minimum Age: All Ages
Doors Open: 7:00PM
Show Time: 8:00PM
Event Ticket: $20 / $25
Day of Show: $25 / $30
free for members
Table Seating: $25 advance, $30 day of show
Standing Room: $20 advance, $25 day of show
For 15 years straight, Brooklyn’s Darmstadt ensemble has performed its unique interpretation of Terry Riley’s 1964 masterwork, In C, to celebrate its birthday. Cited more than once by the New York Times for its energy and audaciousness, Darmstadt’s version brings together some of the city’s most vital practitioners of experimental music.
This show will be dedicated to Jonas Mekas.
FEATURING:
DRUMS
Brian Chase
STRINGS
Alex Waterman
Crystal Wei
Justin Kantor
Dave Handler
Sarah Bernstein
Andie Springer
Laura Ortman
BRASS AND WINDS
Evan Rapport
Ben Neill
Lea Bertucci
Clara Latham
Peter Gordon
Ka Baird
GUITARS
Elliott Sharp
Eoin Russell
Zach Layton
Jason Cady
BASS
Ian Riggs
KEYBOARDS/ELECTRONICS
Bradford Reed
Michael Schumacher
Michael Century
Marina Rosenfeld
Luciano Chessa
Lainie Fefferman
Joel Hamburger
PROJECTIONS
Katherine Lieberovskaya
VOICES
Nick Hallett
Gelsey Bell
Sophia Brous
Katie Eastburn
Amelia Watkins
and Joan La Barbara
Ticketing Policy
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All ticket sales are final. No refunds or credits.
Terry Riley’s “In C”, presented by Darmstadt
Darmstadt is the presenting series led by composers Nick Hallett and Zach Layton, known for staging radical re-interpretations of works from the canon of experimental music and art, including John Cage, Morton Feldman, Pauline Oliveros, Meredith Monk, Karlheinz Stockhausen, Alvin Lucier, and Anthony Braxton.