On November 30th, multi-GRAMMY award-winning drummer, producer and educator Terri Lyne Carrington and new band Social Science will be playing their just-released double album Waiting Game at Le Poisson Rouge. This will be Carrington and Social Science’s official album release celebration. Waiting Game has been met with significant acclaim, including a New York Times profile. Social Science is: Terri Lyne Carrington, pianist/keyboardist Aaron Parks (Terence Blanchard, Kurt Rosenwinkel), guitarist Matthew Stevens (Christian Scott, Esperanza Spalding), along with multi-instrumentalist Morgan Guerin, vocalist Debo Ray, and MC/DJ Kassa Overall.
Watch Social Science perform “Bells,” recorded recently, here: https://youtu.be/yo7SjPAylig?t=73
Praise for Waiting Game:
“A fiercely contemporary record…a mix of simmering tension and restless forward movement” – NY Times
“A masterstroke on par with To Pimp A Butterfly…that could be the best jazz album of the year” – 5 out of 5 stars / Downbeat
“A work of historical depth and scope…on par with the films of Ava Duvernay, telling the story of racial injustice and resilience and American history” – NPR Music
“A major statement that speaks through the many articulations of jazz in the 21st century while rooting itself in harmonic discovery and prescient cultural critique” – All Music, 4.5 out of 5 stars
“The combination of sung and spoken words, of improvisation and song structure, and of jazz and hip-hop sensibilities suggests the give-and-take and sense of nuance absent from much contemporary political debate” – WSJ
“An unflinchingly between-the-eyes polemic on racism, homophobia, prison conditions, gender issues and more” – The Guardian
Waiting Game confronts a host of current issues including those addressed in the recently released singles: “Trapped In The American Dream,” a pointed criticism of mass incarceration, “If Not Now,” which addresses gender equity, and “Bells,” about police violence against people of color which features Malcolm-Jamal Warner and was deemed “poignant…and haunting” in NPR’s Top Songs of August.
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All ticket sales are final. No refunds or credits.
Terri Lyne Carrington & Social Science
GRAMMY® award-winning drummer, composer and bandleader Terri Lyne Carrington was born in 1965 in Medford, Massachusetts. After an extensive touring career of over 20 years with luminaries like Herbie Hancock, Wayne Shorter, Al Jarreau, Stan Getz, David Sanborn, Joe Sample, Cassandra Wilson, Clark Terry, Dianne Reeves and more, she returned to her hometown where she was appointed professor at her alma mater, Berklee College of Music. Terri Lyne also received an honorary doctorate from Berklee College of Music in 2003.
After studying under full scholarship at Berklee, with the encouragement of her mentor, Jack DeJohnette, Carrington moved to New York in 1983. For 5 years she was a much in-demand musician, working with James Moody, Lester Bowie, Pharoah Sanders, and others. In the late ‘80s she relocated to Los Angeles, where she gained recognition on late night TV as the house drummer for the Arsenio Hall Show, then again in the late ‘90s as the drummer on the Quincy Jones late night TV show, VIBE, hosted by Sinbad.
In 1989, Carrington released a GRAMMY®-nominated debut CD on Verve entitled Real Life Story, which featured Carlos Santana, Grover Washington Jr., Wayne Shorter, Patrice Rushen, Gerald Albright, John Scofield, Greg Osby, and Hiram Bullock. Other solo CDs include 2002’s Jazz is a Spirit, which features Herbie Hancock, Gary Thomas, Wallace Roney, Terence Blanchard, Kevin Eubanks, and Bob Hurst, and 2004’s Structure, a cooperative group which features Adam Rogers, Jimmy Haslip and Greg Osby. Both CDs were released on the Europe-based ACT Music label and enjoyed considerable media attention and critical acclaim in the European and Japanese markets.
Carrington’s production and songwriting collaborations with artists such as Gino Vannelli, Peabo Bryson, Dianne Reeves, Siedah Garrett, Marilyn Scott have produced notable works as well, including her production of the Dianne Reeves GRAMMY®-nominated CD, That Day, as well as Dianne Reeves GRAMMY® Award-winning CD, Beautiful Life, in 2014.
Carrington has performed on many recordings throughout the ‘80s and ‘90s thru today. Notable examples of her work include Herbie Hancock’s GRAMMY® Award-winning CD Gershwin’s World, where she played alongside Joni Mitchell and Stevie Wonder. She has toured in many of Hancock’s musical configurations (from electric to acoustic) and is featured on his Future2Future DVD.
After a hiatus from the U.S. recording scene as a solo recording artist, Carrington returned in 2008 with More To Say… (Real Life Story: NextGen). Joining her was an impressive all-star cast of jazz and contemporary jazz instrumentalists, including George Duke, Everette Harp, Kirk Whalum, Jimmy Haslip, Greg Phillinganes, Gregoire Maret, Christian McBride, Danilo Perez, Patrice Rushen, Robert Irving III (who also serves as co-producer), Chuck Loeb, Dwight Sills, and legendary vocalists Les McCann and Nancy Wilson.
Carrington released The Mosaic Project in 2011, her fifth recording overall and first on Concord Jazz. The critically acclaimed CD, which won a GRAMMY® Award for Best Jazz Vocal Album, gathered a myriad of voices and crystallized them into a multi-faceted whole that far outweighed the sum of its parts. She produced the 14-song set which included some of the most prominent female jazz artists of the last few decades: Esperanza Spalding, Dianne Reeves, Dee Dee Bridgewater, Sheila E., Nona Hendryx, Cassandra Wilson, Geri Allen and several others. Carrington said the emergence of so many great female jazz instrumentalists over the last couple of decades is what made an album like The Mosaic Project possible.
In 2013, Carrington released Money Jungle: Provocative in Blue, her much anticipated homage to Duke Ellington, Charles Mingus and Max Roach, to coincide with the 50th anniversary of the release of their iconic 1963 Money Jungle album. The recording featured Gerald Clayton and Christian McBride, with guests Clark Terry, Lizz Wright, Herbie Hancock and others. Carrington made history when she became the first woman to win a GRAMMY® Award for Best Jazz Instrumental Album.
On August 7, 2015, Carrington releases The Mosaic Project: LOVE and SOUL. Like its predecessor, the album presents Carrington leading a rotating cast of superb female instrumentalists and vocalists that includes Oleta Adams, Natalie Cole, Paula Cole, Lalah Hathaway, Chaka Khan, Chanté Moore, Valerie Simpson, Nancy Wilson, Jaguar Wright and Lizz Wright, as well as saxophonist Tia Fuller, trumpeter Ingrid Jensen; bassists Meshell Ndegoecello and Linda Oh; and keyboardists Geri Allen, Patrice Rushen and Rachel Z.
On The Mosaic Project: LOVE and SOUL, Carrington juxtaposes her salute to female artists by paying homage to various male artists who have either influenced her professionally and/or informed her musicality, such as Nick Ashford, George Duke, Duke Ellington, Frank Sinatra, Luther Vandross and Bill Withers. “Whenever I do something that celebrates women, I never want it to feel like it’s something that excludes men,” she explains. “On this record, I consciously wanted to celebrate the various relationships women have with men either through original songs of mine or cover songs by male composers and song writers.” The male presence and perspective on The Mosaic Project: LOVE and SOUL is even more realized by Billy Dee Williams, who contributes insightful spoken-word interludes through the disc.