Sep
15
w/ special guest Chris Graham
Sun September 15th, 2024
7:00PM
Main Space
Minimum Age: All Ages
Doors Open: 6:00PM
Show Time: 7:00PM
Event Ticket: $20-$25
Day of Show: $25-$30
Ticketing Policy
This show includes both Standing and Seated tickets. By purchasing a Seated ticket you agree to also purchase a minimum of two food and/or beverage items per person.
Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons.
Program:
Klavierstück I
Klavierstück V
Klavierstück X
Kontakte
Proof of vax is NOT required for this event]
Taka Kigawa
Celebrated by The New York Times as a “Phenomenon” and “the extraordinary pianist,” and praised by The New Yorker as “an artist of stature,” Taka Kigawa’s playing sparkles with both clarity and intensity. Buenos Aires’ La Nación called him “a stupendous virtuoso.”
Mr. Kigawa has performed across the United States, Europe, South America and Japan—at venues including Carnegie Hall, Lincoln Center for the Performing Arts, Library of Congress, Cité de la Musique in Paris, Palau de la Música Catalana in Barcelona and Teatro Colón in Buenos Aires. Known for a repertoire that spans the Baroque to the avant-garde, he is equally at home in the classics and in adventurous, contemporary music.
Taka Kigawa has collaborated with legendary musicians, including Pierre Boulez, Myung-Whun Chung and Jonathan Nott, and premiered the final solo piano work of jazz icon Yusef Lateef.
Born in Nagano, Japan, Mr. Kigawa now calls New York City home. He is a Steinway Artist.
Chris Graham
Iktus Percussion official site | Chris Graham on Ensemble Moto Perpetuo website
Chris Graham is an international new music musician living and working in New York City. Chris has consistently worked and performed with notable groups such as Newband, Talea Ensemble, Ear to Mind, Talujon Percussion, Mantra Percussion, and is a founding member and director of Iktus Percussion. He has performed at venues such as Carnegie Hall, Issue Project Room, Merkin Hall, The Knitting Factory, Le Poisson Rouge, Roulette, and the National Sawdust, and has toured extensively across the U.S. performing for various festivals, colleges, and universities.
Chris has commissioned and/or premiered works by established composers such as Charles Wuorinen, Martin Bresnick, Michael Gordon, Philippe Manoury, Franco Donatoni, Philippe Hurel, Mauricio Kagel, Ron Ford, Michel Vander Aa, Hugo Morales, Gerard Grisey, Harry Partch, John Luther Adams, Lisa R. Coons, Daniel Wohl, Jenny Olivia Johnson, Angelica Negron, Sebastian Armoza, Mathew Welch, Philip Schuessler, Levy Lorenzo, Matt Hough, Joe DiPonio, Brian Jacobs, Aaron Siegel, Ted Herne, Tristan Perich, Inhyun Kim, Jen Wang, Joseph Waters, Stephan Weisman, and Billy Martin (of Medeski, Martin, and Wood), among others.
In addition to his preforming credits, Chris organizes and curates concerts in NYC, working closely with young up-and-coming new music ensembles. He has co-organized several performances for Issue Project Room’s “Gaudeamus Muzieweek New York” and “Darmstadt Series”, receiving critical acclaim in 2010 from TimeOut New York as one of the top ten concerts of the year performing Karlheinz Stockhausen’s epic works, Mikrophonie and Kontakte.
As an artist-in-residence he has taught at Suny Purchase and Cuny Brooklyn College, working with both student percussion ensembles and student composers. He is the director of the Stony Brook pre-college percussion ensemble and is on faculty at Suffolk Community College. He received a Bachelors of Music and Performers Certificate from SUNY Purchase College, Masters of Music from Stony Brook University, where he is currently a candidate in the Doctoral of the Musical Arts program. Previous teachers include Raymond DesRoches, Dominic Donato, Tom Kolor, Joseph Pereira, and Eduardo Leandro.