Sun January 10th, 2016
Minimum Age: All Ages
Doors Open: 3:00PM
Show Time: 3:30PM
Event Ticket: $15/$20/$25
free for members
“I believe we should talk about all classical music — especially the connection between new music and old music — and not keep it caged in an ivory tower anymore.” – Jenny Q Chai
Building on the success of her Piano Steampunk series, pianist Jenny Q Chai presents: Where is Chopin? In this performance, Jenny Q Chai explores the relationship between piano and electronics. The program will create a vivid musical story, making use of storytelling techniques common to novels and films, along with cutting edge music technology, such as the artificial intelligence program Antescofo. Highlighting works by composers Jaroslaw Kapuscinski and Robert Schumann, Chai will take audiences on an aural and visual journey that boldly redefines how we think of classical music today.
Works to be performed during the “Where is Chopin?” program include:
Jaroslaw Kapuscinski, Oli’s Dream
Robert Schumann, selections from Carnaval:
Jaroslaw Kapuscinski, Where is Chopin?
Robert Schumann, Chopin
Seated: $20 advance, $25 day of show
Standing: $15 advance, $20 day of show
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
Jenny Q Chai, Piano
An artist of singular vision, pianist Jenny Q Chai is widely renowned for her ability to illuminate musical connections throughout the centuries. With radical joie de vivre and razor-sharp intention, Chai creates layered multimedia programs and events which explore and unite elements of science, nature, fashion, and art. “Jenny Q Chai, who has studied with Pierre-Laurent Aimard, is following the more eclectic path…” New York Times.
Based in both Shanghai and Paris, Chai’s instinctive understanding of new music is complemented by a deep grounding in core repertoire, with special affinity for Schumann, Scarlatti, Beethoven, Bach, Debussy, and Ravel. She is a noted interpreter of 20th-century masters Cage, Messiaen, and Ligeti, and her career is threaded through with strong relationships and close collaborations with a range of notable contemporary composers, including Marco Stroppa, Jarosław Kapuściński, and György Kurtág. With a deft poetic touch, Chai weaves this wide-ranging repertoire into a gorgeous and lucid musical tapestry.
Chai is also a vital champion and early tester of the groundbreaking synchronous score following software program, Antescofo. Developed at IRCAM by scientist Arshia Cont and composer Marco Stroppa, the software offers a real time computer and animation response to live performance elements, enabling performers to create multimedia presentations of sophisticated and expressive fluency. Chai explored and helped hone Antescofo in residence at IRCAM (alongside frequent collaborator, Jarosław Kapuściński) and has since toured internationally with the software, offering multimedia performances in Shanghai, New York, Havana, and elsewhere.
Other notable highlights include her Carnegie Hall debut in 2012; many performances at (le) Poisson Rouge, including a 2016 Antescofo-supported program, Where’s Chopin?; lectures and recitals at the Shanghai Symphony Hall; a featured performance at the Leo Brouwer Festival in Havana, Cuba; Phillippe Manure’s double-piano concerto, Zones de turbulences, at the Warsaw Autumn International Festival of Contemporary Music (with duo partner, pianist Adam Kośmieja and the Polish National Radio Symphony Orchestra); and much more.
Her immersive approach to music is also channeled into her work with FaceArt Institute of Music, the Shanghai-based organization she founded and runs, offering music education and an international exchange of music and musicians in China and beyond. Additionally, Chai serves on the Board of Directors of the New York City-based contemporary music organization Ear to Mind, and has published a doctoral dissertation on Marco Stroppa’s Miniature Estrose.
Chai has recorded for labels such as Deutschlandfunk, Naxos and ArpaViva. In 2010, she released her debut recording, New York Love Songs – features interpretations of works by Cage and Ives, among others – and her most recent recording, Life Sketches: Piano Music of Nils Vigeland was released in 2014 by Naxos.
The recipient of the Yvar Mikhashoff Trust’s 2011 Pianist/Composer Commissioning Project, the DAAD Arts and Performance award in 2010, and first prize winner of the Keys to the Future Contemporary Solo Piano Festival, Jenny Q Chai has studied at the Shanghai Music Conservatory, the Curtis Institute of Music, the Manhattan School of Music, and in Cologne University of Music and Dance. Her teachers include Pierre-Laurent Aimard, Seymour Lipkin, Solomon Mikowsky, and Anthony de Mare.