Sat December 2nd, 2017
Minimum Age: 21+
Doors Open: 8:00PM
Show Time: 9:00PM
Event Ticket: $10
Day of Show: $12
This is a general admission event at Union Pool: 484 Union Ave, Brooklyn 11211
If you are an LPR member planning to attend this show, please email email@example.com
Philip White & Ted Hearne R WE WHO R WE “I Love You”
R WE WHO R WE — a project by composer/performers Philip White and Ted Hearne — releases its sophomore album, “I Love You”, on November 21. The duo will celebrate the release with their first New York show in several years on December 2 at Brooklyn’s Union Pool.
Both acclaimed creators in their own right, White and Hearne combine for R WE WHO R WE to make music that marries beauty and brutality. White’s homemade electronics merge with Hearne’s expressive vocal feats in songs gutted with noise. Brash, hollowed out standards are deconstructed and infused with moments of arresting but temporary warmth.
On their eponymous debut, the duo deconstructed pop songs: Madonna’s “Material Girl”, Eminem’s “Hi My Name Is” and of course Ke$ha’s “WE R WHO WE R” from which they cribbed their name. The album paid uneasy tribute to the way these songs offered a sense of self for the listener, while maintaining a constant push undermining each song’s exploitative potential. With that, R WE WHO R WE became a project about how we sculpt and perform our identities.
”I Love You” shifts these ideas about identity onto a fractured set of cultural narratives about relationships, love and masculinity; honing in on the inevitable collisions. Nine original songs fuse a ballad-driven sense of lyricism with a noise-music sonic palette, in a sense both violent and pathetic. The duo works through disturbed desire (“Song and Dance,” “Kristin”), adolescent projections (“I Just Want U II”, “Womb”), disintegrating relationships (“Silence”, “Valentine’s”, “Cutaway”) and violence (“Two Trees”, “Firestarter”).
Hearne and White met in 2005 in Charleston, SC as young composers. After diverging on different paths (Ted to Yale for composition and Philip to Mills College for electronic music) the two reconnected in NYC in 2010 and formed R WE WHO R WE. White plays a self-constructed and ever-evolving instrument made of both repurposed analog electronics and state-of-the-art digital controlling devices, harnessing no-input feedback into a mystifying array of luscious sonic landscapes and hard driving dance beats, which the Wall Street Journal has called a “vibrant textural tapestry” and the Village Voice has called “annihilating and enervating.” Hearne, a singer with a massive range of styles and registers (“a vocal hellion,” Time Out Chicago; “fresh and muscular music,” The New York Times), brings an expressive intensity to his performances, embodying a landscape of emotions and vocal color, from the stripped-down human voice to the ecstatically digitally processed.
Tigue is a group of three percussionists with a fluid musical identity. The Brooklyn-based trio (Matt Evans, Amy Garapic and Carson Moody) makes their own kinetic and hypnotic blend of instrumental minimalism while opening up the possibilities of their instrumentation through commissioning and collaboration. Tigue’s debut album Peaks was released in 2015 with New Amsterdam Records with highlighted performances at the Ecstatic Music Festival, Bric Celebrate Brooklyn! Festival, and the Zemlika Festival in Durbe, Latvia. Recent commissions and premieres have included works by Molly Herron, Randy Gibson, Jason Treuting, Adrian Knight and Robert Honstein alongside collaborative ventures with Kid Millions and visual artist / sculptor Michael Mercil. These works have been presented in concert halls, galleries, black box theaters and universities throughout the country including EMPAC, Roulette, The deCordova Sculpture Park and Museum, Noguchi Museum, Yale School of Music, and Princeton University. Praised for their focused and “high octane” performances (New York Times), the Ohio-born band members have worked together since they were practically children.
Along with performing, the members of Tigue are dedicated to outreach and community projects. In collaboration with Make Music New York, the trio has led three 10-week music education programs with adult and adolescent inmates at New York City’s Rikers Island Correctional Facility, featured in both the New York Times and Rolling Stone Magazine. Working with inmates in both men’s and women’s facilitates, the trio shared the communicative nature of music through West African musical traditions and hand drumming culminating with inmate performances for the Rikers population. Tigue has also presented workshops and masterclasses with collegiate universities, elementary classrooms and community groups across the globe.
This past spring Tigue events included a Carnegie Neighborhood series performance in the Bronx premiering the latest movement of Jason Treuting’s piece 9 numbers, a trip to Boston, MA to perform on the Celebrity Series “Stave Sessions “ with fellow Brooklyn trance inducers Innov Gnawa, the premiere of Randy Gibson’s “The Four Pillars Appearing from The Resonating Discs invoking The 72:81:88 Confluence in a setting of Quadrilateral Starfield Symmetry ATS4 Base 6:81” with the Avant Media Festival, a weekend in Columbus, OH performing the latest version of Michael Mercil’s “Thoreau’s Desk” and a week long workshop and performance of new music for new instruments with composer Molly Herron and instruments designed by Dartmouth College engineering students.
2016 was a busy year for Tigue. The ensemble appeared as part of the Ecstatic Music Festival, Avant Media Festival, American Music Festival, and Celebrate Brooklyn! Festivals where they performed new music of their own along with composers Adrian Knight and Jason Treuting. The group made their first trip to the West Coast, with help from the Permutations Series and the Center for New Music, and they flew to Latvia for their first international performance as part of the Zemlika Festival. In between these projects Tigue played intimate shows with their friends in the Brooklyn community, presented workshops and master classes for elementary school classrooms and ivy league institutions, and started recording their second album. Most recently, this past February, Tigue hosted a three week Sunday night residency at local Gowanus music venue Three’s Brewing, presenting concerts with Brooklyn community talents Alice Cohen, J. Hoard, Qasim Naqvi, LADAMA, Wilder Maker and Innov Gnawa.
Photo Credit: Catalina Kulczar
Ka Baird is a multi-instrumentalist and vocalist living and working in NYC. She is one of the founding and continuing members of the long running avant psych project Spires That In The Sunset Rise. Described by Jack Rose as a “female Sun City Girls,” STITSR have contributed a different slant to the New Folk movement by incorporating various avant-garde and world music influences into their music. Their sound has been compared to the Raincoats, Meredith Monk, Comus and Harry Partch. Their most recent album “Beasts In The Garden” was described by Marc Masters as “some kind of long-lost Terry Riley/Angus MacLise collaboration, equally devoted to divine repetition and center-seeking ritual.” Since 2001, they have released eight full length records and several side releases.
Since relocating to NYC in November 2014, Baird has set off in numerous directions apart from Spires with new collaborations as well as honing in on her own solo work. Her current work explores piano improvisation, electroacoustic interventions, extended vocal techniques, physical movement, and her unusual electronic manipulation of the flute. She released an album of piano improvisations through Brooklyn label Perfect Wave “See Sun Think Shadow” in November of 2015 and a tribute record “A Love Supreme” dedicated to John Coltrane through Chicago label No Index in January of 2016.
Her latest album “Sapropelic Pycnic” was released on Drag City Records on September 22, 2017. Reaching toward the ancient roots of music, Ka utilizes electronic manipulation (primarily using the flute as the sound source) to take the ear past preconception, combining the linearity of the physical with the abstraction of the cerebral, crafting textural rhythmic noise with lush operatic passages.
She has toured extensively both nationally and internationally with performances at the Museum of Contemporary Art (Chicago), MoMA PS1 (Brooklyn), Roulette Intermedium (Brooklyn), Issue Project Room (Brooklyn), Fridman Gallery, Cafe OTO (London), and numerous festival appearances with Spires including TUSK (Newcastle, UK), Incubate (Tilburg, Netherlands), and Festival Of Endless Gratitude (Copenhagen, DK). She also co-runs the label and concert organizer Perfect Wave with Camilla Padgitt-Coles.