Tue November 21st, 2017
Minimum Age: All Ages
Doors Open: 6:00PM
Show Time: 7:00PM
Event Ticket: $25
Day of Show: $30
featuring the Pablo Ziegler Quartet for New Tango
with Hector del Curto, bandoneon; Claudio Ragazzi, guitar; Andrew Roitstein, bass
On September 6, 1987, tango grand-maestro Astor Piazzolla gave a concert at the peak of his career in New York City’s Central Park, resulting in what many critics consider to be the definitive live recording of Piazzolla with his ensemble. That ensemble included Pablo Ziegler, the Argentine pianist and composer who helped shape the modern tango. Now Ziegler and acclaimed violinist Lara St. John offer a special concert program that celebrates Piazzolla’s famous Central Park Concert.
The program recreates most of the original Central Park program, which includes many of the late Argentine composer’s most beloved works, as well as exquisite compositions by Ziegler. The line-up features the same instrumentation as Piazzolla’s iconic New Tango Quintet, including Ziegler, who played in Piazzolla’s quintet for more than a decade.
Ziegler and St. John debuted this program at Central Park’s Naumburg Orchestral Concerts series in celebration of the 25th anniversary of Piazzolla’s Central Park Concert. The 2012 concert drew the largest crowd in the series’ 107 years. Ziegler and St. John have since toured the program to the University of Georgia in Athens, the University of Colorado in Boulder, and the Broward Center in Fort Lauderdale. Writes New York Music Daily about the Naumburg concert: “They dug deeply into the material right from the start, with a brightly glimmering, hard-hitting version of ‘Michaelangelo’, then played up the jazz and ragtime aspects of ‘Muerte Del Angel’, then brought the lights down with the dirge ‘Introduccion Del Angel’, bandoneon and violin sailing over the murk below. […] The audience responded thunderously.”
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
For decades, Buenos Aires-born, Latin Grammy-winning pianist, composer and arranger Pablo Ziegler has been one of the most important figures in Argentine New Tango, the vibrant musical hybrid of classic tango and American jazz. Mark Swed of The Los Angeles Times writes, “He is cool, understated and makes everything look easy and natural… Just as a really suave tango dancer seems not to move with feet but on wheels, Ziegler skates the keyboard.” After performing in tango grand-maestro Astor Piazzolla’s legendary quintet for over a decade, and appearing on iconic Piazzolla recordings including Tango: Zero Hour, La Camorra and Central Park Concert, Ziegler has led his own groups for over 20 years, refining and reimagining the bounds of the tango tradition. Touring throughout the world with his trio, quartet and quintet, recent seasons have seen Ziegler performing at venues such as Carnegie Hall, the Chautauqua Institute, the San Francisco Jazz Festival, and the Laguna Beach Music Festival. He has been featured as guest soloist with major orchestras around the world, playing his own compositions as well as the music of Piazzolla with the Presidential Orchestra of Turkey, the Tokyo Chamber Orchestra, and Jazz Sinfonica Orchestra in São Paolo, Brazil. Ziegler’s most recent recording, 2013’s critically acclaimed Amsterdam Meets New Tango, sees his quartet paired with the Netherlands’ Metropole Orkest. In 2011, Ziegler’s work as music director, arranger and pianist for bass-baritone opera star Erwin Schrott earned an Echo Klassik Award for the album Rojotango. Ziegler’s 2005 release, Bajo Cero, won the Latin Grammy Award for Best Tango Album, and in 2008, his album Buenos Aires Report made the final list of nominees for the same honor.
Photo Credit: Shigeto Imura
Lara St. John, violin
Canadian-born violinist Lara St. John has been described as “something of a phenomenon” by The Strad and a “high-powered soloist” by the New York Times.
She has performed as soloist with the orchestras of Cleveland, Philadelphia, San Francisco, Seattle, the Boston Pops, Toronto, Montreal, Vancouver, the Royal Philharmonic Orchestra, NDR Symphony, Zurich Chamber Orchestra, Ensemble Orchestral de Paris, Strasbourg Philharmonic, Bournemouth Symphony, Camerata Ireland, Belgrade Symphony, Amsterdam Symphony, and the Akbank Chamber Orchestra in Turkey, among others.
Lara has also performed with the Queensland Orchestra, Adelaide Symphony, ACO², Auckland Philharmonia, Tokyo Symphony, Kyoto Symphony, Yomiuri Nippon Symphony, Hong Kong Philharmonic, China Philharmonic, Hangzhou Symphony and the Shanghai Symphony.
She has traveled to Latin America for appearances with the Simón Bolívar Youth Orchestra of Venezuela, the Sao Paulo Symphony, Rio de Janeiro’s Orquestra Sinfonica Brasileira, Orquestra Filarmônica de Minas Gerais, Orquesta Sinfónica Nacional del Ecuador, Orquesta Sinfónica Nacional de México, the SODRE in Montevideo and the Sociedad Filarmónica de Lima in Peru.
Recitals in major concert halls have included New York, Boston, San Francisco, Ravinia, Wolf Trap, Washington DC, Prague, Berlin, Toronto, Montreal, Bogotá, Lima, and in the Forbidden City.
The Los Angeles Times wrote “Lara St. John happens to be a volcanic violinist with a huge, fabulous tone that pours out of her like molten lava. She has technique to burn and plays at a constant high heat.”
Lara owns and runs her own label, Ancalagon, which she founded in 1999. Bach: The Six Sonatas & Partitas for Violin Solo was the best-selling double album on iTunes in 2007. Her 2008 world premiere recording of Matthew Hindson’s Violin Concerto prompted Gramophone to write: “It’s the sort of work that should get audiences running, not walking, back to concert halls on new-music nights.”
In 2009, American Record Guide said of her Vivaldi/Piazzolla disc with the Simon Bolivar Youth Orchestra of Venezuela: “I can imagine no suaver, more atmospheric performance.” Her Mozart recording won a Juno Award in 2011.
In 2014, her Schubert album with Berlin Philharmonic harpist Marie-Pierre Langlamet, cellist Ludwig Quandt and soprano Anna Prohaska was chosen as one of ‘The Best CDs of Spring’ by Der Tagsesspiegel and MDR Figaro recommended it for its “boundless enchantment.”
Her 2016 release of re-imagined folk music with pianist Matt Herskowitz got a five-star review from All About Jazz: “Music like this is beyond imagination and talent. It exists only in the loosely-held molecules found on the razor’s edge of Creation.”
She has been featured in People, US News and World Report, on CNN’s Showbiz Today, NPR’s All Things Considered, CBC, BBC, a Bravo! Special: Live at the Rehearsal Hall and on the cover of Strings.
Lara began playing the violin when she was two years old. She made her first appearance as soloist with orchestra at age four, and her European debut with the Gulbenkian Orchestra when she was 10. She toured Spain, France, Portugal and Hungary at ages 12 and 13 and entered the Curtis Institute at 13. Her teachers have included Felix Galimir and Joey Corpus.
She performs on the 1779 “Salabue” Guadagnini thanks to an anonymous donor.