Ólöf Arnalds is an Icelandic singer and multi-instrumentalist. Classically educated on the violin, viola and self-taught on guitar and charango, Ólöf’s most distinctive asset is, nonetheless, her voice. A voice of instantly captivating, spring water chasteness possessed of a magical, otherworldly quality that is simultaneously innocent yet ancient (“somewhere between a child and an old woman” according to no less an authority than Björk).
 
While she has been favourably compared with the likes of Vashti Bunyan, Judee Sill and Kate Bush, Ólöf’s approach to making music remains highly individual: playful but intimate; accessible and uplifting, yet deeply personal and suffused with a timeless mystique that goes beyond the puckish inscrutability of her native tongue. Ólöf has also quickly proved herself as a magnetic, utterly self-assured stage performer, reliant as much on screwball humour, vaudevillian charm and even outright bawdiness, as much as the contrasting delicacy of her song delivery.
 
Originally released in 2007, Ólöf’s debut album, Við og Við was included in both eMusic and Paste Magazine’s 100 Best Albums of the Decade lists. Ólöf was named Iceland’s Composer of the Year in 2010 for the songs on her second album, Innundir skinni. The record also made Uncut Magazine’s Top 50 Albums of 2010 and was nominated for the inaugural Nordic Music Prize.

Solo indie musician from Boston, MA.
 
Seth La Pointe started his solo project back in 2008 after the fall of my previous acoustic duo, it was sort of a Simon and Gurfunkel type of falling out. Since then he has toured primarily around New England, NYC, and Stockholm.

Seth La Pointe on Facebook

Zach Brock, jazz violinist and composer, is forging a unique musical identity with “audacious ingenuity and masterful command of his instrument,” says Bill Milkowski of Jazz Times. Distinguished jazz critic Howard Reich of the Chicago Tribune writes that Zach Brock is a violinist “whose every phrase argues for the instrument’s value in 21st century jazz.” Neil Tesser echoes, “Zach Brock is the pre-eminent improvising violinist of his generation.”
 
2013 is proving a landmark year for Brock as he tours as co-leader with renowned pianist/composer Phil Markowitz, appears in festivals with the Stanley Clarke Band, and premiers new classical works by Laurie Altman and Preston Stahly. In August Brock was named “2013 Rising Star Violinist” by Downbeat Magazine.
 
Zach’s debut recording for the Dutch label Criss Cross Jazz, Almost Never Was, was listed as one of The Chicago Tribune’s Top 10 Jazz Recordings of 2012 and features Brock with pianist Aaron Goldberg, bassist Matt Penman, and drummer Eric Harland in a set of new originals, standards, and contemporary classics. While Criss Cross’ considerable catalog of renown jazz players stretches back to 1978, Almost Never Was is the first to be led by a violinist. In December 2012 the quartet played to a capacity audience for the album’s release at NYC’s Jazz Standard and were also featured in a live broadcast for WNYC’s Soundcheck with John Schaefer.
 
In 2010, alongside longtime collaborator Matt Wigton on bass and Frederick Kennedy on drums, Zach recorded The Magic Number. The trio made their international debut at the 2010 Toronto Jazz Festival and in 2012 they represented the U.S. Department of State as Arts Envoys to the Solomon Islands.
 
Zach’s first band, The Coffee Achievers, after recording two CDs on Brock’s Secret Fort label, performed at Carnegie Hall in 2005 at the invitation of trumpeter and composer Dave Douglas. Later that year they were invited to perform at the Ouro Preto Jazz Festival in Brazil by recommendation of MacArthur Grant recipient Patricia Barber.
 
As a sideman Zach has performed and recorded with many notable artists such as bass legend Stanley Clarke, brass virtuoso Wycliffe Gordon, the neo-funk band Snarky Puppy, bassist/ composer/Greenleaf recording artist Matt Ulery, and singer-songwriter/cellist Ben Solle.
 
Born in Lexington, KY, Zach grew up in a family of musicians and was performing publicly by the age of six. From a background in classical and folk music, Zach became serious about studying jazz while in high school. He moved to Chicago with the dual goal of furthering his classical studies at Northwestern University, while embracing the city’s rich jazz scene. He relocated to New York City in 2005.
– See more at: http://www.zachbrock.com/site/full-bio/#sthash.3y3fwlYs.dpuf