Mon April 16th, 2018
Minimum Age: 18+
Doors Open: 7:00PM
Show Time: 8:00PM
Event Ticket: $25
Day of Show: $30
The Nels Cline 4 feat. Julian Lage, Scott Colley & Tom Rainey
with Marika Hughes (cello) & Rashaan Carter (bass)
Of all the rich and varied projects guitarist Nels Cline has pursued since his emergence as a leader in the late 1980s, his two-guitar duo with Julian Lage, documented on the 2014 album Room, ranks among the most special. With Currents, Constellations, Cline’s second Blue Note release, the duo has morphed and expanded into The Nels Cline 4, made up of Cline and Lage plus the fierce and versatile rhythm section of bassist Scott Colley and drummer Tom Rainey.
Known as the lead guitarist of Wilco since 2004, and one of Rolling Stone’s “100 Greatest Guitarists,” Cline is coming off the success of his 2016 Blue Note debut Lovers, a “quietly ravishing double-album” (NY Times) ) featuring Cline with a large ensemble that was “wildly inventive in its watercolored way” (Rolling Stone). On Currents, Constellations Cline embraces a sparser but edgier instrumentation, which serves the adventurous thrust of the music, brimming as it does with raw energy and wild beauty.
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
Guitar explorer NELS CLINE is best known these days as the lead guitarist in the band Wilco. His recording and performing career – spanning jazz, rock, punk, and experimental – is well into its fourth decade, with over 160 recordings, including at least 30 for which he is leader. Born in Los Angeles in 1956, Cline has received many accolades including Rolling Stone anointing him as both one of 20 “new guitar gods” and one of the top 100 guitarists of all time.
Beyond Wilco, he leads The Nels Cline Singers (featuring Scott Amendola and bassist Trevor Dunn), and plays with Fig (a collaboration with Yuka Honda), BB&C (a collective with Time Berne & Jim Black), Pillow Wand (duo with guitarist Thurston Moore), and a new duo project with jazz guitar prodigy Julian Lage. A few of the other musicians with whom he has performed and/or recorded include: Ramblin’ Jack Elliot, Yoko Ono, Jeff Gauthier, Mike Watt, Carla Bozulich, Vinny Golia, Marc Ribot, Tinariwen, Julius Hemphill, Charlie Haden, Wadada Leo Smith, Lydia Lunch, and Lee Ranaldo.
photo credit Yuka C. Honda
Hailed as one of the most prodigious guitarists of his generation and “highest category of improvising musicians” (New Yorker), Julian Lage has spent more than a decade searching through the myriad strains of American musical history via impeccable technique, free association and a spirit of infinite possibility. The California-born New York-based musician boasts a prolific resume on his own accord in addition to collaborating with Gary Burton and John Zorn, as well as duo projects with Nels Cline, Chris Eldridge and Fred Hersch, among others.
As Lage set out to record his debut for Blue Note Records, the virtuoso guitarist reflected on the label’s storied history and the way his own music connected with it. The result is Squint, a striking new album that weds incisive, expressive songwriting with the profound interplay Lage has honed over the past few years with his deft trio featuring bassist Jorge Roeder and drummer Dave King.
Scott Colley, the bassist of choice for such jazz legends as Herbie Hancock, Jim Hall, Andrew Hill, and Michael Brecker. His remarkably empathetic skills, strong melodic sense and improvisational abilities have served him well in groups led by colleagues Chris Potter, Adam Rogers, Brian Blade, David Binney, and Kenny Werner. But it is as a composer and bandleader in his own right that Colley has flourished in recent years, as evidenced by a string of recordings, beginning with his 1996 debut Portable Universe, (Freelance) and continuing with 1997’s This Place (SteepleChase), 1998’s Subliminal (Criss Cross), 2000’s The Magic Line (Arabesque) 2002’s Initial Wisdom (Palmetto), 2007’s Architect of the Silent Moment (CAM jazz), and the 2010-release, Empire (CAM jazz).
Appearing on more than 200 albums to date. He has worked with a variety of musicians from guitarists Bill Frisell, Pat Metheny and Adam Rogers; saxophonists Michael Brecker, Chris Potter and Clifford Jordan; pianists Herbie Hancock, Kenny Werner, Edward Simon; and drummers Brian Blade, Antonio Sanchez, Bill Stewart and Roy Haynes.
Born on November 24, 1963. Scott is currently living in New York. He began studying bass at age 11. At 13, he began studying with bassist Monty Budwig. He attended Eagle Rock High School in Los Angeles, where he studied under John Rinaldo, renowned director of music at the school. After graduating high school he was granted a full scholarship to the California Institute for the Arts, where he focused on composition and jazz studies while also studying privately with Charlie Haden and classical bassist Fred Tinsley (of the Los Angeles Philharmonic). In 1986, he began touring and recording with jazz vocal legend Carmen McRae. In 1988 he graduated Cal Arts with a Bachelor of Music degree.
-1988: Moved to New York City. -1988 to 1989: He performed in U.S. and European tours with Carmen McRae; Dizzy Gillespie; and Clifford Jordan.
-1990 to 1995: Bands included Jim Hall, John Scofield, Joe Henderson and Art Farmer.
-1996 to 1998: His work included touring with a group led by Joe Lovano and Jim Hall, Tours with Toots Thielemans; Bobby Hutcherson; and Bob Berg; extensive touring with Andrew Hill’s “Another Point of Departure” sextet.
-2000-2004: For five years Colley toured extensively as a member of Herbie Hancock’s working trio and two separate quartets (one featuring saxophonist Gary Thomas, the other featuring vibist Bobby Hutcherson) at concerts around the world. Hancock’s trio has also performed in concert engagements with symphonic orchestras throughout the United States. During that time he also tour extensively with the Andrew Hill trio and sextet, and the Chris Potter Quartet.
-2005-2007: Extensive touring with “Directions in Music”, a collaboration with Micheal Brecker, Herbie Hancock, and Terri Lyne Carrington; Trio concerts with Pat Metheny; Tours with Jim Hall; Teaching residencies at The Banff Center, Virginia Commonweath University, and Vallekilde Denmark, European and U.S. tours with Chris Potter’s Quartet; concerts with Chris Potter and Antonio Sanchez; U.S and European tours with his own trio and quartet.
-2006-07: Extensive touring with his own quartet and trio. Recordings include projects with Chris Potter; Luciana Souza; Abbey Lincoln; Adam Rogers; Donny McCaslin; 2 recordings with Kenny Werner; and his own release Archetect of the Silent Moment (featuring: Ralph Alessi, David Binney, Craig Taborn, Jason Moran, Adam Rogers, Gregoire Maret, and Antonio Sanchez.) -2008-to Present: During the last few years he is touring with his quartet and trio in the US, Europe and South America. Also touring with Edward Simon and Brian Blade; Chris Potter’s Underground; The Antonio Sanchez Quartet; Dave Douglas’ “Magic Circle”; a quartet with David Binney, Craig Taborn and Brian Blade; The Kenny Werner Quintet. Teaching residencies in the U.S. and Europe.
In the last few months, Scott has recorded CD’s with The New Gary Burton Quartet; also a recording with The John Scofield Quartet; Scott will be touring with both groups extensively; as well as with his own trio: which includes Chris Potter and Antonio Sanchez); “KCB Collective”: with Danish Saxophonist Benjamin Koppel and drummer Brian Blade; and the new group “Steel House”: with pianist Edward Simon and Brian Blade. All three groups are scheduled to release recordings in 2015-2016.
Scott’s newest recording Empire available now on the CAM label, the recording features all original compositions with Bill Fresell, Ralph Alessi, Brian Blade and Craig Taborn.
Marika Hughes (cello) & Rashaan Carter (bass)
About Marika Hughes:
Marika is a cellist, singer, composer, song-writer and teacher. A native of NYC, Marika was exposed to a varied creative life from an early age. Her parents owned a jazz club on the Upper West Side and she was fortunate to enjoy an exciting classical music life as the granddaughter of the great cellist, Emanuel Feuermann. She was a regular on Sesame Street, was a member of New York Youth Symphony, spent summers at the chamber music camp, Greenwood, was a student at festivals in Europe and busked in NYC with her high-school string quartet. Marika received her B.A. from Barnard College in political science and cello performance at the Juilliard School, where she studied with Ardyth Alton.
Shortly after completing her studies, Marika left NYC and moved to San Francisco, CA. It is there that she began to explore a musical life outside of the western classical tradition of her childhood training. In addition to playing in the Berkeley and Santa Rosa Symphonies, she joined Quartet San Francisco and enjoyed performing and recording for a host of artists and films including, Tom Waits, Mr. Bungle, Xiu Xiu, Santana and Finding Nemo.
Marika joined Carla Kihlstedt and Shahzad Ismaily in 2 Foot Yard. The band released two CDs; 2 Foot Yard (Tzadik, 2005) and Borrowed Arms (Yard Work, 2008). She founded the band Red Pocket with Jewlia Eisenberg and they released their CD, Thick, on Tzadik’s Oracle Series. She also joined Jewlia’s a cappella trio, Charming Hostess. She is a featured singer on that band’s release, Sarajevo Blues (Tzadik 2005). Marika began her compositional work here, writing string arrangements and songs for all of these groups.
In 2006, Marika moved back to NYC. She has enjoyed playing with many local musicians she has long admired as well as some superstars. She has performed and/or recorded with D’Angelo, Whitney Houston, Mary J. Blige, Sean Lennon, Valerie June, David Byrne, Lou Reed, Ani DiFranco, Imani Uzuri, Charlie Burnham, Anthony Braxton, Toshi Reagon, Adele, Aruan Ortiz, Nasheet Waits and Henry Threadgill. She has appeared on The David Letterman Show, The Jimmy Fallon Late Night Show as well as Saturday Night Live.
Upon returning to NYC, Marika began to write for her own groups. She has written songs steeped in instrumental composition and lyrical content. In the last few years she has enjoyed writing entirely instrumental tunes for her new string quartet of cello, upright bass, violin and acoustic guitar (with Rashaan Carter, Charlie Burnham and Marvin Sewell respectively). She has released three records of original music under her own name; Afterlife Music Radio (2011) with pieces written specifically for her solo cello by artists including Nasheet Waits, Carla Kihlstedt and Eyvind Kang, The Simplest Thing (2011) an album of original songs and most recently, New York Nostalgia (2016) with her band, Bottom Heavy.
Marika has worked with Triad Trust, a Boston based NGO for 10 years. The ImprovED program which Marika helped to create (in rural South Africa and Haiti) utilizes a unique improvisation technique that provides students a stage to rehearse critical moments in their young lives. Thru original song and dramatic sketches, the local ImprovED troupe teaches ideas and practices related to self care and HIV?/AIDS testing/prevention/ treatment in the communities where they live.
In addition to her cello duties, Marika enjoyed being a guest host for Terrance McKnight’s radio show, All Ears on WQXR, she has been a featured storyteller on The Moth and was a cast member of Stew’s play, Family Album produced by the Oregon Shakespeare Festival. Marika lives in Brooklyn, NY.
About Rashaan Carter:
Rashaan Carter grew up in the Washington D.C. area. It was there, with the nurturing of his father, a saxophonist, and his mother, a jazz radio programmer, Rashaan forged an interest in music. After stints with various instruments, the bass became the voice for his musical expression. Rashaan worked and gained experience in the local scene in Washington D.C. and after high school, moved to New York City to attend the New School University. At the New School, Rashaan studied with Buster Williams and Reggie Workman. While attending the New School he also began to work with many of the faculty including Joe Chambers and Jimmy Owens, among others. Since moving to New York Rashaan has become entrenched in the jazz scene and has worked with Benny Golson, Curtis Fuller and Louis Hayes, Wallace Roney, Marc Cary, Cindy Blackman, Doug and Jean Carn, Antoine Roney, Sonny Simmons, and many more. He’s also studied with one of his prime influences, Ron Carter. Rashaan regularly performs with a myriad of artists in and outside of New York and can be found on various recordings as well.