with Aaron Roche, films by Stephen Taylor, Abigail Fischer & NOW Ensemble
Sun November 11th, 2012
Minimum Age: All Ages
Doors Open: 7:00PM
Show Time: 8:00PM
Event Ticket: $15
Day of Show: $20
Come celebrate the release of the original cast recording of Missy Mazzoli’s new opera, Song from the Uproar, on New Amsterdam Records, with performances by mezzo-soprano Abigail Fischer, NOW Ensemble, projections by Stephen Taylor, and a special opening set by noir songsmith Aaron Roche (recently back from tours with Sufjan Stevens, Mike Watt and Ariel Pink). Inspired by the life and writings of early 20th-century Swiss adventurer Isabelle Eberhardt, Song from the Uproar premiered in a sold-out run at New York venue The Kitchen in a Beth Morrison Projects world-premiere production last February.
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
Missy Mazzoli and Victoire
Missy Mazzoli was recently deemed “one of the more consistently inventive, surprising composers now working in New York” (The New York Times), “Brooklyn’s post-millennial Mozart” (Time Out New York) and “one of the new wave of scarily smart young composers” (sequenza21.com). Her music has been performed all over the world by the Kronos Quartet, eighth blackbird, pianist Emanuel Ax, the American Composers Orchestra, JACK Quartet, New York City Opera, the Minnesota Orchestra, the Detroit Symphony, cellist Maya Beiser, violinist Jennifer Koh, pianist Kathleen Supové, Dublin’s Crash Ensemble, the Sydney Symphony and many others. She is currently Composer-in-Residence with Opera Philadelphia, Gotham Chamber Opera and Music Theatre-Group, and in 2011/12 was Composer/Educator in residence with the Albany Symphony. Missy was a visiting professor of music at New York University in 2013, and recently joined the composition faculty at the Mannes College of Music.
The 2014/15 season will include many new projects and collaborations, including a new work for the Ethel String Quartet, a performance on the New York Philharmonic’s CONTACT! Series, and the second release from Missy’s band Victoire – an album of her works recorded with Wilco percussionist Glenn Kotche and electronic musician Lorna Dune. Missy and Victoire will perform around the country next year in support of their new album, and will join Meredith Monk in a celebration of her work at Carnegie Hall. Along with librettist Royce Vavrek, Missy is also working on Breaking the Waves, a chamber opera based on Lars von Trier’s 1996 film, commissioned by Opera Philadelphia.Breaking the Waves will premiere in 2016.
Continue reading at missymazzoli.com…
This “all-star, all-female band” (Time Out New York) of voices, strings, keyboards, clarinets and electronics performs Mazzoli’s hypnotic blend of dreamy art pop and rich romanticism, enveloping the listener in a tapestry of classical influences, distorted guitars, multi-layered vocals, vintage keyboard sounds and stuttering samples. Victoire has performed all over the world, most recently at Carnegie Hall in a collaborative performance with Wilco drummer Glenn Kotche as part of the Ecstatic Festival. Their debut album Cathedral City, was named one of 2010′s best classical albums by the New York Times, Time Out New York, the New Yorker and NPR, and Pitchfork praised the group for “condensing moments of focused beauty and quiet conviction from the pandemic distractions of modern life. (7.8)” NPR’s First Listen asks “Is Victoire’s music post-rock, post-mimimalist or pseudo-post-pre-modernist indie-chamber-electronica? It doesn’t particularly matter. It’s just good music.” In the past few years they have played in venues all over the world including Carnegie Hall, the Brooklyn Academy of Music, the M.A.D.E. Festival in Sweden, the C3 Festival in Berlin, Millennium Park (Chicago), and the Winter Garden (New York, as part of the Bang-on-a-Can New Music Marathon). Victoire is Missy Mazzoli (compositions, keyboards), Mellissa Hughes (voice), Olivia De Prato (violin), Eileen Mack (clarinet), Lorna Krier (keyboards), and Eleonore Oppenheim (double bass).
Missy Mazzoli official site
Victoire official site
Lorna Krier official site
Aaron Roche is a musician living and moving in Brooklyn, New York. He has performed as a soloist with various orchestras around the United States. He has had formative musical experiences working with Shahzad Ismaily, Anohni, R. Stevie Moore, and many more.
“!BlurMyEyes” was recorded for New Amsterdam Records a few years back.
Most recently Aaron has completed an album 7 years in the making entitled “Haha Huhu” for Figure 8 Records which grapples with the idea of mental illness in the modern age.
films by Stephen Taylor
Equally expert at music from the Baroque era to contemporary work, mezzo-soprano Abigail Fischer has performed with American Bach Soloists, New York Collegium, Early Music New York, the Rebel Ensemble, Boston Modern Orchestra Project, the Boston Pops, and has given world premieres of music by John Zorn, Nico Muhly, Missy Mazzoli, Bernard Rands, Elliot Carter, and the Bang on a Can artists.
NOW Ensemble is a dynamic group of performers and composers dedicated to making new chamber music for the 21st century. With a unique instrumentation of flute, clarinet, electric guitar, double bass, and piano, the ensemble brings a fresh sound and a new perspective to the classical tradition, infused with the musical influences that reflect the diverse backgrounds of its members. NOW has brought some of the most exciting composers of their generation to national and international recognition.