Since forming as teenagers in 2006, The Menzingers have shown their strength as rough-and-tumble storytellers, turning out songs equally rooted in frenetic energy and lifelike detail. On their new album Hello Exile, the Philadelphia-based punk band take their lyrical narrative to a whole new level and share their reflections on moments from the past and present: high-school hellraising, troubled relationships, aging and alcohol and political ennui. And while their songs often reveal certain painful truths, Hello Exile ultimately maintains the irrepressible spirit that’s always defined the band. The sixth full-length from The Menzingers, Hello Exile arrives as the follow-up to After the Party: a 2017 release that landed on best-of-the-year lists from outlets like Clash
and Noisey, with Stereogum praising its “almost unfairly well-written punk songs.” In creating the album, the band again joined forces with producer Will Yip (Mannequin Pussy, Quicksand), spending six weeks recording at Yip’s Conshohocken, PA-based
Studio 4. “That’s the longest amount of time we’ve ever worked with Will,” notes Barnett. “We wanted to make sure these stories didn’t get lost in the music, so we kept it to a lot of room sounds with the guitar and bass and drums.” Despite that subtler sonic approach, Hello Exile still rushes forward with a restless urgency—an element in full force on the album-opening “America (You’re Freaking Me
Out).” With its pounding rhythms and furious guitar riffs, the viscerally charged track provides a much-needed release for all those feeling frenzied by the current political climate. “We’re living in a pretty insane time, where all you can think about every single
day is ‘What the hell is going on with this country?’” says Barnett. “But as I was writing that song I realized that it’s kind of always freaked me out, especially coming-of-age during the Iraq War. I love so much about America, but I think you can’t deny that there
are some people in power who are absolutely evil.” Elsewhere on Hello Exile, The Menzingers turn their incisive songwriting to matters of love and romance, exploring the glories and failures of human connection. A wistful piece of jangle-pop, “Anna” paints a portrait of lovesick longing, complete with dreamy recollections of wine-drunk kitchen dancing. And on “Strangers Forever,” the band shifts gears for a searing tribute to parting ways, backing their spiky guitars with brilliantly barbed lyrics (e.g., “Maybe it’s for the better if we both stay strangers forever”). An album fascinated with home and displacement and belonging (or the lack thereof), Hello Exile takes its title from its heavy-hearted centerpiece. With its aching vocals, graceful acoustic guitar work, and beautifully lilting melody, “Hello Exile” draws inspiration from Anton Chekhov’s “The Lady with the Dog” (a short story set in the Black Sea resort city of Yalta). “I grew up in a tiny town that’s essentially a cross between a
summer-vacation spot for New Yorkers and a retirement home, so for most of my childhood there were always people coming in and out of my life,” says Barnett, who hails from Lake Ariel, PA. “Reading that story made me think of how isolating it felt when my friends would leave to go back to the city at the end of the season, and I’d still just be stuck way out there in the woods.”
In looking back on the songwriting process behind Hello Exile, Barnett points to the starkly confessional “I Can’t Stop Drinking” to illustrate the band’s commitment to total candor. “We’ve written so many songs about fun times with alcohol—but the older you
get, it’s not always fun anymore,” he says. “With ‘I Can’t Stop Drinking,’ I wanted to be completely truthful and get away from glorifying anything. Sometimes it’s tough to look at yourself and at others that way, but it felt important to make it as real as possible.”
With the band achieving that soul-baring intimacy all throughout the album, Hello Exile emerges as The Menzingers’ most emotionally daring work to date. “We’ve always been
in love with good songwriting and the beauty of taking a song to its fullest potential, but with this album I feel like we’re really becoming the band we’ve always wanted to be,” says Barnett. Not only a creative turning point for The Menzingers, that uncompromising honesty helps fulfill their mission of leaving each listener with a potent sense of solidarity. “A lot of these songs are looking at different life challenges—they’re stories of people at some sort of crossroads,” Barnett says. “We might not have the answers for anybody, but hopefully the songs will help them to see the light at the end of the tunnel, and know that they’re not alone in whatever tough decisions they’re facing.”

Los Angeles’ Touché Amoré blend jangly post-hardcore with emotionally raw screamo to create a unique sound that turns the influence of bands like Jawbox and Converge into something strangely coherent. The group’s third album, 2013’s Is Survived By, reached the top half of the Billboard 200. Formed in 2007 by singer Jeremy Bolm, guitarists Clayton Stevens and Nick Steinhardt, bassist Tyler Kirby, and drummer Elliot Babin, Touché Amoré made their debut in 2009 with To the Beat of a Dead Horse. The album eventually came to the attention of Jacob Bannon’s label Deathwish, Inc., which released the follow-up, 2011’s Parting the Sea Between Brightness and Me, as well as their third album, 2013’s Is Survived By. The latter peaked at number 85 on the U.S. albums chart as well as landing in the Top 30 of the alternative, rock, and hard rock charts. It also topped the vinyl albums chart. After finishing up a tour in support of Is Survived By, the band decamped to L.A.’s Seagrass Studio with producer Brad Wood (Sunny Day Real Estate, Smashing Pumpkins) to begin work on their fourth LP. The resulting Stage Four was released in 2016 on Epitaph. It fared slightly better on the rock side charts, reaching number 168 on the Billboard 200. In November 2018, Epitaph issued 10 Years/1000 Shows: Live at the Regent Theater. Recorded that February at Touché Amoré’s 1,000th show, it made appearances on the vinyl and independent album charts. The following year saw the group re-record the entirety of their 2009 debut album, To the Beat of a Dead Horse, and release it as Dead Horse X in deference to its tenth anniversary. In 2020, Touché Amoré returned with their fifth studio effort — Dead Horse X not included — Lament.

Screaming Females is a three piece rock band from New Brunswick, New Jersey.