with legendary bandoneonist Daniel Binelli, pianists Polly Ferman & Lucia Caruso, guitarist Pedro H. da Silva & fado singer Nathalie Pires
Wed November 9th, 2016
Minimum Age: All Ages
Doors Open: 9:00PM
Show Time: 9:30PM
Event Ticket: $20 / $15
Day of Show: $25 / $20
Table Seating: $20 advance, $25 day of show
Standing Room: $15 advance, $20 day of show
Co-production with PAMAR (Pan American Musical Art Research Inc)
Manhattan Camerata Tango Fado concert with the living legend Daniel Binelli, arguably the greatest bandoneón player alive; Polly Ferman, virtuoso pianist from Uruguay and ambassador of Latin American music; Nathalie Pires, one of the greatest fado singers of her generation; Music Director Pedro da Silva on Portuguese guitar; and Artistic Director Lucia Caruso on piano.
Works by Carlos Gardel, Amália Rodrigues, Astor Piazolla, Daniel
Binelli, Lucía Caruso y Pedro H. da Silva.
Table Seating Policy Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations. A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area. All tickets sales are final. No refund or credits.
Manhattan Camerata: Tango Fado Project
Manhattan Camerata official site | Manhattan Camerata on Facebook
The Manhattan Camerata is a unique chamber orchestra that seamlessly weaves together world and classical music elements spanning the globe and the ages. The Manhattan Camerata is the first chamber Ensemble/Orchestra to perform Transclassical Music: expanding classical music, incorporating elements from different cultures around the world in a variety of styles, genres, and exotic instruments.
One of the goals of the Manhattan Camerata is to bridge several cultures and musical traditions showing their connections and similarities rather than their differences, making the listener travel to different musical worlds through carefully crafted programs that cohesively integrate either fado and tango, or Indian music and flamenco, medieval organum and the Beatles, and beyond. In our concerts we combine the western classical chamber orchestra with several world instruments (Portuguese guitar, bandoneón, sitar, darbuka, etc.) often in new compositions and arrangements by its founders Lucía Caruso and Pedro H. da Silva.
The eclectic and inclusive nature of the Camerata can be appreciated in the diverse backgrounds of the musicians who created it: artistic director Lucía Caruso – composer and pianist from Argentina, and music director Pedro H. da Silva – composer and guitarist from Portugal. Pedro is a member of the composition faculty at the New York University, and a multi-instrumentalist (Classical and Portuguese guitars, sitar, oud, bouzouki, mandolin, among others), imparting the Manhattan Camerata with an international and multi-cultural artistic approach.
The Manhattan Camerata has performed at the Versailles Palace in France, at Magazzini del Sale in Venice, Italy, at the Monserrate Palace in Portugal, and at many major venues in the New York City area, including: Vanderbilt Hall at New York’s Grand Central Station, Le Poisson Rouge, Joe’s Pub, Frederick Loewe Theatre at New York University, Blessed Sacrament Church, the Argentine Consulate, the Portuguese Consulate in Newark, and on the famous Portuguese tall ship “Sagres”.
legendary bandoneonist Daniel Binelli
Internationally renowned composer, arranger and master of the bandoneon, Argentina’s Daniel Binelli performs extensively in concert and recital. The bandoneon is a unique and sensuous instrument showcased in a wide range of his own compositions, many of which have roots in the tango of Binelli’s native land, where he is known as a dedicated researcher and expert in the form.