Apr
14
with music of Telemann
Sun April 14th, 2013
7:00PM
Main Space
Minimum Age: All Ages
Doors Open: 6:30PM
Show Time: 7:00PM
free for members
Juilliard 415
Monica Huggett, leader
All-Telemann program:
Concerto for Three Violins, Strings, and Basso Continuo in F Major, TWV 55:D1
Concerto for Flute, Viola d’amore, and Oboe d’amore in E major, TWV 53:E1
Concerto for Two Violins and Bassoon in D major, TWV 53:D4
Concerto a 9 in G Major for Piccolo, Flute, Oboe, Chalumeau, Two Double Basses, Two Violins, Viola, and Bass continuo, TWV 50:1
Violin I
Monica Huggett
Samuel Park
Jae-Won Bang
Violin II
Jude Ziliak
Nanae Iwata
Jeremy Rhizor
Viola d’amore
TBA
Viola
Kyle Miller
Daniel McCarthy
Cello
Lea Birnbaum
Anthony Albrecht
Bass
Pippa MacMillan
Wen Yang
Oboe
Lindsay McIntosh
Oboe d’amore
Brandon Labadie
Chalumeau
Nina Stern
Bassoon
Clayton Zeller-Townson
Harpsichord
Patrick Jones
Piccolo/Flute
Antonio Campillo Santos
David Ross
FREE with rsvp at rsvp@lprnyc.com
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TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
This event will be streamed live online through LPR’s streaming channel, beginning at 7pm.
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Juilliard415 with Monica Huggett
Juilliard415 ENSEMBLE is a student period-instrument group that is part of Juilliard’s graduate-level Historical Performance program. The ensemble members, led by artistic director, violinist Monica Huggett, chose the name themselves, drawing from the commonly accepted pitch for Baroque music played on original instruments, A=415.