Joan Shelley is a songwriter and singer who lives near Louisville, Ky., not far from where she grew up. She draws inspiration from traditional and traditionally-minded performers from her native Kentucky, as well as those from Ireland, Scotland, and England, but she’s not a folksinger. Her disposition aligns more closely with that of, say, Roger Miller, Dolly Parton, or her fellow Kentuckian Tom T. Hall, who once explained—simply, succinctly, in a song—“I Witness Life.”

She’s not so much a confessional songwriter, and she sings less of her life and more of her place: of landscapes and watercourses; of flora and fauna; of seasons changing and years departing and the ineluctable attempt of humans to make some small sense of all—or, at best, some—of it. Her perspective and performances both have been described, apparently positively, as “pure,” but there’s no trace of the Pollyanna and there’s little of the pastoral, either: her work instead wrestles with the possibility of reconciling, if only for a moment, the perceived “natural” world with its reflection—sometimes, relatively speaking, clear; other times hopelessly distorted—in the human heart, mind, and footprint.

Since the 2015 release of her album Over and Even, Shelley has crossed the country and toured Europe several times as a headlining artist, typically with guitarist Nathan Salsburg, and sharing shows with the likes of Jake Xerxes Fussell, Bonnie “Prince” Billy, The Other Years, and Michael Hurley. She has opened for Wilco, Chris Smither, Patty Griffin, Andrew Bird and Richard Thompson and has appeared as a guest on WTF with Marc Maron, Fresh Air and Later… with Jools Holland.

Drawing from British folk, avant-rock, and jazz traditions alike, Wintres Woma– Old English for “the sound of winter”– is JamesElkington’s debut solo record, but you’ve likely heard his masterful guitar playing and arranging, even if you didn’t realize it. Elkington (an Englishman living in Chicago) is an inveterate collaborator who brings his lyrical compositional and improvisational sensibilities to any group. He has toured, recorded, and/or collaborated with Jeff Tweedy, Richard Thompson, Steve Gunn, Michael Chapman, Joan Shelley, Nathan Salsburg and Brokeback, to name just a few of his many enthusiastic admirers. His assured album, recorded at Wilco’s Loft, is baroquely detailed and beautifully constructed, featuring both his baritone vocals and some of Chicago’s finest, including Tomeka Reid.