May
12
with Margaret Glaspy
Thu May 12th, 2016
7:00PM
Main Space
Minimum Age: 18+
Doors Open: 6:00PM
Show Time: 7:00PM
Event Ticket: $15
Day of Show: $18
free for members
Ticketing Policy
*TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
Jenny Scheinman’s Mischief & Mayhem ft. Nels Cline, Jim Black, and Todd Sickafoose
Jenny Scheinman is a violinist, singer, and writer of songs with and without words. She grew up on a homestead in Northern California and has been performing since she was a teenager. She has worked extensively with some of the most innovative jazz artists in the world such as Bill Frisell, Jason Moran, Nels Cline, and Marc Ribot and consistently tops the Downbeat Jazz Critics Polls. She has also toured and recorded with numerous American songwriting legends such as Lucinda Williams, Bruce Cockburn, Rodney Crowell, Lou Reed and Ani Difranco. In March of 2015 she premiered a multi-media performance at Duke University entitled Kannapolis: A Moving Portrait. She has made eight albums of original music: The Littlest Prisoner, Mischief & Mayhem, Jenny Scheinman, Crossing The Field, 12 Songs, Shalagaster, The Rabbi’s Lover and Live At Yoshi’s.
Jenny Scheinman official site
Jenny Scheinman on Facebook
Margaret Glaspy
The Golden Heart Protector marks the first bit of music Glaspy has shared since last year’s EP The Sun Doesn’t Think (ATO), which followed her critically acclaimed 2023 album Echo The Diamond which drew attention from the likes of The New York Times, NPR, The New Yorker*,* and Rolling Stone, among many others. That LP emerged from a deliberate stripping-away of artifice to reveal life for all its harsh truths and ineffable beauty. Like the precious gem of its title, the result is an object of startling luminosity, one capable of cutting through the most elaborately constructed façades. The albums’ singles “Act Natural,” “Memories,” and “Get Back” saw support from The New York Times*,* NPR*,* Pitchfork*,* Stereogum*,* Spin, and others. “Act Natural” reached the top 20 at AAA Radio, marking Glaspy’s highest chart position of her career. The album was labeled a “notable release of the week” by both NPR and American Songwriter and Pitchfork included it in their “8 New Albums You Should Listen To” list around release and The New York Times’ Jon Pareles included “Memories” in his in Best Songs of 2023 list noting “Over a waltz of simple guitar chords, Margaret Glaspy blurts out unvarnished grief in a torn voice, bereft yet struggling to go on.”
Originally from the Northern California town of Red Bluff, Glaspy began writing songs at age 15 and quickly developed a style marked by raw sensitivity and razor-sharp insight. She began her solo career with the self-released Homeschool EP in July 2012. After signing to ATO Records in 2015, she released a 7-inch in early 2016 featuring “You and I” and “Somebody to Anybody”—songs that would later appear on her debut full-length Emotions and Math, a bold and bracing album that introduced her as a major new voice in indie rock.
PAST PRAISE FOR MARGARET GLASPY
“Singer-songwriter Margaret Glaspy returns to spiky, guitar-forward songs on her third LP, Echo the Diamond.” Pitchfork
“Expanding upon the the sound and themes of her previous effort, Devotion, Echo the Diamond finds Glaspy trusting her instincts and imbuing the batch of songs with a newfound rawness and grit…(her) songwriting has never felt so immediate or urgent. Consequence
“Margaret Glaspy’s passionate croak is haunted by the past on the folky ‘Memories,’ …the dark humor, at least, makes the anguish go down smoothly.” New York Times
“(‘Act Natural’)l is a good rocking number from Margaret Glaspy. The snappy guitar lick … immediately got my attention.” NPR
“(‘Act Natural’ is) one of Glaspy’s all-time best.. a roaring, wondrous stroke of blues-injected rock ‘n’ roll” Paste
“This moodier, more prickly attack suits Glaspy’s voice, concepts, and vision” American Songwriter
“Glaspy’s third is well-crafted and unfussy, foregrounding her sturdy guitar and clear sighted lyrics that range between grungy disaffection…and brittle yearning” MOJO Magazine
“Grungy guitar work + gutsy poeticism = great pop… 10 songs that glint like shards of glass yet brim with love, grief, courage, existential doubt and all the other stuff that makes us human.” UNCUT Magazine