Oct
01
Tue October 1st, 2019
8:00PM
Main Space
Minimum Age: 18+
Doors Open: 7:00PM
Show Time: 8:00PM
Event Ticket: $40 / $30 / $20
singer-songwriter
$40 Premium VIP Table Seating (first row of tables)
$30 General Admission Table Seating
$20 Standing Room
Ticketing Policy
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All ticket sales are final. No refunds or credits.
Greg Laswell
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Originally from Long Beach, California, Greg Laswell is one of the most uncompromising songwriters of these modern times. You may recognize a bit of Leonard Cohen in his tormented baritone. You might think of Tom Waits when you sense how deep in the gut these songs come from. But if there is a quality that still and ever marks out Laswell’s writing, it is an ability to use words like unrepentant paper cuts. Should you be at the receiving end, perhaps you might not at first feel the sting; but it will burn like hell later.
In 2009, Laswell’s songs started appearing in various films (Friends With Benefits, My Sister’s Keeper, Final Destination) and television series (Grey’s Anatomy, Parenthood, Friday Night Lights) with the release of “Three Flights From Alto Nido.” A covers EP (entitled “Covers,” no less) soon followed with versions of Kate Bush’s “This Women’s Work,” Morphine’s “In Spite of Me” and Echo and the Bunnymen’s “The Killing Moon.”
In 2012, Laswell released “Landline” featuring guest vocals from Sara Bareilles and Sia. Popmatters called his work, “Haunting and genuine.” Filter described his songs as “punches to the gut.” And BlackBook said, “Rightly compared to the likes of Leonard Cohen and late Jeff Buckley.”
“Everyone Thinks I Dodged A Bullet” came in 2016 with rave reviews—the title track, “Dodged A Bullet” appearing in the season finale of NBC’s The Blacklist.
Laswell just finished recording “Next Time” (his seventh studio album), scheduled for release this fall.