Oct

30

Dan Tepfer’s Natural Machines Dan Tepfer’s Natural Machines

Tue October 30th, 2018

9:15PM

Main Space

Minimum Age: All Ages

Doors Open: 8:45PM

Show Time: 9:15PM

Event Ticket: $20 / $25

Day of Show: $25 / $30

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jazz
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In an exceptional melding of man and machine, Dan Tepfer uses the Yamaha Disklavier piano to bring together his world-class pianism with his background in physics and programming. As he improvises, the piano responds in real time with notes of its own, the keys of the keyboard depressing themselves as if by magic, guided by algorithms that he has programmed into his computer. Different pieces arise not from different choices of notes, but from different processes which naturally leave their own distinct sonic signature on the music. As the music is being created, another set of custom-made programs turns the data into animated visual art in real time, graphically revealing the underlying structure of the music.

On October 30th at LPR, for the very first time, audience members will each receive Google Cardboard viewers, enabling them to experience the graphical environment of the music in immersive virtual reality.

“I think of the best music as a delicate combination of the spiritual and the algorithmic”, says Tepfer. “If you look at Bach’s music, a lifelong inspiration for me, it’s at once heavily rule-based and guided by raw emotional truth”. With this project, the computer takes care of the algorithmic side, leaving the Paris-born, Brooklyn-based pianist-composer all the more free to focus on the human element. Although the only sound we hear is the sound of an acoustic concert-grand piano, “it’s like playing a fundamentally new instrument”, says Tepfer, whose previous solo exploration, Goldberg Variations / Variations, has received wide international acclaim.

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Ticketing Policy

TABLE SEATING POLICY 
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.

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Dan Tepfer

Dan Tepfer official site | Dan Tepfer on Facebook | Dan Tepfer on Twitter

Dan Tepfer has made a name for himself as a pianist-composer of wide-ranging ambition, individuality and drive — “a remarkable musician” in the words of the Washington Post and one “who refuses to set himself limits” in those of France’s Télérama. The New York City-based Tepfer, born in 1982 in Paris to American parents, has performed with some of the leading lights in jazz, including extensively with veteran saxophone luminary Lee Konitz. As a leader, Tepfer has crafted a discography already striking for its breadth and depth, ranging from probing solo improvisation and intimate duets to richly layered trio albums of original compositions. His 2011 Sunnyside/Naïve album Goldberg Variations / Variations saw the prize-winning pianist performing J.S. Bach’s masterpiece as well as improvising upon it to “build a bridge across centuries and genres” (Wall Street Journal) in “an impressive feat that keeps coming back to a hearty and abiding respect” (New York Times). As a composer, he is a recipient of the Charles Ives Fellowship from the American Academy of Arts and Letters for works including Concerto for Piano and Winds, premiered in the Prague Castle with himself on piano, and Solo Blues for Violin and Piano, premiered at Carnegie Hall. Bringing together his undergraduate studies in astrophysics with his passion for music, he is currently working on integrating computer-driven algorithms into his improvisational approach. Awards include first prize and audience prize at the Montreux Jazz Festival Solo Piano Competition, first prize at the East Coast Jazz Festival Competition, and the Cole Porter Fellowship from the American Pianists Association.

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