Corrosion of Conformity are reuniting with guitarist/vocalist Pepper Keenan for UK/European and North American dates. Other than a few surprise appearances, this will be the first time Keenan has toured with the band since 2006. This will also be the first time the “Deliverance” lineup of the group has played together since 2001.

C.O.C. recently emerged from hibernation as a trio and released 2012’s eponymous album and 2014’s “IX” to wide acclaim, but many have been eagerly awaiting the return of Pepper Keenan.

The band were originally an influential hardcore punk/heavy metal crossover act before reaching critical success with a new lineup on 1991’s “Blind” album. That trajectory continued with wider appeal as Keenan took over as primary vocalist on “Deliverance” (1994) and “Wiseblood” (1996).

These two recordings in particular fused the raw energy of the previous albums with some great strides forward in classic rock inspired songwriting and more spacious production and execution, which were often copied but rarely equalled.

This juggernaut gained mass and momentum with relentless touring alongside Metallica, Clutch, Eyehategod and many more.

Eventually following “In the Arms of God”, 2005, Keenan focused all energy on his hometown band Down.

Until now, that is.

Recent internet chatter on the subject of a reunion turns out be true.

Formed in 2010 in Atlanta, Georgia, the trio has established themselves as one of the most successful and motivated bands in the genre today. Elements of Helmet, Melvins, and the Amphetamine Reptile roster can be heard throughout their catalog, but Whores are no regurgitated throwback act. Through intense, cathartic live performances and the perfected aggressive tenacity present on their recordings, the band has gained a fervent following sure to do nothing but grow in the years to come.

October 28, 2016 saw the band’s first full-length album and their debut on eOne records, “GOLD.”

The album was widely praised, garnering spots in the top ten on album of the year lists through publications such as Rolling Stone, MetalSucks, Heavy Planet, Invisible Oranges, Shiny Grey Monotone, and more. The band is currently recording the follow-up to “GOLD.”

Prior to their signing with eOne, Whores’ output included two now-classic EPs. “RUINER.” released December 20, 2011, put the band on the noise rock map and is now on its fourth pressing. They followed this up with the even-more popular “CLEAN.” released October 29, 2013 and now on its sixth pressing.

Between these and “GOLD.” the band released a split of covers by The Cure with Rabbits and contributed the song “Bloody Like the Day You Were Born” to Amphetamine Reptile’s “Dope-Guns-‘N-Fucking in The Streets, Volume 13”. Whores also just contributed the track “Flag Day” to Amphetamine Reptile’s “Bash ’17” alongside acts such as The Melvins, Mudhoney, Lydia Lunch, and Cherubs.

In their short career, Whores have received much critical praise. Some highlights include:

• “Ten Artists You Need To Know” – Rolling Stone

• “11 Metal Choruses That Will Get Stuck In Your Head All Day” – Alternative Press

• “Best of 2016: Metal” – Apple Music

• “Top 20 Best Noise/Post-Punk & Goth Albums of 2016” – Music & Riots Magazine

Whores have shared the stage with acts such as Red Fang, Torche, Big Business, Melvins, Mudhoney, Retox, Deafheaven, Iron Reagan, Metallica, Slayer, Kylesa, Black Tusk, Royal Thunder, Floor, Lamb of God, Tombs, The Sword, Baroness, Dillinger Escape Plan, Chelsea Wolf, Youth Code and many more.

In the shadowed valleys of Pennsylvania, where the relics of coal and the echo of a post-industrial America fuse, the band Crobot bursts forth—a sonic whirlwind born of rebellion and raw power. This band is not just a troop of musicians; they are a high-speed chase through the wastelands of rock ‘n’ roll, armed with a potent cocktail of adrenaline and sonic boom.

At the helm is Brandon Yeagley, the quintessential rock ‘n’ roll shaman, wielding his harmonica and microphone like twin totems of chaos and creation. His fervor borders on the religious, a revivalist bent on converting the masses with each electrifying note and primal scream. Chris Bishop, the guitar-slinging axeman, carves through the darkness with riffs sharp enough to slice through the thickest fog, forging a path with every frenetic strum.

Joining the fray, Pat Seals, the latest addition to the rhythm section, pounds the bass with a ferocity that commands the shadows, his vibrations weaving through the fabric of the night, speaking directly into the void. Alongside him, Dan Ryan on drums stokes the engine of this auditory beast, his beats a thunderous pulse that breathes life into their wild musical onslaught.

Their odyssey through the sonic wilderness kicked off with the electrifying debut of Something Supernatural, slicing through the static of the mainstream with a vibe that was both a nod to the past and a leap into the future. The journey took a gritty, neon-soaked turn with Welcome to Fat City, an album that injected a dose of urban decay and psychedelic funk into their sound, expanding their narrative into the darker corners of the city. By the time Motherbrain hit the streets, Crobot had established themselves as a beacon for the disen- franchised, their music a battle hymn for those society had cast aside, with “Low Life” rising as an anthem for the underground. The saga continued with Feel This, an explosive collection that captured the raw, live energy of the band, further solidifying their status as torch- bearers of rock’s chaotic, rebellious spirit.

Obsidian marks Crobot’s most introspective journey yet, as the album dives into the deep, murky waters of the human condition, threading ancient myths with personal demons across its tracks. Each song descends into the darker reaches of the psyche, set to the re- lentless rhythm of heavy, pulsing beats and gut-wrenching guitar solos, offering a stark reflection of internal struggles.

This intense exploration on the album sets the stage for the raw and unfiltered experience of Crobot’s live performances. Witnessing the band on stage is to grasp the full chaotic impact of their music. Transformed into something otherworldly, Crobot becomes a force of nature, tear- ing through venues like a tornado and leaving behind nothing but awe. Their live shows transcend typical concerts, evolving into seismic events where the rock and roll spirit vibrates through the air, shaking the very foundations of the musical landscape.

So, if you’re ready for a ride that teeters on the brink of madness, strap in. This isn’t just a band. This is Crobot—steering a ship through the storms of sound with the mad delight of a stunt driver at the wheel, screaming into the soul with the echo of rock gods past and the fierce hunger of those yet to come. Welcome to the spectacle, the chaos, the evolution. This is rock ‘n’ roll in its most primal form. Buckle up; it’s a wild ride.