Jul
01
w/ Lydia Lunch, Today Is The Day + Spiritual Poison (Ethan Lee McCarthy of Primitive Man)
Tue July 1st, 2025
7:00PM
Main Space
Minimum Age: All Ages
Doors Open: 6:00PM
Show Time: 7:00PM
Event Ticket: $25
Day of Show: $30
avant-garde
Ticketing Policy
All ticket sales are final. No refunds or exchanges. Physical photo ID required for all shows with age restrictions – no exceptions.
When an event sells out, fans who missed out on tickets can join the Waitlist for a chance to purchase tickets from someone who can no longer attend. Joining the Waitlist does NOT guarantee entry to the event, please do NOT arrive at the venue unless you are contacted about tickets becoming available.
Joining the Waitlist:
• If you’re looking for a ticket to a sold out show, add your info the the corresponding Waitlist.
• If a ticket becomes available, you’ll be notified and your credit card will be charged.
Listing Your Ticket on the Waitlist:
• If you already have a ticket, you can list it on the waitlist through the “My Tickets” page.
• Once we find a buyer for your ticket, you will be notified.
Buñuel
Unforgiving. Merciless. Beautiful.
BUÑUEL is heavy.
A literal supergroup of global significance, BUÑUEL boasts the singular vocals and razor sharp lyrics of Eugene S. Robinson (OXBOW) and a powerhouse trio comprised of guitarist Xabier Iriondo (AFTERHOURS, A SHORT APNEA), bassist David Haemery (SORDIDE) and drummer Franz Valente (IL TEATRO DEGLI ORRORI).
Formed in 2016, but coming to the fore in late 2024 with the release of their fourth album (and SKiN GRAFT Records / OVERDRIVE Records debut), BUÑUEL is the sound of a difficult situation made worse by an unwillingness and an inability to play nice. If slotting it in a genre makes it easier to understand, mark it down as Heavy. With a capital H.
BUÑUEL have always been led by instinct and the id-like impulse to express unfiltered emotion through song. They form a close musical alliance, with a seemingly innate ability to create music that warps and buckles with complexity, freedom, tenderness and primaeval energy all at once.
The title of their fourth album, “Mansuetude” – meaning “meekness” or “gentleness” – might seem like a juxtaposition. The record is, in Eugene’s words “extreme but articulate”.
A double album with three sides. A balancing act performed for and by the unbalanced.
Throughout, BUÑUEL take every opportunity to stretch their musical tendrils towards discomfort, surrealism and the deconstruction of tradition, as they reach absolute abandon. “Mansuetude” dives into the eye of the storm and beyond, encompassing many moods, from post-hardcore to avant-noise, hard blues to post-industrial, from symphonic thrash to metal to free-jazz, all played at great cost.
BUÑUEL makes music for those willing to take a closer, unflinching look at the depths of human instinct, and on “Mansuetude” the band have created an album that will free the listener of evil spirits and let the malignant influences loose. “Mansuetude” is a twenty- first century exorcism – right on time for the end time.