Ticketing Policy
All ticket sales are final. No refunds or exchanges. Physical photo ID required for all shows with age restrictions – no exceptions.
When an event sells out, fans who missed out on tickets can join the Waitlist for a chance to purchase tickets from someone who can no longer attend. Joining the Waitlist does NOT guarantee entry to the event, please do NOT arrive at the venue unless you are contacted about tickets becoming available.
Joining the Waitlist:
• If you’re looking for a ticket to a sold out show, add your info the the corresponding Waitlist.
• If a ticket becomes available, you’ll be notified and your credit card will be charged.
Listing Your Ticket on the Waitlist:
• If you already have a ticket, you can list it on the waitlist through the “My Tickets” page.
• Once we find a buyer for your ticket, you will be notified.
Bush Tetras
The Bush Tetras were prescient outliers on the New York underground music scene of the late ’70s and early ’80s. While their music was taut and aggressive like punk, Pat Place’s guitar added an inspired dissonance that reflected her connections to the city’s no wave scene (she worked with two of James Chance’s better-known projects, the Contortions and James White & the Blacks). Their crucial early ’80s recordings (collected on 1995’s Boom in the Night) also showed the influence of dub in their rubbery basslines and sense of space, and the group’s chaotic but muscular attack anticipated the mid-’80s noise rock movement as well as post-punk. 2021’s Rhythm and Paranoia: The Best of Bush Tetras was a career-spanning anthology that’s the best introduction to their music, and after the death of longtime drummer Dee Pop, Sonic Youth’s Steve Shelley joined the band and produced 2023’s They Live in My Head.
Dead Tooth
Down the lost highway of damning self-indictments and apocalypse paralysis, there’s a party happening. That party is the eponymous debut full-length from NYC’s premier rodeo-core quintet, Dead Tooth.
This album (out July 18th via Trash Casual) fearlessly plays out like a 90s blockbuster, replete with grandiose melodrama, black humor and larger-than-life character arcs. As near atonal hooks escape from frontman Zach Ellis’s taut vocal cords, they echo a world where global and personal crises collide; like that chalk-white iceberg into the belly of the RMS Titanic. With mother nature on the skids and humanity floundering in desperation, Dead Tooth sets the scene in the medium of menacing guitars, guttural vocal hooks and blistering sax lines.
Having previously released two EPs and a series of standalone singles with an ever-shifting lineup, this latest album features a pell mell, irrepressible uptick in urgency one could only find in New York’s underbelly.
Dead Tooth was tracked in multiple studios across NYC’s outer boroughs in sessions stretching from 2022-2024. With eleven songs as well as a remix from Mute Record’s multi-instrumentalist songwriting aficionado Miss Grit, the album arrives as a cohesive set, thanks in part to the deft touch of mixing engineer Tom Beaujour (Nada Surf, Juliana Hatfield). Keeping effects and overdubs at a minimum, Dead Tooth exudes a rawness that brings the sweat and clamor of a packed Brooklyn basement into the privacy of your very own speakers.
The result is a committed undertaking to unveil 21st century living in all of its unvarnished depravity. As the ship sinks and the passengers cartwheel to their oblivion, this band plays on.