Bilal Bilal

with Kassa Overall

Sun February 23rd, 2020


Main Space

Minimum Age: 16+

Doors Open: 7:00PM

Show Time: 8:00PM

Event Ticket: $25

Day of Show: $30

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Somehow in our hunger for perfection it’s become difficult for music to just be. And so when Bilal began making A Love Surreal (his latest-and fourth cd over all) the acclaimed Grammy nominated vocalist/songwriter /producer knew where he needed to go. “I’ve always wanted to make music that is so basic and simple that it can be recreated every time. Something simple like a jazz standard. On this album I let go of a lot of shit for the first time and that opened my eyes up to a lot of more stuff. It was a real complete thought.”

A soulful rumination on love’s varying rhythms Bilal describes A Love Surreal as a “musical art gallery.” As the title might suggest the cd is a reference to the father of Surrealism Salvador Dali. Although Bilal is quick to point out that he isn’t “a painting connoisseur” he loves Dali’s work. And has long been intrigued by the possibilities of fusing art and music. “When I was younger and living in New York City I became friends with a young artist who was making a living off his art. He considered himself a musician and playing guitar would get him thinking about painting. Through him I saw how I could make music out of something visual and vice versa. I was beginning to think in a bigger picture and so, when I went into A Love Surreal I was no longer just looking at things as being “just” a singer. I really put something into it.”

A Love Surreal found Bilal taking on the self -described role as “complete brain master.” In actuality he produced or co produced a majority of the cd. “I built a big landscape and put it all together when I got into the studio. I’d come up with an initial shape of a song on my laptop and take it to the studio and instead of keeping a lot of the electronic stuff I’d teach it to my band and then we’d expand from that. I’d lay down ideas, little words, mumbles and then we’d sketch out the rest of the lyrics.” Creating the cd took about a year and Bilal cites the fast pace and forward movement as a reason why “everything come out naturally.”

The first single, “Back To Love”, takes listeners on a journey through the trials and tribulations of a relationship. Self produced, the smooth meandering of Bilal’s vocals, along with the instrumentation, paints the picture of a couple navigating falling in and out of love. “It’s about getting back to the one. The initial passion and spark, the fire. In everything and at different times we all find ourselves at that place where we need to reaffirm things.”

“Butterfly” reteams Bilal and his old friend Robert Glasper; it is the third time these innovative artists have joined forces. “Robert and I went to college together but “Butterfly” is the first time we did, like, a little duet. No drums, no nothing; just piano, vocal and a little keyboards.”

Featuring KING, an all girl R&B trio from Minneapolis, “Right at the Core“ is knee deep in a sensual, aloof sound that brings to mind Prince circa 1999. “’The Core’” is an interesting song because there’s not a real lead vocal, it’s almost a choral type of vibe.”

“West Side Girl” undulates with a mysterious groove reminiscent of Sly Stone’s “Family Affair.” The song was recorded with a crew of friends including Sa-Ra’s Shafiq Husayn and up and coming jazz bassist Steven “Thunder Cat” Bruner, who Bilal compares to the late Jaco Pastorious.

Born in Philadelphia Bilal Oliver is a schooled musician and dynamic live performer whose artistry draws from jazz, soul, and hip-hop. With fans that includes Eryka Badu, Janelle Monae, Q-Tip and Ali Shaheed Muhammed and featured spots with, among others, Jay-Z, Beyonce, Diddy and Common, Bilal made his major label debut with 2001’s First Born Second. The cd sold over 300, 000 copies and announced that Bilal was an artist to watch. Bilal’s sophomore recording Love For Sale leaked to the internet before its official release and would enjoy over half a million downloads. 2010 saw Air Tight’s Revenge, which yielded the Grammy nominated “Little Ones”.

Ask Bilal how he sees A Love Surreal and he replies without hesitation. “I’ve always had a lot of information about what it is that I wanted to do but sometimes it would come off as obscure. This time I think I’ve set out what I meant to do.” Simple enough, right?

Kassa Overall

Kassa Overall is a drummer, producer and MC who strikes a fresh, harmonious realignment of contemporary hip-hop and jazz. Showing shades of Karriem Riggins, Madlib and Flying Lotus, the drummer and producer fuses the sounds of hip-hop and jazz, informed by the dozen years he’s spent honing his jazz drumming chops in the heart of the New York scene.
Raised in Seattle and based in Brooklyn, Overall has been working at the forefront of jazz for two decades, touring and recording as a sideman drummer with artists as varied as Geri Allen, Francis and the Lights, Yoko Ono, and Arto Lindsay. He’s featured on drummer Terri Lyne Carrington’s Social Science, worked with Brandee Younger and his new record “I THINK I’M GOOD” features Vijay Iyer and Theo Croker (whose album he co-produced). He’s also shared stages with many of the greats, including Donald Byrd, Mayer Hawthorne, Yoko Ono and Gary Bartz. Meanwhile, he’s maintained a separate career as an indie hip-hop producer and rapper with groups like Das Racist and Kool and Kass.
As adept behind the drum kit as he is looping samples on a laptop, Overall’s music is a product of live improvisation as much as studio experiments. He dubs his sound “backpack jazz”, a nod to his DIY, stripped back mobile studio, which he employs in addition to traditional studio sessions, and which consists of a laptop, a simple audio interface, and microphone, which he packs into his bag for recording sessions in hotel rooms and friends’ lounges.
Explaining his thinking behind the term, he says, “It’s something like a cross between a jazz musician, a backpack rapper and a bedroom producer.” Crucially, it’s a far more social endeavour than bedroom production. “The bedroom producer is mostly solitary and stationary,” he says. “But the backpack producer is collaborative, mobile, and totally improvisatory in the truest sense of our tradition. My studio is with me almost all the time. I need to be able to work whenever and wherever, at my own pace.”
On his latest album, “I THINK I’M GOOD”, Overall elevates that social, cross-pollinating discipline to another level. It sees him wrestle with the abhorrent American prison system, the ebbs and flows of romantic relationships, and perils of trust, all seen through the kaleidoscopic lens of a brilliant 21st century composer.
The backdrop to these varied themes is Overall confronting his experience with mental illness, which included a manic episode and subsequent hospitalisation when he was a student. Themes of incarceration and claustrophobia weave through the record, but never drown out the feeling of a fragile but vital hope.
It follows his 2019 debut album “Go Get Ice Cream and Listen to Jazz”, which earned rave reviews from The New York Times, the San Francisco Chronicle, Afropunk, WBGO, WNYC, KNKX and Downbeat. According to the NYT’s Giovanni Russonello, the album is “one of the few genuine-sounding, full-scope amalgams of contemporary hip-hop and jazz to surface in recent years.”
On “I THINK I’M GOOD”, Overall builds on that assured debut to deliver an even more expansive vision, aided by a cadre of New York’s brightest up and comers, including Joel Ross and Morgan Guerin. It even features an especially recorded cameo from legendary activist and author Dr. Angela Davis.

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