$25 Advanced Seated, $15 Advanced Standing
$30 Day of Show Seated, $20 Day of Show Standing
Described by the New Yorker as one of the ‘vital institutions’ of the NYC contemporary music scene, Bearthoven returns to LPR for their third annual ‘New Works’ concert. In this iteration of Bearthoven: New Works, the trio presents NYC premieres of two substantial new pieces by Bang on a Can co-founder Michael Gordon and Kinds of Kings co-founder Shelley Washington. The saxophone/percussion duo Popebama will join the bill for an opening set of their own original compositions.
Bearthoven [ \’bâr-toh-vən\ ] is a piano trio creating a new repertoire for a familiar instrumentation by commissioning works from leading young composers. Karl Larson (piano), Pat Swoboda (bass), and Matt Evans (percussion) have combined their individual voices and diverse musical backgrounds, coming together to create a versatile trio focused on frequent and innovative commissioning of up-and-coming composers. Bearthoven is rapidly building a diverse repertoire by challenging composers to apply their own voice to an instrumentation that, while common amongst jazz and pop idioms, is currently foreign in the contemporary classical world.
Formed in 2013, Bearthoven has quickly established themselves as a forerunner in the New York City contemporary music scene. Commissioning over 30 new works in their first six seasons, the trio has created its own diverse repertoire ranging from the driving, post-minimal voices of Ken Thomson, Brooks Frederickson, and Shelley Washington to the atmospheric and abstracted offerings of Sarah Hennies, Scott Wollschleger, and Anthony Vine. Bearthoven’s commitment to collaboration and innovation has garnered both critical and peer acclaim and has led to featured performances on notable series including the MATA Festival, the Bang On a Can Marathon, the Music/Sound Series at EMPAC, the Princeton Sound Kitchen, and the Ciclo de Conciertos de Música Contemporánea in Buenos Aires, Argentina. The group’s debut album Trios was released on Cantaloupe Music in May of 2017. Their second album, American Dream, features the works of Scott Wollschleger, and was released in February of 2019 on the same label.
Popebama is a New York-based experimental duo that focuses on exciting performances of unconventional works. Described as “Noisily Virtuosic” (clevelandclassical.com), Erin Rogers (saxophone) and Dennis Sullivan (percussion) are composer-performers who apply text, electronics, and high-energy instrumental writing to freshly-squeezed sounds.
Specializing in works conceived by Rogers and Sullivan, Popebama has championed composers such as Paul Pinto, Matthew Shlomowitz, Rick Burkhardt, Jenna Lyle, and Daniel Silliman. The duo has collaborated with yarn/wire (NYC), Tøyen Fil Og Klafferi (Oslo), Brandon Lopez (Brooklyn), Anne La Berge (Amsterdam), Hochschule fur Musik (Freiburg), Ogni Suono (Cleveland) and DECODER (Hamburg). Popebama has been featured at NYmusikk Bergen (Norway), Edmonton Fringe Festival (Canada), Splendor (Amsterdam), Diabolical Records (Salt Lake City), VU Symposium (Park City), Bodies-As-Technology (Brooklyn), ReSound Festival (Cleveland), The Stone (NYC), SPLICE Festival (Kalamazoo), Chance & Circumstance Festival (Long Island City), and The Walden School (New Hampshire), with lauded performances at the 2017 New Music Gathering, NASA 2018 Biennial (Cincinnati), and the Ball State Festival of New Music (2019). Popebama returns to Hamburg in March 2020 for the premiere of Fight Songs a collaboratively-composed, evening-length work as part of the Elbphilharmonie’s ‘Unterdeck’ Series, featuring Decoder Ensemble, a marching band, 5 bass drums, and a guy in a boat.