Oct
05
Mon October 5th, 2026
7:30PM
Main Space
Minimum Age: 18+
Doors Open: 6:30PM
Show Time: 7:30PM
Event Ticket: $25-$40
Day of Show: $35-$50
instrumental
Ticketing Policy
This show includes both Standing and Seated tickets. By purchasing a Seated ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons.
All ticket sales are final. No refunds or exchanges. Physical photo ID required for all shows with age restrictions – no exceptions.
When an event sells out, fans who missed out on tickets can join the Waitlist for a chance to purchase tickets from someone who can no longer attend. Joining the Waitlist does NOT guarantee entry to the event, please do NOT arrive at the venue unless you are contacted about tickets becoming available.
Joining the Waitlist:
• If you’re looking for a ticket to a sold out show, add your info the the corresponding Waitlist.
• If a ticket becomes available, you’ll be notified and your credit card will be charged.
Listing Your Ticket on the Waitlist:
• If you already have a ticket, you can list it on the waitlist through the “My Tickets” page.
• Once we find a buyer for your ticket, you will be notified.
Blake Allen
BLAKE ALLEN is a composer, playwright, and performer whose work moves between concert music and experimental theater, often centering queer stories and psychologically driven narratives. His music has been presented by ensembles including the New York Philharmonic, San Diego Symphony, and New Jersey Symphony, with performances at venues such as Carnegie Hall, The Kennedy Center, and the Hollywood Bowl.
At Le Poisson Rouge, he premieres The Ceiling, a dark, claustrophobic new musical adapted from Kevin Brockmeier’s O. Henry Prize–winning story. A couple finds themselves trapped in a town where a mystical, obsidian object is slowly and inexplicably descending. There is no mechanism, no logic, and no escape. As the space tightens, time and memory begin to distort, while the outside world slips out of reach. What begins as a surreal premise turns into something more unsettling, exposing the quiet dread of inevitability and the small, human ways people try to hold onto control as it disappears. The musical leans into stillness, pressure, and dark humor ultimately asking the question “what do we hold onto when time closes in?”
Allen’s original works include INSOMNIA (Carnegie Hall), the shards of an honor code junkie (CCM, The Trevor Project, 54 Below), Virginia Woolf’s The Waves (2027), Folk Wandering (Ars Nova; SoHo Playhouse), Boston|Nebraska, Livin’ the Dreamboat (APAC), HOCKET. His work has also been seen in film and television, including Conversion (Apple TV+), Doris Dear’s Gurl Talk, and Shade: Queens of NYC (Fusion TV), and has been recognized through awards by New York University, Manhattan Association of Cabarets, Telly Awards, W3 Awards, Communicator Awards, GLAM Awards, and BroadwayWorld Awards.
As a recording artist, Allen has released three Billboard-charting albums, including INSOMNIA, Sonatas, and the shards of an honor code junkie, which has accumulated over 5 million streams.
As a performer, he has appeared with the New York City Ballet and New York City Pops, on and off Broadway in productions including Tootsie, Stephen King’s Misery, Notre Dame de Paris, Over Here!, The Tempest, Beardo, and Tamar of the River, and in concert with artists ranging from The Who to Philip Glass, Caroline Shaw, The Eagles, and Andrea Bocelli. He was also the creator of the concert series An Evening With… Series at The Green Room 42, developed in collaboration with the Library of Congress and the estates of major American songwriters and performers. The show ran for three years, being shuttered by the pandemic, and garnered over 20+ nominations and wins for Best Recurring Series, Best Arrangement of the Decade (“Mack the Knife”), and Best Vocalist.
Allen holds a PhD in Performance and Composition from New York University, where his research included a groundbreaking reductive analysis of György Ligeti’s Viola Sonata.
Rep: Popson Productions
For more information, please visit www.blakeallen.org.

