Fans all over the globe know: Oliver Ackermann always brings surprises. The singer and guitarist of New York City’s A Place To Bury Strangers has been delighting and astonishing his audience for close to two decades, combining post-punk, noise-rock, shoegaze, psychedelia, and avant-garde music in startling and unexpected ways. As the founder of Death By Audio, creator of signal-scrambling stomp boxes and visionary instrument effects, he’s exported that excitement and invention to other artists who plug into his gear and blow minds. In concert, A Place To Bury Strangers is nothing short of astounding — a shamanistic experience that bathes listeners in glorious sound, crazed left turns, transcendent vibrations, real-time experiments, brilliant breakthroughs.

And just as many of his peers in the New York City underground seem to be slowing down and settling in, Ackermann’s creativity is accelerating. He’s launched a label of his own: Dedstrange, dedicated to advancing the work of sonic renegades worldwide. He’s also refreshed the group’s lineup, adding bassist John Fedowitz and drummer Sandra Fedowitz, and the band has never sounded more current, or more courageous, or more accessibly melodic.

A Place To bury Strangers released their highly anticipated sixth album See Through You February 4, 2022 on their label Dedstrange to critical acclaim:

FLOOD album review – https://floodmagazine.com/98622/a-place-to-bury-strangers-see-through-you/ “The addition of new elements and perfection of familiar qualities make See Through You a special album from A Place to Bury Strangers. Even as its attributes rewrite and reject sonic ideas from previous releases from the band, each song on this album sounds quite different from the next. A Place to Bury Strangers went out of their way to make this record an eclectic and diverse range of sounds within a specific style, leaving room for innovation and rewarding unpredictability.”

All Music album review (4.5/5) – https://www.allmusic.com/album/see-through-you-mw0003626128 “Continuing the early 2020s hot streak they kicked off with the Hologram EP, A Place to Bury Strangers deliver one of their most interesting and intentional albums in See Through You… That they can create a career peak like See Through You two decades after forming makes them all the more inspiring.”

Brooklyn Vegan “Indie Basement” album review –

https://www.brooklynvegan.com/album-reviews-cate-le-bon-jazz-butcher-a-place-to-bury-strangers-los-bitchos-love-b urns-the-reds-pinks-and-purples/

“Twenty years into the band, Ackermann is still finding new sonic and melodic avenues for A Place to Bury Strangers, and new ways to make their instruments sound totally insane.”

In the shadow of New York City and Philadelphia metropolises lives the New Jersey suburbs. A frequently misunderstood and misrepresented place. Instead of relocating to a more promising hub New Jersey’s High. have decided to stay put on their hometown soils. High. formed with the intention of making slow motion Shoegaze that was as blissed out as it was pissed off. Channeling both the energy of their DIY basement show upbringings with the more introspective tones of Slowcore & Dreampop. Cutting edge guitar atmospheres rub up against pulsating bass lines and riffs heavy enough to invoke a mosh pit. Melodies set to angst driven lyrics speak on the topics of depression and social isolation. Says HIGH. “There is a growing community of our peers who are young and struggling in the suburbs, facing similar problems as we do as the black sheep in our environments. We are using our art and words as a platform to reach them, to let people feel they are not alone.”