ANDREW BIRD first picked up a violin at age four and proceeded to spend his formative years soaking up classical repertoire completely by ear. As a teen, Bird mastered the sounds of early jazz, country blues and gypsy music. All these influences still percolate within Bird’s brand of pop, but he has established a sound that is distinctly his own.
 
Since 1997 the Chicago-based composer and multi-instrumentalist has released 11 albums, garnering a devoted following with his early band Bowl of Fire before venturing out with his first solo record, 2003’s Weather Systems. It was with this release that Bird began using a looping pedal to combine densely-layered symphonies onstage and revealed his unearthly talent for whistling. He has since played such prestigious venues as New York’s Beacon Theater and Carnegie Hall, Coachella, the Austin City Limits Festival, the Hollywood Bowl and Bumbershoot; in 2008 Bird had 15,000 fans overflowing from Chicago’s Millennium Park for his largest ever headlining performance.
 
Bird has gone on to record with the Preservation Hall Jazz Band as well as collaborate with inventor Ian Schneller on the Sonic Arboretum installation at New York’s Guggenheim Museum and Chicago’s Museum of Contemporary Art. He has documented his creative process for The New York Times, contributed music to the new Muppets movie and composed his first ever film score for the movie Norman.
 
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The artistic style of Roger Sellers is widely accessible. Imagine folk-dance-americana-electric-symphonic fusion, where Philip Glass, Sufjan Stevens, and Joanna Newson all groove to late night ambient house music in George Martin’s livingroom.
 
Roger Sellers paints vivid aural landscapes where his multiple-layered instrumentation pierces through the terrain like musicological formations, as they compile higher and higher. Compelled by the splendor projected, you, the listener climbs to the top of Roger’s finely crafted mountain, where you are met by the enlightened composer. Just as you catch your breath, Roger takes your hand and shows you his panoramic view; at that moment you absorb the deepest beauty that inherently waits within Roger Sellers’ profound concept.
 
Instruments are easy in his hands, and he literally plays them all. Guitar, banjo, mandolin, bass, bells, organ, piano, drums. From one-man acts, to a full band, Roger Sellers’ live performances sweep his audiences clean from external focus- until the attention is solely paid to him. Similarly, in the studio, Sellers plays the engineer, producer, director, composer, and lyricist.
 
Called “intricately layered…part aural soundscapes a la Tangerine Dream, part savvy pop…gorgeous stuff” by Brooklyn Vegan, his new album “Primitives” is out now.
 
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