LPR Presents
Sep
25
w/ I Speak Machine
Fri September 25th, 2026
7:30PM
Knockdown Center
Minimum Age: 18+
Doors Open: 6:30PM
Show Time: 7:30PM
Event Ticket: $42
Day of Show: $47
Ticketing Policy
All ticket sales are final. No refunds or exchanges. Physical photo ID required for all shows with age restrictions – no exceptions.
When an event sells out, fans who missed out on tickets can join the Waitlist for a chance to purchase tickets from someone who can no longer attend. Joining the Waitlist does NOT guarantee entry to the event, please do NOT arrive at the venue unless you are contacted about tickets becoming available.
Joining the Waitlist:
• If you’re looking for a ticket to a sold out show, add your info the the corresponding Waitlist.
• If a ticket becomes available, you’ll be notified and your credit card will be charged.
Listing Your Ticket on the Waitlist:
• If you already have a ticket, you can list it on the waitlist through the “My Tickets” page.
• Once we find a buyer for your ticket, you will be notified.
Cabaret Voltaire
I Speak Machine
I Speak Machine, the experimental music act and audio-visual project of musician Tara Busch, is excited to announce the release of their brand new full-length album, WAR. Created with filmmaker and collaborator Maf Lewis, co-produced with Dean Honer (Roísín Murphy, Add N To (X)), and out today, WAR is a collection of Busch’s most visceral, confrontational and honest music yet.
Exploring the world of music technology, vintage synthesizers and production for over a decade, the genesis of I Speak Machine was in 2013 when musician Tara Busch produced a live score for filmmaker Maf Lewis’ debut short horror film, The Silence. From there, a personal and professional relationship developed, leading to the formation of the audio-visual project.
Now based in LA, Busch remotely co-produced WAR with Sheffield- based Dean Honer (Roísín Murphy, Add N To (X)). For years, she had worked alone, releasing albums with on seminal record labels Lex Records in London and Tummy Touch Records in New York, feeling pressured to prove that she could be self-reliant as a female artist. It was a freeing choice to allow another voice into the project — particularly Honer, whom Busch had long admired for his work with Add N To (X).

