Twain on Facebook | Twain on Twitter | Twain on Instagram | Twain on Bandcamp

Have you ever…

…faced an impossible question, to be answered at once by a kaleidoscope of wind, diffusing your bewilderment into thousands of spinning bulbs?

…awoken to hear the person sleeping beside you speaking a language they do not speak in their waking life?

…felt your legs possessed, to throw you across the room in shapes?

…lost your heart, only to find it on the bank of a cold spring, in the hands of a filling station attendant, or in the dust swimming through the light of your bedroom window?


Have you ever listened to Twain?

“A lonely day, I went outside to smoke awhile,
and think about a picture in a book:
He was laying in the grass in his suit,
as the angler posed in pursuit of the fish”


For the past decade or so, Mt. Davidson has cultivated his songs and sounds, attempting to create a bridge, a meeting place, between the terrestrial and the mystic. He is a ponderous and delicate sort of creature, short and vaguely leonine, who has spent most of his young life abiding in the midlands of transcendence.

“Oh to be there, the smell of her hair,
the deer swimming through the watery woods,
life won’t last long for those who hate it,
for those who love it, it lingers on like a dream”


Following its quiet self-release in 2014, his fifth and most recent LP, Life Labors in the Choir, has steadily gained devoted listeners throughout the globe and continues to blossom today. The album describes a marked evolution in an alluring yet strange and hesitant discography. Progressing from the bashfully childlike sounds of 2005’s Madeline, (now lost), through self-constructed garage multi-track tangles of Sleeping Tree (2007) and Almanack (2008), we hear the progress of a young man struggling to free himself from the shackles of depression and neurosis. In 2010’s Love is All Around, a distinct breakthrough can be felt in the form of a question that challenges the foundation of the doubt and fear running through the early music. This sudden evolution is in no small part owing to the addition of two musicians – Peter Pezzimenti (drums and vibes) and Ken Woodward (basses) – and a sound engineer – Adrian Olsen. The music really began to breathe.


“Free’d from doubt, my cigarette went out,
the sun came out and warmed up the house,
oh to be fainting into that painting,
as I wrap up the tune and bring it to you”

This fall, Twain will release a new record of songs – Rare Feeling – on Keeled Scales Records (Austin, TX). These recordings have been gently fermenting for an extended period of time, and are now ready for consumption. The foundation of the record was captured in a tool shed by the great magi-bard, S. McMicken (Dr. Dog), using ancient and secret methods of time distortion. The resultant reels were then brought to Richmond VA, where master engineer and sound-seeker Adrian Olsen guided the songs into completion. As with the previous LP, the band has labored to present a purely AAA analog disc, and is eager for you to experience the special magnetic warmth that results from the process. (We once again are indebted to the mysterious and mighty Paul Gold of Salt Mastering for his kind attention).

(Lyrics from “Freed from Doubt”, from Rare Feeling)

Little Mazarn official site | Little Mazarn on Facebook | Little Mazarn on Instagram

The Little Mazarn is an unromantic river in Central Arkansas. It is also the stage monnikor of Lindsey Verrill. When she was 14 years old she received a banjo as a gift and started playing Tom Petty songs on it. This was mostly a secret endeavor while she played bass in bands, and cello and tuba in school. A native Texan, she eventually found her way to Austin and fell into a magical group of friends and collaborators called the Annie Street Arts Collective. For years they hosted shows in wild and industrial abandoned places, took SXSW underground literally (into the sewers!), and hosted hundreds of bands in their house in south Austin. In 2014, the landlords on Annie Street finally realized what they really could be getting in rent and the collective was scattered across the city. Lindsey found herself in a little cabin near Manchaca, Texas and picked the banjo back up and started writing songs about precious things, boring things, nature, and the garbage that is humanity. That is what became Little Mazarn. These days she most often performs with Jeff Johnston (Lil’ Cap’n Travis, Ethan Azarian, Bill Callahan) on saw and Kendra Kinsey. Her first self titled EP is coming out in November on Self Sabotage Records.

.michael. on Bandcamp | .michael. official site

.michael. is a clarinet/guitar duo that plays sometimes instrumental love songs and sometimes non-instrumental love songs, often about or told from the perspective of a person named Michael, no relation to the band or its members.