Tigue official site |Tigue on Twitter | Tigue on Facebook | Tigue on Instagram | Tigue on Soundcloud

Tigue is a group of three percussionists with a fluid musical identity. The Brooklyn-based trio (Matt Evans, Amy Garapic and Carson Moody) makes their own kinetic and hypnotic blend of instrumental minimalism while opening up the possibilities of their instrumentation through commissioning and collaboration. Tigue’s debut album Peaks was released in 2015 with New Amsterdam Records with highlighted performances at the Ecstatic Music Festival, Bric Celebrate Brooklyn! Festival, and the Zemlika Festival in Durbe, Latvia. Recent commissions and premieres have included works by Molly Herron, Randy Gibson, Jason Treuting, Adrian Knight and Robert Honstein alongside collaborative ventures with Kid Millions and visual artist / sculptor Michael Mercil. These works have been presented in concert halls, galleries, black box theaters and universities throughout the country including EMPAC, Roulette, The deCordova Sculpture Park and Museum, Noguchi Museum, Yale School of Music, and Princeton University.  Praised for their focused and “high octane” performances (New York Times), the Ohio-born band members have worked together since they were practically children.

Along with performing, the members of Tigue are dedicated to outreach and community projects. In collaboration with Make Music New York, the trio has led three 10-week music education programs with adult and adolescent inmates at New York City’s Rikers Island Correctional Facility, featured in both the New York Times and Rolling Stone Magazine. Working with inmates in both men’s and women’s facilitates, the trio shared the communicative nature of music through West African musical traditions and hand drumming culminating with inmate performances for the Rikers population.  Tigue has also presented workshops and masterclasses with collegiate universities, elementary classrooms and community groups across the globe.

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This past spring Tigue events included a Carnegie Neighborhood series performance in the Bronx premiering the latest movement of Jason Treuting’s piece 9 numbers, a trip to Boston, MA to perform on the Celebrity Series “Stave Sessions “ with fellow Brooklyn trance inducers Innov Gnawa, the premiere of Randy Gibson’s “The Four Pillars Appearing from The Resonating Discs invoking The 72:81:88 Confluence in a setting of Quadrilateral Starfield Symmetry ATS4 Base 6:81” with the Avant Media Festival, a weekend in Columbus, OH performing the latest version of Michael Mercil’s “Thoreau’s Desk” and a week long workshop and performance of new music for new instruments with composer Molly Herron and instruments designed by Dartmouth College engineering students.

2016 was a busy year for Tigue. The ensemble appeared as part of the Ecstatic Music Festival, Avant Media Festival, American Music Festival, and Celebrate Brooklyn! Festivals where they performed new music of their own along with composers Adrian Knight and Jason Treuting. The group made their first trip to the West Coast, with help from the Permutations Series and the Center for New Music, and they flew to Latvia for their first international performance as part of the Zemlika Festival. In between these projects Tigue played intimate shows with their friends in the Brooklyn community, presented workshops and master classes for elementary school classrooms and ivy league institutions, and started recording their second album. Most recently, this past February, Tigue hosted a three week Sunday night residency at local Gowanus music venue Three’s Brewing, presenting concerts with Brooklyn community talents Alice Cohen, J. Hoard, Qasim Naqvi, LADAMA, Wilder Maker and Innov Gnawa.

Photo Credit: Catalina Kulczar

Jonah Parzen-Johnson official site
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Jonah Parzen-Johnson is a saxophonist living in Brooklyn, NY. He writes music for solo saxophone and analog synthesizer. Imagine the raw energy of an Appalachian Folk choir, tempered by a lofi, minimal aesthetic. His carefully assembled analog synthesizer breathes with his saxophone, building independent melodic layers to support his sound, or soaring above his extended technique driven saxophone playing. All performed live, without any looping or recorded samples. A Chicago native, Jonah’s circular breathing, multi-phonics and inclusively experimental style owe a debt to the Chicago saxophone legacy, but his devotion to a quirky almost vocal approach places him in new territory for the solo saxophone. He has meticulously constructed a world of warm memories remembered in a cold present, as he melds the evocative nature of folk music with the chilling power of experimentalism. Along with playing solo, Jonah is a co-leader of Brooklyn Afrobeat outfit, Zongo Junction.

Sally Decker official site | Multa Nox on Bandcamp | Multa Nox on Soundcloud | Multa Nox on Facebook | Multa Nox on Instagram

Multa Nox is the recording and performance project of Sally Decker, New York City-based musician and writer. Her work explores the emotional potential of sounds as healing or portals of connection, and works to impart a type of focus towards one’s own internal world. Her first full-length release, ‘Living Pearl’ is now available on cassette and digital formats via NNA Tapes.