with The Cliff Korman Ensemble & special guest Billy Drewes, sax
Mon September 23rd, 2013
Minimum Age: All Ages
Doors Open: 6:30PM
Show Time: 7:30PM
Event Ticket: $20
free for members
Music of the Americas and Savassi Festival NY Present:
Cliff Korman Ensemble:
Cliff Korman, piano
Carlos Malta, sax
Pascoal Meirelles, drums
Special guest: Billy Drewes, sax
Based in Brazil, pianist Cliff Korman has immersed himself in the musical universe of that country and brings his Ensemble and special guest Billy Drewes for a tribute to legendary clarinetist Paulo Moura. This concert is part of the Savassi Festival NY.
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
A Tribute to Paulo Moura
The Cliff Korman Ensemble
Cliff Korman’s journey through the Americas began over twenty years ago when he encountered the legendary Brazilian clarinetist Paulo Moura. From their friendship and musical partnership a series of concerts and recordings was born: Mood Ingênuo: The Dream of Pixinguinha and Duke Ellington, Rhapsody in Bossa, on the music of Gershwin and Jobim, Gafiera Jazz, a sparkling and refreshing commentary on the history of Brazilian ballroom and its links to the North American Swing Era, and the Gnattali/Monk Project, exploring two of the most influential American pianists of the century. In the years since Korman established half of his spiritual and physical home in Brasil.
With each trip to Brasil, Korman has sought out new repertoire and recordings, and has always sought to introduce new Brazilian standards to the repertoire of bands in New York. In October 2008 he presented the first Brazilian show of the Manhattan School of Music Orchestra starring guitarist/vocalist Toninho Horta, which featured both familiar works of Jobim, and lesser-known works of Horta.
Cliff Korman’s early musical experience spanned from accompanying Yiddish theater icon Molly Picon, to the worlds of R&B and jazz, which he decided to make his own, after working with Millie Jackson, Bob Moses, Jon Lucien, and Milt Hinton.
Korman teaches History and Practice of Brazilian Popular Music at the Manhattan School of Music. He has been the recipient of a research/lecture Fulbright grant to Brasil. His book Inside the Brazilian Rhythm Section (Sher Music) co-authored by guitarist Nelson Faria, is used by music schools worldwide. Korman’s theoretical focus on the nature and history of improvisation resulted in an article which explores the work of Thelonious Monk (Annual Review of Jazz Studies). Colleges that have hosted his courses include: City University of New York, The New School University, Manhattan School of Music, Federal University of Rio de Janeiro, Federal University of Minas Gerais, and Escola de Musica of Brasilia.
special guest Billy Drewes, sax
Billy Drewes has been creating music, composing, performing and recording since the mid 1970’s. His main instruments include soprano, alto and tenor saxophones, clarinets, flutes, drums, percussion and piano. Featured on over 150 CD’s, with performance credits worldwide, he continually searches out new avenues for creative expression.
He shares the stage with Joe Lovano, Bill Frisell, Paul Motian and Toninho Horta at venues from Egypt to Cuba, Israel to Africa, New York’s Carnegie Hall to Albert Royal Hall in London.
In addition to his love of performing, he takes great interest in the education of college and high school students. Teaching music as a total art form, Billy participates in clinics and seminars around the world with the goal of extracting from gifted students their hidden talents for musical improvisation and composition.