Ten Years Together: New Amsterdam Records & Le Poisson Rouge Turn 10
Sun June 10th, 2018
Minimum Age: 18+
Doors Open: 4:00PM
Show Time: 4:45PM
Event Ticket: $20 / $30
Day of Show: $25 / $35
Table Seating: $30 advance, $35 day of show
Standing Room: $20 advance, $25 day of show
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
Roomful of Teeth
Roomful of Teeth is a GRAMMY-winning vocal project dedicated to reimagining the expressive potential of the human voice. Through study with masters from vocal traditions the world over, the eight-voice ensemble continually expands its vocabulary of singing techniques and, through an ongoing commissioning process, forges a new repertoire without borders.
Founded in 2009 by Brad Wells, Roomful of Teeth gathers annually at the Massachusetts Museum of Contemporary Art (MASS MoCA) in North Adams, Massachusetts, where they’ve studied with some of the world’s top performers and teachers in Tuvan throat singing, yodeling, Broadway belting, Inuit throat singing, Korean P’ansori, Georgian singing, Sardinian cantu a tenore, Hindustani music, Persian classical singing and Death Metal singing. Collaborators include Rinde Eckert, Fred Hersch, Glenn Kotche, Merrill Garbus (of tUnE-yArDs), William Brittelle, ACME (American Contemporary Music Ensemble), Nick Zammuto (of The Books), Toby Twining, ICE (International Contemporary Ensemble), Ted Hearne, Silk Road Ensemble and Ambrose Akinmusire, among many others.
Classically-trained singer / pianist Olivia Chaney graduated from England’s Royal Academy of Music, before teaching herself guitar and Indian harmonium, delving back to the inspiration behind the British folk revivalists. She has since built a loyal and growing following as a songwriter and interpreter, both in the UK and internationally, through her acclaimed and eclectic live performances and recorded works.
Over the past few years, Olivia has collaborated and shared the stage with a diverse range of artists including Robert Plant, Eliza and Martin Carthy, The Decemberists, Shirley Collins, Alasdair Roberts, Kronos Quartet, Zero 7 and The Labèque Sisters. In 2013, she self-released an eponymous EP, that was followed by her critically-acclaimed 2015 Nonesuch debut, The Longest River. This sophomore release, which The Guardian hailed as ‘an enchanting and stately creation’, was noted in a number of ‘Best Of 2015’ lists, (Uncut, Mojo, PopMatters, Chicago Reader and more); whilst The Independent featured it in their Top 5 Albums of the Year, calling it ‘A landmark release’.
Last year Olivia released two collaborative albums: the first – Folk Songs – with fellow Nonesuch artists; Natalie Merchant, Rhiannon Giddens, Sam Amidon and Kronos Quartet; and the second – The Queen of Hearts – by Offa Rex, an album by a new band formed between Olivia and The Decemberists, which was nominated for a Grammy at the 60th Annual Grammy Awards this year in the ‘Best Folk Album’ category. Olivia also recently finished her second solo album in Manhattan – Shelter – with producer/musician extraordinaire; Thomas Bartlett (Sufjan Stevens, St.Vincent, The National, Florence Welch) which will be released June 15th this year on Nonesuch Records.
Arooj Aftab processes the Sufi tradition through an open-minded approach to sonic matter, reminiscent of jazz improvisation, and a contemporary production that does not shy away from incorporating subtle electronic undertones.
With this method, the Lahore-born, Brooklyn-based artist completely reworks classical Pakistani and North Indian forms, like thumri, khayal, and kafi. With those broad inspirations, she creates a fascinating mix of sounds and cultures.
Aftab’s debut album, “Bird Under Water“, dazzles with detailed arrangements and mesmerizing ambience. The music floats through the air with a particular kind of lightness and poise. Feel its elegant movement and let yourself sink in.