About This Event
Minimum Age:All Ages
Doors Open:6:30 PM
Show Time:7:30 PM
main photo via MTV Hive
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
“A golden despondency” is how Kevin Barnes translates the meaning behind Aureate Gloom, the title he gave of Montreal’s thirteenth full-length album.
The oxymoron is one Barnes says best describes the overall state of his life and mental outlook while working on the record: first on a writing retreat in New York City, then while demoing tracks in Athens, before finally recording at Sonic Ranch, just across the border from Juarez, Mexico in the Texan desert.
If you’re wondering what exactly would lead Barnes to use this epithet to describe his reality at the time, look no further than the songs themselves.
While many bands rely on vague platitudes as an attempt to make their songs universally applicable, Barnes chooses to take the opposite tact, penning lyrics so personal they sound like entries ripped from a journal that should be permanently kept under lock and key.
“I was going through a very stormy period in my life and felt like I was just completely trashed,” reveals Barnes. “I might be guilty of sharing or exposing too much of my private life, but to me the best albums are those that help people connect with an artist on a deep, human level and that do so without too much artifice or evasiveness.”
For inspiration, and to put a bit of distance between himself and the events and people he writes so unequivocally about, Barnes spent two weeks in New York City this past spring.
While there, he wandered around Chelsea, Greenwich Village, SoHo, and Chinatown, imagining what it was like 40 years ago, picturing himself as Tom Verlaine or Patti Smith, or James Chance.
Lead single “Bassem Sabry” (named for the Egyptian journalist who died tragically in the spring of 2014), is perhaps of Montreal’s most political song to date, with Barnes proclaiming “Every leader is a cellophane punk,” while handclaps and danceable drums incite the listener to follow his command: “If you hear me, say ‘Yeah!’ ‘Yeah!’ ‘Yeah!'”
The energy remains high for “Last Rites At The Jane Hotel,” which channels Barnes innermost T. Rex while staying true to of Montreal’s signature kaleidoscopic song structure.
“Empyrean Abattoir” begins dark and brooding before unfurling into a revved up Television-inspired outro, as all the while Barnes lays bare his most gut-wrenching lyrics.
Closing track “Like Ashoka’s Inferno Of Memory” ends the record on an appropriately epic note, reveling in its seemingly effortless shifting of tempos and tones, a microcosm, really, of the overall album’s auditory audaciousness.
Like 2013’s Lousy with Sylvianbriar, Aureate Gloom was recorded directly to tape with musicians Kevin Barnes (guitar, vocals), Clayton Rychlik (drums), Bob Parins (bass), Bennett Lewis (guitar), and JoJo Glidewell (keys), plus the help of engineer Drew Vandenberg.
Having already spent many of the previous months touring together, the strength of the members’ musical rapport was instantly apparent. The group completed nearly a song a day during their stay in the desert and even wrote a brand new track on the spot, “Apollyon Of Blue Room,” whose title references a supposedly haunted bedroom in a hacienda on the studio grounds.
Working at such a breakneck pace, there was no time to nitpick, to dissect, to overanalyze. Only later, upon arriving back home, was Barnes able to take a step back and fully appreciate what he and his band had accomplished.
With Aureate Gloom, of Montreal have created one of the most unflinching, confessional and starkly emotional albums in their oeuvre.
A new band with members of Jupiter One, Of Montreal, and CHAPPO.
Fancy Colors official site