with Christina Vantzou No3 Trio (Belgium) & special guest Svarte Greiner (Norway)
Tue May 10th, 2016
Minimum Age: 18+
Doors Open: 9:30PM
Show Time: 10:00PM
Event Ticket: $18
Day of Show: $22
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
Steve Hauschildt is an American electronic musician and recording artist who resides in Cleveland, Ohio. He was a member of the seminal band Emeralds from 2006-2013. A veteran of the experimental music community, Steve’s compositions have utilized synthesizers, computers and digital processing to both honor and subvert established norms in electronic music. In addition to the prolific output of Emeralds, Steve has released three full-length albums on Kranky, an anthology of his work on Editions Mego and has curated a compilation for Air Texture. He is currently finalizing a new album to be released in late 2016.
Christina Vantzou No3 Trio (Belgium)
No3 trio set with
John Also Bennett – modular synths
Marilu Donovan – harp
Christina Vantzou is a composer and videomaker based in Brussels, Belgium. With a background in visual art, she ventured into music first as a video artist / animator / keyboardist as half of The Dead Texan and later as a touring member of Sparklehorse. 2015 saw the completion of her third album, an ambient-orchestral-synth-drone double lp, released on Kranky. Vantzou writes orchestral arrangements without any formal training, aided only by a midi keyboard and computer software. Her minimal chamber-drone pieces are accompanied by slow motion videos and films, and her live shows often feature loose interpretations of earlier recordings, giving new life to the dark, haunting vignettes with instrumentation like strings synths and theremin.