with Sandra Bernhard, Yellowbirds, Hannah Cohen, The Perennials, Craig Finn (of The Hold Steady) & Joey Arias: Basic Black
Thu December 13th, 2012
Minimum Age: 18+
Doors Open: 7:00PM
Show Time: 8:00PM
Event Ticket: $15
Started as a monthly in-the-round residency at LPR in January 2011, The Burgundy Stain Sessions quickly caught attention for guests such as Norah Jones, St. Vincent’s Annie Clark, Glen Hansard of The Swell Season, Beth Orton, Nico Muhly, Laurie Anderson, Justin Bond, the Dessner brothers, and too many other notables to list out here. As Doveman’s work as a producer, arranger, and keyboardist is taking up more of his time in 2012 (for example, producing the new records from Glen Hansard, Julia Stone and Trixie Whitley), he’ll only be flexing his curatorial talents for four Burgundy Stain performances this year.
Check out a clip from 2011 that includes Martha Wainwright, Justin Bond, Sara Quin (of Tegan + Sara), Norah Jones, Glen Hansard, Nico Muhly, Hannah Cohen and Rob Moose:
“This coterie of musicians shares a sense of restraint, intuitive dynamics and widespread references.” – The New York Times
“…an environment so relaxed it will seem like anyone could join in onstage…” – The Wall Street Journal
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
26-year old Thomas Bartlett is one of New York’s most in-demand keyboard players, collaborating & touring with artists such as Glen Hansard (Once, Swell Season), The National, Martha Wainwright, Antony, David Byrne, Bebel Gilberto & Yoko Ono. Doveman is Bartlett and his select group of collaborators. When listening to this music you should keep in mind artists such as Frederic Chopin, Cat Power, Keith Jarrett, Talk Talk, and Chris Whitley — unless you don’t know any them or are not a fan, in which case you should keep in mind Nick Drake, The National, Mogwai, Explosions in the Sky, and other, trendier bands whose music has recently appeared in car commercials. Doveman does not rehearse, but they sure can play.
SANDRA BERNHARD began her career at L.A.’s famed Comedy Store in the ‘70s, and since then has written and starred in numerous one-woman shows, acted in movies and on television, recorded albums and authored books. Her first one-woman show, the groundbreaking Without You I’m Nothing, ran for 6 months off-Broadway in 1988 and served as inspiration for the film and Grammy-nominated album of the same name. The critically acclaimed I’m Still Here… Dammit! opened offBroadway in 1997, moved to Broadway a year later, and was filmed for an HBO special. The New York Times described Bernhard as a “living, breathing bonfire” and applauded the show, calling it “an angst driven, foul-mouthed, poison-laced joy ride that banks and careens frenetically through the worlds of fashion, celebrity, rock, and religion.” In 2006, Bernhard’s Everything Bad and Beautiful also opened to raves. “Give the dame her due, it’s invigorating to be in the presence of a true original.” (New York Times, 6/06) Her most recent show, I Love Being Me, Don’t You? played to sold-out crowds for an extended run last summer in Los Angeles. The album version of the show was released on Rooftop Records last fall, and she has been touring it with since. “She has chutzpah to spare, but it’s her articulate intelligence that earns our attention … It’s [her] combination of glamour and accessibility that accounts for Bernhard’s enduring appeal,” wrote the Los Angeles Times. From 1991-1996 Bernhard played Nancy Bartlett—the first openly gay character on a network sitcom—on Roseanne. And she has had guest starring or recurring roles on numerous other shows, among them: Good Christian Belles, Hot in Cleveland, The New Adventures of Old Christine, Crossing Jordan, Law & Order: SVU, Will&Grace, The Sopranos, The L Word, Ally McBeal, The Larry Sanders Show, and The Richard Pryor Show. She has appeared more than 30 times on Late Night with David Letterman and has been a regular guest of Howard Stern’s since the early ‘80s. Bernhard’s film credits include Martin Scorsese’s The King of Comedy, for which she was awarded Best Supporting Actress by the National Society of Film Critics, Nicholas Roeg’s Track 29, Hudson Hawk, Dinner Rush, and Dare. Bernhard’s music albums include: I’m Your Woman (Polygram, 1986), Excuses for Bad Behavior (Epic, 1994) and the world music album Whatever It Takes (Mi5). She has also sung with or opened for various musical acts, including: The Pretenders, Cyndi Lauper, and the Scissor Sisters. Other notable performances include her participation in the Stormy Weather Benefit, the Rainforest Benefit, and The Elton John Tribute for Broadway Cares. “She has musicality to die for,” the L.A. Times wrote recently, “a voice that swoops from the bluesy basement to a top-floor falsetto and a campy soulfulness that can compellingly reinterpret the Isley Brothers’ “That Lady” or just go nuts with “Lady Marmalade.” Bernhard has also written three books: Confessions of a Pretty Lady (Harper&Row, 1988), Love, Love and Love (HarperCollins, 1994), and May I Kiss You on the Lips, Miss Sandra? (William Morrow,1998). Her work has also been published in numerous magazines, including, The New Yorker, Vanity Fair, Conde Nast Traveler, Rolling Stone, Interview, and Spy. “A performer of stunning originality. Funny but foxy, super smart and slightly mad!” (WCBS) Bernhard’s live performances are a thrilling hybrid of stand-up comedy and rock ‘n roll, a raucous mix of political satire, pop culture commentary and cabaret. “The experience is like hanging out with a hip and funny friend who never fails to lift you up with her outrageous freedom.” (Los Angeles Times, 8/11)
Hannah Cohen’s debut record, “Child Bride”, was produced by Thomas Bartlett, aka Doveman, known for his keyboard work with artists like The National and Antony and the Johnsons, and also producer of upcoming records by Glen Hansard and Julia Stone. Drawn from Hannah and Thomas’s mutual friends, the core band is a small but potent group of some of New York’s finest musicians, including Sam Amidon, Rob Moose (Bon Iver, Antony and the Johnsons), Brad Albetta (producer for Martha Wainwright and Teddy Thompson), Doug Wieselman (Laurie Anderson, the Lounge Lizards), and Kenny Wollesen (John Zorn, Bill Frisell). Together they have created an expansive, haunted album, lush and welcoming, but also at times almost painfully intimate. Hannah’s strikingly distinctive voice and casually assured phrasing are at the centre of it all, from the heartbroken outpouring of “The Crying Game” to “California”, an irresistibly catchy love letter to Hannah’s home state, with a sunny disposition that can’t quite hide the undercurrent of melancholy and homesickness. [Bella Union]
Her second album, Pleasure Boy, was released March 2015.
Hannah Cohen official site
Hannah Cohen on Facebook
Hannah Cohen on Twitter
Craig Finn (of The Hold Steady)
We All Want The Same Things, Craig Finn’s new solo record out March 24th on Partisan Records, explores themes of love and partnership in the modern world. Expressed via Finn’s signature character studies, black humor, and smartly arranged rock ‘n’ roll, the album is arguably his most musical to date. Largely recorded in Rhinebeck, NY with frequent collaborator Josh Kaufman producing and Dan Goodwin engineering and mixing, the record also features contributions from drummer Joe Russo, keyboardist Sam Kassirer, Rainer Maria vocalist Caithlin De Marrais, singer/songwriter Annie Nero, horn master Stuart Bogie, Jon Shaw, Jordan McLean, Matt Barrick and Finn’s longtime partner in The Hold Steady, guitarist Tad Kubler.
“Love seems like the biggest mystery in our modern days- no amount of science or advances in technology can help us fully understand the notion of love and the role it plays in our lives” Finn says, “But I also thought about the search for love as an antidote for loneliness, and how so often modern partnership can be an alignment of self-interests. We make teams with each other to combat the world around us. There is a beauty in that for sure, but it also can fray around the edges. We lean against each other to keep ourselves upright, make uneasy truces, and push forward into uneasy times. The songs I had dwelled on this.”
The name of the album comes from a line in the song “God in Chicago,” which Finn explains “although it seems like a bit of dark humor in these turbulent political times, it also rings true: no matter our differences we all have some very basic wants and needs that line up with each other.”
Finn is best known as the frontman of acclaimed rock outfit The Hold Steady, with whom he has released six studio albums. Prior to The Hold Steady, Finn was the also the frontman of beloved Minneapolis post-punk band Lifter Puller. We All Want The Same Things is Finn’s third solo album, following Clear Heart Full Eyes (2012) and Faith In the Future (2015). WAWTST takes the listener even deeper into Finn’s complex, nuanced world of characters, explaining “these songs are about normal people trying to help themselves, trying to move forward, and in some cases trying just to survive. All the while they are negotiating what space the others in their lives can occupy.”
I truly believe that on some level, WE ALL WANT THE SAME THINGS. I hope you enjoy the record.
Joey Arias: Basic Black
Joey Arias – vocals / Brandon Seabrook – guitar / Allison Miller – drums / TBA – bass