Thu January 19th, 2017
Minimum Age: All Ages
Doors Open: 6:00PM
Show Time: 7:00PM
Event Ticket: $20 / $15
Day of Show: $25 / $20
Adam Tendler w/ JACK Quartet
Piano Variations | Piano Quartet | Piano Fantasy
Serial Copland features the stunning abstract masterpieces of American composer Aaron Copland, including the Piano Variations (1930), Piano Quartet (1950) and Piano Fantasy (1955-57). Performed by pianist Adam Tendler and the JACK Quartet, artists recognized for their electrifying live performances and commanding interpretations, Serial Copland gives audiences a rare opportunity to experience the lesser-known side of an American icon.
Table Seating: $20 advance, $25 day of show
Standing Room: $15 advance, $20 day of show
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
Adam Tendler has been called “an exuberantly expressive pianist” who “vividly displayed his enthusiasm for every phrase” by The Los Angeles Times, an “intrepid…outstanding…maverick pianist” by The New Yorker, a “modern-music evangelist” by Time Out New York, and a pianist who “has managed to get behind and underneath the notes, living inside the music and making poetic sense of it all,” by The Baltimore Sun, which continued, “if they gave medals for musical bravery, dexterity and perseverance, Adam Tendler would earn them all.” New York Times critic Anthony Tommasini wrote that Tendler played an outdoor performance of John Cage’s music “captivatingly,” and that “the wondrously subdued sounds silenced many, who listened closely even as street bustle and chirping birds blended in.” London critic Frances Wilson described Tendler’s memorized performance of Morton Feldman’s Palais de Mari at St. John’s Smith Square as “a concentrated listening experience…meditative, intense and beautifully poised.” Tendler has performed solo recitals in all fifty United States, and his memoir about the experience, 88×50, was a 2014 Kirkus Indie Book of the Month and Lambda Literary Award Nominee. 2015 saw the release of his premiere recording of Edward T. Cone’s 21 Little Preludes for piano on the Ebb & Flow label.
Deemed “superheroes of the new music world” (Boston Globe), the JACK Quartet is “the go-to quartet for contemporary music, tying impeccable musicianship to intellectual ferocity and a take-no-prisoners sense of commitment.” (Washington Post) “They are a musical vehicle of choice to the next great composers who walk among us.” (Toronto Star)
The recipient of Lincoln Center’s Martin E. Segal Award, New Music USA’s Trailblazer Award, and the CMA/ASCAP Award for Adventurous Programming, JACK has performed to critical acclaim at Carnegie Hall (USA), Wigmore Hall (United Kingdom), Muziekgebouw aan ‘t IJ (Netherlands), IRCAM (France), Kölner Philharmonie (Germany), the Lucerne Festival (Switzerland), La Biennale di Venezia (Italy), Suntory Hall (Japan), Bali Arts Festival (Indonesia), Festival Internacional Cervatino (Mexico), and Teatro Colón (Argentina).
Comprising violinists Christopher Otto and Austin Wulliman, violist John Pickford Richards, and cellist Jay Campbell, JACK is focused on new work, leading them to collaborate with composers John Luther Adams, Chaya Czernowin, Simon Steen-Andersen, Caroline Shaw, Helmut Lachenmann, Steve Reich, Matthias Pintscher, and John Zorn. Upcoming and recent premieres include works by Derek Bermel, Cenk Ergün, Roger Reynolds, Toby Twining, and Georg Friedrich Haas.
JACK operates as a nonprofit organization dedicated to the performance, commissioning, and spread of new string quartet music. Dedicated to education, the quartet spends two weeks each summer teaching at New Music on the Point, a contemporary chamber music festival in Vermont for young performers and composers. JACK has a long-standing relationship with the University of Iowa String Quartet Residency Program, where they teach and collaborate with students each fall. Additionally, the quartet makes regular visits to schools including Columbia University, Harvard University, New York University, Princeton University, Stanford University, and the University of Washington.
Photo Credit: Shervin Lainez