Ticketing Policy
This show includes both Standing and Seated tickets. By purchasing a Seated ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons.
All ticket sales are final. No refunds or exchanges. Physical photo ID required for all shows with age restrictions – no exceptions.
When an event sells out, fans who missed out on tickets can join the Waitlist for a chance to purchase tickets from someone who can no longer attend. Joining the Waitlist does NOT guarantee entry to the event, please do NOT arrive at the venue unless you are contacted about tickets becoming available.
Joining the Waitlist:
• If you’re looking for a ticket to a sold out show, add your info the the corresponding Waitlist.
• If a ticket becomes available, you’ll be notified and your credit card will be charged.
Listing Your Ticket on the Waitlist:
• If you already have a ticket, you can list it on the waitlist through the “My Tickets” page.
• Once we find a buyer for your ticket, you will be notified.
Alune Wade
Alune Wade was personally selected by Marcus Miller in 2015 to contribute to Miller’s album “Afrodeezia” – a testament to his exceptional talent. However, Wade’s path to success began earlier when he was discovered by Ismaël Lô at the age of 18. Since then, he has collaborated with an impressive array of contemporary music legends and performed alongside artists such as Salif Keita, Oumou Sangaré, Bobby McFerrin, Joe Zawinul, Fatoumata Diawara, Paco Sery, Bela Fleck, Cheick Tidiane Seck, Deep Forest, and Gregory Porter. Apart from his distinctive and vibrant electric bass playing, it is his voice that, much like the West African griots, tells stories with deep emotion and touching falsetto/tonality.
saxofshaolin
saxofshaolin, is the confluence between East and West. As a saxophonist, composer, and bandleader, he seeks to merge the musical lineages of his upbringing. He fuses American, South East Asian, and Afro-Caribbean music and creates music that sounds like a dance between the ancestors of the three traditions. This is not only an effort to experiment with music but also to find common ground between far-flung cultures. It’s an approach that has developed, instinctually, from his experience as an immigrant and a Hakka Chinese, a nomad by blood. His music is simultaneously traditional and contemporary. Equally aggressive and tasteful. Always danceable and spiritual.

