TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All ticket sales are final. No refunds or credits.
Danish singer and composer Nanna Øland Fabricius, aka Oh Land, wrote and produced her first album, Fauna, in 2008 following a back injury that destroyed her ballet career. Since then Oh Land has released four studio albums and toured the world many times, both headlining and opening for such acts as Katy Perry and Sia. As a songwriter she has worked with Pharrell, Sia, John Legend and Tricky, to name a few.
Oh Land’s newest album, Family Tree, produced by Thomas Bartlett and slated for a May 2019 release, is her first studio album in 5 years, and is a much more intimate album than anything she’s done before.
“Since the release of my latest album, I’ve experienced the biggest ups and downs of my private life,” notes Nanna, who had a baby, moved back to Denmark after living in NYC for ten years, and got a divorce all in the span of 18 months. “Music has, for me, always been the friend who listens and never judges. And music listens best when you pour your heart out.”
Oh Land also composes music for film, theater and the classical music world. She has performed with Lang Lang and Joshua Bell at Carnegie Hall in New York City, and orchestrated concerts for the Danish Symphony orchestra in her native country of Denmark. She collaborated with the Queen of Denmark to create a ballet for the Danish Theatre (2016); created the music for Watermusic, a multimedia performance for over 15,000 people at Randers Harbor combining architecture, dance and music (2017), as well as creating the musical score for the exhibition “The Ship” at Nikolaj Kunsthal in collaboration with Eske Kath. Most recently she reimagined the Danish National Anthem as a dark, dystopian theme song for the new Netflix sci-fi hit “The Rain”.