Mei Semones is an artist creating jazz influenced indie pop songs with lyrics in both Japanese and English, currently based in Brooklyn, NY. Drawing from her background in jazz guitar and her Japanese heritage, she uses creative harmonic and rhythmic concepts and two different languages to write her songs. Mei’s influences include John Coltrane, Wes Montgomery, Thelonious Monk, João Gilberto, The Smashing Pumpkins, and Nirvana. Her music incorporates a variety of genres ranging from jazz & Bossa nova to indie rock, math rock, and folk.

Sam Gendel is known for his work with saxophones and wind controllers, as well as his original music and significant collaborations with artists such as Ry Cooder, Mach-Hommy, Blake Mills, Sam Amidon, Laurie Anderson, Sam Wilkes, Perfume Genius, Moses Sumney, Knower, Vampire Weekend, Louis Cole, Fabiano Do Nascimento, and Inc. No World.

William Tyler Goes West on new studio album due January 25, shares “Fail Safe”

On January 25, William Tyler returns with Goes West, his follow-up to 2016’s Modern Country. Listen to first single “Fail Safe” now, and pre-order Goes West on CD, LP, and limited-edition translucent green Peak Vinyl, the latter of which includes a 24” × 36” full-color foldout poster of the Robert Beatty cover art. All pre-orders will receive Dispatches from Echo Magic, an 8-song bonus CD available only in the Merge store or with the purchase of Goes West at your local independent record store, while supplies last. Recorded with Scott Hirsch at Echo Magic West in Ojai, CA, the CD features early versions of five songs from Goes West plus three other tracks from the session that are only available here.

Listen to & share William Tyler’s “Fail Safe” now

An excerpt from the M.C. Taylor-penned bio:

William and I bonded early in our relationship over Barry Hannah, a hellraising writer from Mississippi who practically reinvented the way that words could be assembled on a page. Like Hannah, William Tyler knows the South—as a crucible of American histories and cultures, an entity capable of expansive beauty and incomprehensible violence, often in the same beat—as his native place, the place that holds him and that he runs from. In the music of William Tyler, the South is not apart from America; the South is America condensed. And like Hannah—and this part is important—William moved to California, where Goes West was written. We don’t know how long William will stay—Hannah lasted just a couple of years, writing in the employ of director Robert Altman—but the change of scenery seems to suit him.

Goes West marks a sort of narrowing of focus for William’s music; it sounds as though he found a way to point himself directly towards the rich and bittersweet emotional center of his music without being distracted by side trips. Perhaps this is down to the fact that William only plays acoustic guitar on the album, a clear and conscious decision considering that he is one of Nashville’s great electric guitarists. The band that performs Goes West alongside William—including guitarists Meg Duffy and Bill Frisell, bassist and producer Brad Cook, keyboardist James Wallace, drummer Griffin Goldsmith, and engineer Tucker Martine—is the best and most sympathetic group of players that William could have assembled to play these songs.

William Tyler is currently performing solo sets on tour with Ty Segall. Stay tuned for more Goes West news by following Tyler on Facebook, Twitter, and Instagram.

Yasmin Williams is an innovative guitarist and composer known for her unique compositional approach and expansive instrumental style. Her latest album Acadia, released on Nonesuch Records, showcases her evolution from solo performer to collaborative artist, featuring partnerships with notable musicians like Aoife O’Donovan and Immanuel Wilkins.

Williams’ distinctive creative process involves “ruminating” on single notes until compositions naturally emerge. Beyond traditional fingerpicked guitar, she demonstrates mastery of multiple instruments including kora, harp guitar, banjo, and electric guitar. Her music, while rooted in folk traditions, transcends conventional structures to incorporate elements of progressive rock and experimental composition.

Following her acclaimed 2021 album Urban Driftwood, Acadia represents a significant artistic expansion, featuring three distinct sections that move from traditional folk influences to atmospheric soundscapes and experimental arrangements. Williams’ approach emphasizes sustained tones and intricate articulation, creating music that balances technical precision with ethereal, floating melodies.

ABOUT YASMIN WILLIAMS

Yasmin Williams, raised in Woodbridge, Virginia, grew up surrounded by music. Inspired by a wide range of artists—from Chuck Brown to Jimi Hendrix—she began developing her innovative fingerstyle acoustic guitar technique while studying music theory and composition at NYU. Williams has released two previous albums, Unwind (2018) and Urban Driftwood (2021), where she introduced unique approaches, such as playing kalimba and guitar simultaneously. She also incorporates instruments like the kora, harp guitar, and banjo. Despite her use of folk instruments, she resists being categorized within the genre, valuing creative freedom over conformity. Her latest record, Acadia, is out now via Nonesuch Records.