with Be Steadwell, Martha Redbone, Nona Hendryx, Toshi Reagon, Joan As Police Woman, Allison Miller, Jessica Care Moore, Abena Koomson, Arooj Aftab, Morley, KimberlyNichole, Invincible, Christelle Durandy, Imani Uzuri & many more
Sat September 21st, 2013
Minimum Age: 18+
Doors Open: 6:00PM
Show Time: 7:00PM
Event Ticket: $20
Word*Rock*& Sword is about women taking and holding space, sharing experiences and skills, teaching and celebrating—spirit, body and mind, all in the name of justice and rights for women. Open To All.
JOAN AS POLICE WOMAN
WORD*ROCK*&SWORD Band of Angels
+ DJ TIKKA MASALA
More to come keep checking back
This is a general admission, standing event. Happy hour from 6-7pm including $3 beer and $5 well drinks.
Word*Rock*& Sword: A Musical Celebration of Women’s Lives V
Be Steadwell: With roots in jazz vocals, acapella and folk-Be composes a soulful blend of genres in what she calls queerpop. In her live performances, she utilizes loop pedal vocal layering and beat boxing to compose her songs on stage.Be Steadwell is a songwriter from Washington DC. Redefining the love song in a modern context-Be’s lyrics focus on love and resistance between women.
Miss Redbone’s music flows equally from her own unique, award-winning blend of Native American elements with funk and her deep roots in Appalachian folk and Piedmont blues favored by the matriarchy that raised her on a rich sojourn from Clinch Mountain, Virginia to Harlan County, Kentucky and beyond to Brooklyn’s Dodge City-esque mean streets. Indeed, Garden Of Love seamlessly evokes the mid-20th century old timey gold rush when such artists as her fellow Kentuckians Jim Ford and Jackie DeShannon fearlessly infused their downhome blues between canyon air ballets and retronuevo cabinessence – before their followers developed newgrass and Redbone’s twangy forebears Buffy Sainte-Marie and Rita Coolidge brought Indigenous concerns to the rock & roll arena in the 1970s. Yet don’t call this project bluegrass or the purists might have a fit.
If Labelle fans grieved the end of an era, Nona Hendryx fans would welcome a new one as the revolutionary art-rock, new-wave goddess embarked upon her own impressive solo career, which spanned eight studio albums and engaged her with an impressive line up of collaborators (from Prince, Peter Gabriel, Talking Heads, Laurie Anderson, Vernon Reid of Living Color, AfrikaBambata, Bono and the soul influenced funk band Cameo), resulting in several top ten hits and a Grammy nomination (“Rock This House,” from her album The Heat, 1985, with Keith Richards on guitar).
(read full bio here_
Nona Hendryx official site
Toshi Reagon official site | Toshi Reagon on Twitter | Toshi Reagon on Facebook | Toshi Reagon on Instagram
Described by Vibe magazine as “one helluva rock’n’roller-coaster ride” and by Pop Matters as “a treasure waiting to be found,” Toshi Reagon is a one-woman celebration of all that’s dynamic, progressive and uplifting in American music. Since first taking to the stage at age 17, this versatile singer-songwriter-guitarist has moved audiences of all kinds with her big hearted, hold-nothing-back approach to rock, blues, R&B, country, folk, spirituals and funk. The New York Times described her blend as “…a love of mixing things up…[her] vocal style ranges from a dirty blues moan to a gospel shout to an ethereal croon.” Her live performances, in particular, aren’t just accessible; they’re irresistible. And Toshi Reagon loves her audiences. Leading her renowned band–BIGLovely, launched in 1996–she instantly connects, inspires and empowers.
Photo credit: JOMOTO/Molly Rubin and Tony DiPietro
Joan As Police Woman
Joan Wasser’s musical life has spanned many albums, bands, collaborations and genres. She picked up the violin in public school when she was 8, soaked up Stevie Wonder and the Jackson5 on the AM radio before catching the bus to school and ended up studying classically through college.
Consumed by the punk rock/ new wave scene, her first live shows were The Bad Brains and Black Flag when she was 14, Adam and the Ants and Siouxsie and the Banshees when she was 15.
Capitalizing on these diverse beginnings, she eventually joined, recorded and toured with The Dambuilders, Those Bastard Souls, Antony and the Johnsons, Rufus Wainwright, Lou Reed and recorded and played with countless others.
Joan As Police Woman began in 2003 when she realized that when she picked up the guitar, she was able to sing and write songs. Since then, she’s released 4 albums of originals, one album of covers, toured the world many times over and generally fell in love with recording and songwriting. Recently she’s begun producing and writing for other artists and is in the middle of recording her 5th album as JAPW.
She has a collaborative project with Benjamin Lazar Davis called “Let It Be You” that uses Central African Republic Pygmy people’s flute ostinatos as the basis for pop songs.
Jessica Care Moore
Arooj Aftab The first time Arooj Aftab sang in public as a high-schooler in Lahore, Pakistan, something clicked and she started to feel like she was flying out of her body. She hasn’t repeated that experience much since then, but she’s managed to make the same sensation possible for listeners on her new release, Bird Under Water. Comprised of Aftab’s original music set mostly to her own loose take on ancient Sufi poetry, Bird Under Water completely re-contextualizes Pakistani/North Indian classical forms like thumri, khayal, and kafi. (via MTV Iggy)
Arooj Aftab official site
Arooj Aftab on Bandcamp
Arooj Aftab on Facebook
main photo credit: Desdemona Burgin
Morley official site | Morley on Facebook | Morley on Twitter
From Carnegie Hall, Nice Jazz Festival to the Nomad Women’s Festival in the Sahara Desert, Morley has brought her unique blend of jazz, folk and soul to the world’s stage. Be it solo with her acoustic guitar or with full electric band, her message is consistent and clear; love, justice and inspiration. Morley performs all over the world, and had the distinct honor of presenting at TEDWomen. Her song “Women of Hope” (video by Damani Baker “Still Bill”) has been featured in Nobel Women’s Initiative documentaries and has brought her before many world leaders and policy makers. She has performed for His Holiness the Dalai Lama, Nelson Mandela, Ban Ki-moon, Mary Robinson, and Ela Gandhi. She has written, collaborated, and shared the stage with such distinguished artists as Dr. Bernice Johnson Reagon, Toshi Reagon, Richie Havens, Robert Wilson, Raul Midón, Amadou et Mariam, Joan Wasser, Dave Matthews, Sheryl Crow, Queen Latifah, Angélique Kidjo, Sarah McLachlan, Max Roach, Wynton Marsalis,Joan Wasser, Manu Katche and Cassandra Wilson. Morley’s previous recording, Seen, came out on Universal/Polydor. Prior to that, the Days Like These CD was released independently, before being picked up by Universal. Morley’s debut, Sun Machine, was released on Sony/WORK, songs from her albums have been featured on several television programs, both nationally and internationally. Morley’s voice was also featured as the soundtrack for the Ralph Lauren fragrance, “My Romance”.
It is truly rare to find an artist like Invincible. Their spitfire wordplay has received acclaim from fans all across the world, while their active involvement in progressive social change has taken their music beyond entertainment toward actualizing the change they wish to see. As a co-founder of EMERGENCE Media, they released their debut album ShapeShifters (2008) and produced award winning videos like The Revival (2009) about women in hip-hop, and Locusts (2008) exploring displacement and gentrification in Detroit. They have performed on stages and in clubs, community centers, campuses, pride celebrations, and festivals around the world for over a decade, both as a solo artist, and featured as part of the anti-misogyny Hip-Hop collective ANOMOLIES. They teamed up with longtime producer Waajeed in 2010 to release a limited edition 7″ single “Detroit Summer/Emergence.” Invincible is a fellow of Kresge Arts in Detroit, and the Ellen Stone Belic Institute for Women and Gender in the Arts and Media.
Innovative vocalist and composer Imani Uzuri is an eclectic artist who travels internationally from Morocco to Moscow creating and performing in world class venues across various genres including concerts, recordings, experimental theater, performance art and sound installations. Uzuri’s work has been called “stunning” by New York Magazine and incorporates her interests in world culture, experimentation and sacred music. She has earned critical acclaim for her debut album, Her Holy Water: A Black Girl’s Rock Opera as well as for her collaborations with diverse artists such as Herbie Hancock, John Legend, Wangechi Mutu, Sandford Biggers and Vijay Iyer. The Village Voices says, “With a voice that would sound equally at home on an opera stage or a disco 12-inch, Imani Uzuri is a constant surprise…seamlessly combining jazz, classical, country and blues motifs into highly personalized compositions.” Uzuri’s new album, The Gypsy Diaries, draws on her rural Southern roots as well as influences ranging from Sufi devotionals to Romany laments and features sitar, acoustic guitar, cello, violin, Japanese shinobue flute and world percussion. It is a vibrant lyrical and spiritual soundscape that was named #2 on Rhapsody’s World Top 10 List Summer 2012. Uzuri is currently composing a new musical GIRL Shakes Lose Her Skin that she is developing with playwright Zakiyyah Alexander inspired by the works of Philadelphia Poet Laureate Sonia Sanchez. “Uzuri never fails to mesmerize audiences with her narcotic blend of…ethereal sounds” (Time Out New York)
Imani Uzuri official site