Apr

10

The M & Ms: Medeski, Mali, Mercurio, Moore The M & Ms: Medeski, Mali, Mercurio, Moore

with Lakecia Benjamin & Soul Squad

Wed April 10th, 2013

7:00PM

Main Space

Minimum Age: 18+

Doors Open: 6:00PM

Show Time: 7:00PM

Event Ticket: $25

Day of Show: $30

event description event description

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TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
 
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
 
All tickets sales are final. No refund or credits.

the artists the artists

The M & Ms: Medeski, Mali, Mercurio, Moore

Keyboard master John Medeski thrives on the unpredictable, a trait that has kept his work with the trailblazing trio Medeski Martin & Wood (MMW) fresh and surprising for more than twenty years. With A Different Time, his first solo piano project, Medeski once again takes his sound in a completely unexpected direction – unexpected even to him…
 
read more at johnmedeski.com/
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Papa Mali on Myspace
 
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Galactic official site
 
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Stanton Moore on Facebook
Stanton Moore official site

Lakecia Benjamin & Soul Squad

Charismatic and dynamic saxophonist/bandleader Lakecia Benjamin, who has played with Stevie Wonder, Alicia Keys, The Roots and Macy Gray, takes center stage in her own right with the release of her unconventional soul/funk album, RETOX, on Motéma Music.
 
While she’s made quite an impact with her impressive sax work on stage and on record, Benjamin opted for a slightly different take on RETOX, allowing her talents as a composer and producer to share the spotlight with her funky sax struts. In fact, several of the CD’s 12 tracks don’t even feature sax. “This album is really a fruition of years of songwriting as much as it is a showcase for my sax playing and horn arrangements,” said Benjamin. On songs like “My Love” and “Share” she’s chosen to let the vocals carry the song. “I was more concerned with doing justice to my compositions than putting a sax solo in every song.”
 
On RETOX, Benjamin shows off her impeccable, purist jazz resume with a deep, kaleidoscopic and ingeniously arranged mix of original old school soul and funk songs as well as the Stevie Wonder classic, “Don’t You Worry ‘Bout a Thing.” An A-list of established and emerging vocalists such as Krystle Warren, Amp Fiddler, Maya Azucena, Chinah Blac and Melanie Charles, join Benjamin on an album that’s as electrifyingly diverse as the cast that plays on it. “I call my band SoulSquad because, even as a kid, I always wanted to play like I was in an army of funky musicians,” says Benjamin.
 
Though her own music is immersed in the vintage sounds of James Brown, Maceo Parker, Sly and the Family Stone and the Meters as well as classic jazz, Benjamin’s soaring, dance floor-friendly grooves take the classic vibe to a whole new level. The constant throughout it all is Benjamin’s summery, sultry alto saxophone, adding something special on every cut – be it a smoldering late-night ambience, an erudite, forceful jazz intensity or the tight funk multi-horn harmony sections that pepper the proceedings throughout.
 
Hit producer Ben Kane (D’Angelo, Krystle Warren), who engineered and co-produced the album with Benjamin, gives the tracks a rich, full-bodied analog sound that nods to the great radio hits from the golden age of soul.
 
In keeping with her eclectic style, the tracks are a mix of vocal and instrumental joints. Along with the blissfully peaceful “Dreams,” there are some serious party jams: the band’s signature, P-Funk flavored opening track, “SoulSquad” – which evolved out of a jam at a concert sound check; “Maceo,” a period-perfect, JB’s-style tribute to funky sax legend Maceo Parker; and the horn-driven groove “Get Down,” which Benjamin describes as, “A go-go feel meets James Brown, just to show that vocalists aren’t the only life of the party!” Benjamin’s unique new contribution to the future of soul and funk is sure to win over fans of acts from Maceo Parker and Sharon Jones to Adele and Erykah Badu.

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