with music of Schubert and Barbara Monk Feldman
Wed February 27th, 2013
Minimum Age: All Ages
Doors Open: 6:30PM
Show Time: 7:30PM
Event Ticket: $15
Day of Show: $20
free for members
Aki Takahashi, piano
Barbara Monk Feldman: In the Small Time of a Desert Flower
Schubert: Piano Sonata in D major, D. 894
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
Aki Takahashi, piano
Aki Takahashi made her public debut shortly after graduating from the Tokyo University of Arts with a masters degree in 1970. While acknowledged for her classical musicianship, her enthusiasm and acclaim as a new music interpreter have attracted the attention of many composers. Cage, Feldman, Takemitsu, Yun, Oliveros, Ruders, Satoh, Lucier and Garland, to name a few, have all created works for her.
Ms. Takahashi received the first Kenzo Nakajima prize in 1982, and was recipient of the first Kyoto Music Award (1986). She directed the “New Ears” concert series in Yokohama (1983-97), was artist-in-residence at SUNY Buffalo (1980-81) and guest professor at the California Institute of the Arts (1984).
Her landmark recording of 20 contemporary piano works, Aki Takahashi Piano Space, received the Merit Prize at the Japan Art Festival (1973). Her series of Erik Satie concerts (1975-77) heralded a Satie boom in Japan, resulting in her editing all of his piano works for Zen-On and recording them on Toshiba-EMI. She created the Hyper-Beatles project with Toshiba, which invited 47 international composers to arrange/recompose their favorite Beatles tunes.