Sat April 11th, 2020
Minimum Age: 18+
Doors Open: 7:00PM
Show Time: 8:00PM
Event Ticket: $25
$25 (Table Seating and Standing Room admission available)
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All ticket sales are final. No refunds or credits.
For over 20 years, ‘America’s Funnyman’ Neil Hamburger has worked every imaginable stage,
from New York’s Madison Square Garden and the UK’s Reading Festival, to a Hollywood
cemetery, Tasmanian pubs, and an abandoned monkey cage in a decrepit Catskills zoo.
He has performed countless headlining American, Australian, British, and Canadian tours, as
well as shows in Norway, New Zealand, Ireland, and the Bahamas. He has toured
internationally as the cherry-picked opening act for Tenacious D and Faith No More.
Neil Hamburger was the subject of the critically acclaimed dramatic 2015 feature
film Entertainment, co-starring John C. Reilly, Tye Sheridan, and Michael Cera. Neil’s many TV
credits include Tim and Eric Awesome Show, Tom Green Live,and Jimmy Kimmel Live.
Among his dozen album releases is Live at Third Man, produced by Jack White in Nashville; an
earlier Hamburger effort was included in SPIN’s ‘40 Greatest Comedy Albums of All
Time’. His latest LP, the chamber-pop epic Still Dwelling, features guest appearances from Jack
Black and Mike Patton.
“A brilliantly awful persona of an old-school, C-list funnyman—the kind with an ill-fitting
tuxedo and an enormous, greasy combover—on a very bad night. Neil Hamburger toys with
an audience’s expectations (and patience), and indeed his act is a kind of rude commentary on
stand-up comedy altogether.”—NEW YORK TIMES