with John Medeski, Nels Cline (solo), So Percussion, guests & Helado Negro
Tue January 7th, 2014
Minimum Age: 18+
Doors Open: 7:00PM
Show Time: 8:00PM
Event Ticket: $10
Winter Jazzfest celebrates 10 years launching the 2014 festival with a special show featuring drummer Bobby Previte’s TERMINALS with Nels Cline, John Medeski and special guests TBA. Helado Negro performs an opening set. This night is made possible with support from Six Point Brewery
****2014 WJF Full Festival Pass holders receive access to this event pending capacity****
Click here for details on WJF10 check-in, etc
This is a general admission, standing event.
Bobby Previte’s TERMINALS
TERMINALS, PART I: DEPARTURES, composed by Bobby Previte, is a thrilling and prolific meeting of the classical and the improvised worlds. The evening-length piece premierèd at Merkin Hall, New York City on March 28, 2011 as a joint production of WNYC/John Schaefer’s “New Sounds Live” and The Ecstatic Festival. TERMINALS featured SO PERCUSSION and soloists John Medeski, Zeena Parkins, DJ Olive, Jen Shyu, and the composer. The piece has also been performed by SO PERCUSSION at the Institute for Contemporary Art in Boston, and by STUDIO PERCUSSION GRAZ on tour in Austria and Hungary. In November 2013 TERMINALS will make its French debut with LES PERCUSSIONS DE STRASBOURG.
TERMINALS exists in two iterations: the concerto version and the percussion ensemble version (without soloists). The concerto version consists of five separate pieces for four percussionists and soloist: one each for harp/guitar, voice, turntables/electronics, drum set, and piano/organ. Pitting the precise percussion ensemble against the uncontrollable improviser, the inherent paradox in the concerto form is dramatically heightened in an attempt to reconcile the ever-fascinating comic book conundrum: What happens when an irresistible force meets an immoveable object? The percussion-only version, also in five separate cycles, is a perfect vehicle for students as it requires not only exacting reading and execution, but also provides explorations into improvisation, ensemble feel, and theatrical presence.
The complete 90-minute piece places standard orchestral percussion instruments (timpani, snare drum, triangle) alongside those that were codified into 20th Century percussion literature (brake drums, anvils, almglocken), regional instruments highly associated with folk music (cuica, spoons, talking drum, timbales), electronic percussion (drum machine), and other unclassifiable elements (bullwhip), to fashion a indelible landscape.
Bobby Previte Official Site
Famed keyboardist John Medeski is not easily contained to a single project or genre; he is credited on over 300 works to date, most notably as one third of the groundbreaking trio, Medeski Martin & Wood.
Equally comfortable behind a Steinway grand piano, Hammond organ or any number of vintage keyboards, Medeski is a highly sought after improviser and band leader whose projects range from work with John Zorn, The Word (Robert Randolph, North Mississippi Allstars), Phil Lesh, Don Was, John Scofield, Coheed & Cambria, Susana Baca, Sean Lennon, Marc Ribot, Irma Thomas, Blind Boys of Alabama, Dirty Dozen Brass Band and many more. Classically trained, Medeski grew up in Ft.Lauderdale, FL where as a teenager he played with Jaco Pastorius before heading north to attend the New England Conservatory. He released his first solo piano record, A Different Time, on Sony’s Okeh Records in 2013, and current projects include a new album in the works with his band MadSkillet (Terrence Higgins, Kirk Joseph, Will Bernard), and HUDSON (a collaboration with Jack DeJohnette, John Scofield & Larry Grenadier), plus a documentary on Medeski Martin & Wood.
Nels Cline (solo)
Guitar explorer NELS CLINE is best known these days as the lead guitarist in the band Wilco. His recording and performing career – spanning jazz, rock, punk, and experimental – is well into its fourth decade, with over 160 recordings, including at least 30 for which he is leader. Born in Los Angeles in 1956, Cline has received many accolades including Rolling Stone anointing him as both one of 20 “new guitar gods” and one of the top 100 guitarists of all time.
Beyond Wilco, he leads The Nels Cline Singers (featuring Scott Amendola and bassist Trevor Dunn), and plays with Fig (a collaboration with Yuka Honda), BB&C (a collective with Time Berne & Jim Black), Pillow Wand (duo with guitarist Thurston Moore), and a new duo project with jazz guitar prodigy Julian Lage. A few of the other musicians with whom he has performed and/or recorded include: Ramblin’ Jack Elliot, Yoko Ono, Jeff Gauthier, Mike Watt, Carla Bozulich, Vinny Golia, Marc Ribot, Tinariwen, Julius Hemphill, Charlie Haden, Wadada Leo Smith, Lydia Lunch, and Lee Ranaldo.
Photo credit Yuka C. Honda
Sō Percussion is a percussion-based music organization that creates and presents new collaborative works to adventurous and curious audiences and educational initiatives to engaged students, while providing meaningful service to its communities, in order to exemplify the power of music to unite people and forge deep social bonds.
To create a new model of egalitarian artistic collaboration that respects history, champions innovation and curiosity, and creates an essential social bond through service to our audiences and our communities.
Sō is: Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting
With innovative multi-genre original productions, sensational interpretations of modern classics, and an “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope and vital role of the modern percussion ensemble.
Their repertoire ranges from “classics” of the 20th century, by John Cage, Steve Reich, and Iannis Xenakis, et al, to commissioning and advocating works by contemporary composers such as David Lang, Julia Wolfe, Steve Mackey, and Caroline Shaw, to distinctively modern collaborations with artists who work outside the classical concert hall, including Shara Nova, the electronic duo Matmos, the choreographer Susan Marshall, Wilco’s Glenn Kotche, The National’s Bryce Dessner, and many others.
Sō Percussion also composes and performs their own works, ranging from standard concert pieces to immersive multi-genre programs – including Imaginary City, Where (we) Live, and A Gun Show, which was presented in a multi-performance presentation as part of BAM’s 2016 Next Wave Festival. In these concert-length programs, Sō Percussion employs a distinctively 21st century synthesis of original music, artistic collaboration, theatrical production values and visual art, into a powerful exploration of their own unique and personal creative experiences.
In the current season, Sō performs the New York premiere of David Lang’s man made with Louis Langrée and the Mostly Mozart Festival Orchestra; tours a new work by Caroline Shaw with Dawn Upshaw and Gil Kalish to the Kennedy Center, San Francisco Performances, UCLA, Penn State, and elsewhere; returns to Carnegie Hall with the JACK Quartet in a program of new works by Donnacha Dennehy and Dan Trueman; tours the United Kingdon with its original production exploring the community and culture of English coal mining country, From Out a Darker Sea; and more.
Recent highlights include an acclaimed Trilogy portrait at the Lincoln Center Festival; appearances at Bonnaroo, the Eaux Claires Festival, MassMoCA, and TED 2016; international tours to Poland and Ireland; performances of man made with Gustavo Dudamel and the LA Phil; Bryce Dessner’s Music for Wood and Strings at the Barbican in London; and an original score for a live performance and broadcast of WNYC’s Radiolab with Jad Abumrad and Robert Krulwich at BAM.
Rooted in the belief that music is an essential facet of human life, a social bond, and an effective tool in creating agency and citizenship, Sō Percussion enthusiastically pursues a growing range of social and community outreach. Examples include their Brooklyn Bound presentations of younger composers; commitments to purchasing offsets to compensate for carbon-heavy activities such as touring travel; and leading their SōSI students in an annual food-packing drive, yielding up to 25,000 meals, for the Crisis Center of Mercer County through the organization EndHungerNE.
Sō Percussion is the Edward T. Cone Ensemble-in-Residence at Princeton University, where they offer educational work and present an annual series of concerts. They are also Co-Directors of the percussion department at the Bard College-Conservatory of Music, and run the annual Sō Percussion Summer Institute (SōSI, now in its ninth year), providing college-age composers and percussionists an immersive exposure to collaboration and project development.
Photo Credit: Evan Monroe Chapman
The son of Ecuadorean immigrants, Helado Negro was born in South Florida in 1980. His childhood was suffused with tropical heat, humidity, hurricanes, all refracted with the rich sounds and colors of the various Latin American cultures of southern Florida. Pounding bass beats from passing cars, boom boxes bouncing down the block, and late-night parties called “peñas” provided a foundation for Helado Negro’s interest in sound and lifelong quest to discover the unlimited variety of objects used to produce music. Most recently he created a new collaborative group with Julianna Barwick called OMBRE releasing their debut album in 2012 called Believe You Me. Helado Negro has worked with Bear in Heaven mixing their Pitchfork’s Best New Music album Beast Rest Forth Mouth. He also produced Prefuse 73‘s 2010 album Everything She Touched Turned Ampexian.
Helado Negro official site
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Helado Negro on Soundcloud
Photo credit: Ryan Dickie