Oct

13

LPR Presents at Union Pool: Suno Deko, Yohuna & Crosslegged LPR Presents at Union Pool: Suno Deko, Yohuna & Crosslegged

Fri October 13th, 2017

9:00PM

Union Pool

Minimum Age: 21+

Doors Open: 8:00PM

Show Time: 9:00PM

Event Ticket: $10

Day of Show: $12

event description event description

This is a general admission event at Union Pool: 484 Union Ave, Brooklyn 11211

the artists the artists

1

Suno Deko

Suno Deko on Facebook | Suno Deko on Bandcamp | Suno Deko on Instagram | Suno Deko on Twitter

Suno Deko is the self-titled LP debut of poet and experimental-pop musician David Courtright. It is the story of the shifting dynamics of long-lasting love, of feeling like an outsider in your own body and the world, of fear and grace, of patience, of difficult choices, and of longing and vulnerability.

The record was written and hammered out on a relentless year of touring with Julie Byrne, which took the two of them across the continent twice over to just about every DIY space imaginable: a New Orleans puppetry theater, a geodesic dome in rural Missouri, a Veterans of Foreign Wars outpost in frigid Missoula, and dives, punk houses, basements, and everything else in between. It was a journey that deeply informed both of their current records, as well as the blossoming of a deep and lasting friendship between the two. The LP was recorded in Atlanta, Brooklyn, Los Angeles, and in a cabin at the foot of the Blue Ridge Mountains in Georgia. Engineered primarily in Atlanta by Ben Price, Suno Dekofeatures contributions from many of David’s friends in his music community, including Nicole Miglis and Zach Tetreault of Hundred Waters, who appear on Swan Song,” as well as Julie Byrne (“Alone with You”), Jake Falby of Mutual Benefit (“Falling In,” Altar,” and Swan Song”), and others. For the vocal recordings, David returned to the church he grew up in, St. Bartholomew’s Episcopal Church in Atlanta, which was always a vibrantly open and inclusive space for him growing up as a queer boy in the South. The sonic personality of that rich spiritual space, and the enthusiastic support of his openly gay rector, lend the recordings a distinctive richness and warmth. 

The name ‘Suno Deko’ stems from David’s experience working for an Indian painter in New Delhi, India. What he believed were terms of endearment for him were actually the artist’s commands to him to listen(suno) and look (deko). These came to represent reminders to be open, present, and attentive. Today, Suno Deko is a call to vulnerability, to living openly with love, fear, and free expression in a world that still prizes rigid notions of masculinity. It is an extension of his own process of discovery and acceptance of his identity as a queer body in a world that doesn’t always make space for it. His self-titled debut album, forthcoming in the fall, trades the tightly-wound looping structures of his 2014 Thrown Color EP for more lush, orchestrated arrangements. Originally from Atlanta, and now residing in Brooklyn, he’s toured with Hundred Waters, Mutual Benefit, Julie Byrne, and How to Dress Well. He will be touring his album nationally this year, starting with his return in May to the Form: Arcosanti festival, which he played in its inaugural year in 2014. 

Yohuna

Yohuna on Bandcamp | Yohuna on Facebook | Yohuna on Soundcloud | Yohuna on Tumblr | Yohuna on Twitter

What is Patientness? Even Johanne Swanson, who performs as Yohuna, asks this question on her forthcoming debut, a collection of careful, synth and vocal driven meditations on this very word. Patientness is a culmination of sorts, like an emotional scrapbook pulled together over years of movement and loss, beginnings and endings, flying away from old homes, searching for new ones.

Swanson is a songwriter at heart, who tells stories with words as much as she does with sound: the swells of ambient guitar work, slow builds of white noise, melodies hidden amid melodies. The duality makes her work all the more intimate, like a friend showing you their dream diary, pouring through past lives, remembering who you were and who you are.

“I started writing these songs as a healing, coping mechanism,” Swanson says, candidly. “We tell stories of loss so people don’t feel alone. It’s important to talk about distress, and sadness, because no one is isolated from those feelings.”

Patientness is an ode to patience: taking things slowly, enduring through difficulty, finding strength within yourself when what’s familiar feels so far away. Taking time in a world that wants everything to happen so quickly. It’s light and then dark, heavy and then weightless, with Swanson’s haunting words and pulsing dimlit beats stringing the stories together, often hanging atop swatches of ambient electronics. A current New York resident, Swanson grew up between the woods and churches of Chippewa Falls, Wisconsin, a testament to her penchant for self-harmonizing and artful images of nature: the moon, the birds, the lake. She also spent her Wisconsin upbring enmeshed in the nearby Eau Claire music community. After leaving home, she spent the past handful of years in motion, living in Albuquerque, Los Angeles, back to Eau Claire, Boston, and Berlin, all times and places on this album.Yohuna, as a project, was born out of disorientation and isolation, a way to find clarity and community in an unfamiliar new town. Swanson began the project in 2010 after moving to New Mexico, a place where she knew no one. But the quiet served her creativity well. Before moving to the desert, Swanson bought an old Casio, and started a music blog. She swapped mp3s with new friends she met through Tumblr, a community of disparate musicians and artists and writers who were doing things on their own terms, connected by an ethos as much as shared tastes; there was an empowering DIY spirit to all of it that suggested, “you can do this too”. Inspired, she self-released her first EP, Revery.

After a short stint living in LA in 2011, Swanson returned to Eau Claire, where she was active in the local grassroots arts and music communities, helping book community festivals and house shows, and experimenting with drone projects. Later, living in Berlin, an experience she describes as equally inspiring as lonely, she bought a real synthesizer for the first time there; learned about hardware, and synthesis, and sound; and carved out a space for herself within a certain weirdo synth pop scene. “I learned a lot in Berlin,” she reflects. “I learned how to build a couple of different types of oscillators, and went to a meeting for women making electronic music, and did some other hardware workshops. But I didn’t see anyone play guitar for like 14 months.”

That dynamic only made Swanson more eager to incorporate guitar into the project further, an element that was realized when her close friend Adelyn Strei (who also performs as Adelyn Rose) moved to Berlin for nine months, joined the project as guitarist, and co-wrote the song “Golden Foil”.

Patientness features Strei’s guitar work and vocals throughout, as well as contributions from multi-instrumentalist Owen Pallett, plus Felix Walworth (Told Slant, Bellows, Eskimeaux) on drums and Emily Sprague (Florist) contributing mellotron. Pallett also co-produced and engineered the album at his studio in Montreal.

“I’m not a patient person,” Swanson says. “That’s why I never put out a record, and hate recording. But Patientness became this mantra to me when I was in Berlin. To describe how I felt with needing to express patience, but being unable to do it. It was more like something to remind me to slow down and to reflect and be deliberate. The non-word of it came from living in this place where words were starting to mean less and less.”

What is Patientness? By the title track, the last track, the answer starts to come into focus. “Through train windows my eyes / do the same thing / as strangers,” Swanson sings over bare picking at a guitar. “What is patientness / patience is / patientness / mornings without you,” Swanson and Strei sing in unison, drawing strength out of a broken situation, musing on dreams of forgiveness, little beams of light. It sounds solemn, but cathartic, but right.

Crosslegged

Crosslegged on Bandcamp | Crosslegged on Facebook | Crosslegged on Soundcloud | Crosslegged on Twitter

Crosslegged is the solo project of Brooklyn based musician Keba Robinson.

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