Nick Hakim official site | Nick Hakim on Facebook | Nick Hakim on Twitter | Nick Hakim on Soundcloud

For singer-songwriter Nick Hakim, it all started in a house in Jamaica Plains, MA with collaborators Naima and Solo Woods. There, he put the finishing touches on his breakthrough EPs, Where Will We Go, Pt. I & II, which would later release through his Earseed Records and earn critical praise from NPR and The New York Times. But it was where the sessions for the two-part project ended and the ideas began to materialize for what would become his full-length debut, Green Twins (releasing via ATO Records in 2017), an experimental step forward with emotional heft gleaned from his experiences in the years since.

The story of Green Twins truly began when, armed with the masters for his EPs, Hakim moved from Boston to Brooklyn, spending his time fleshing out unfinished ideas in his bedroom. He came up with lyrics on the spot while playing the live circuit at solo shows including Palisades and NYXO, recording sketches and lyrics on voice memos and a four-track cassette recorder, and embracing the local community of musicians by performing with bands like Jesse and Forever and Onyx Collective. From there, Green Twins came about as a sum of its parts: Hakim took the demo recordings to studios in New York City, Philadelphia and London, and built on them with engineers including Andrew Sarlo (bass, engineering, production), keeping the original essence of the songs intact. Sarlo notes that “for other artists, a demo serves as a potential shape the song could form into. But for Nick, demos are more like creating a temple: a sanctuary that now we have to go into and somehow clean, furnish, and get ready for other people to experience the sermon in.”

“I put a lot of thought to the things I’d say, but a lot of it is what I was thinking in the moment, very specific songs,” he says of Green Twins, “many of them are like self-portraits”. The record draws from influences spanning Robert Wyatt, Marvin Gaye and Shuggie Otis to Portishead and My Bloody Valentine. “I also felt the need to push my creativity in a different way than I had on the EPs”, he continues. “We wanted to imagine what it would have sounded like if RZA had produced a Portishead album. We experimented with engineering techniques from Phil Spector and Al Green’s Back Up Train, drum programming from RZA and Outkast, and were listening to a lot of The Impressions, John Lennon, Wu-Tang, Madlib, and Screaming Jay Hawkins.”

“Bet She Looks Like You,” recorded mostly in his home bedroom, was one of the first songs that “started this fire for exploring this experiment through song.” Each track peels back a particular aspect of his life: on the title song, he gets deeply personal, reflecting on a recurring dream. “All these things reflect how I feel, how I write,” he says. “I sometimes have trouble articulating myself verbally. This is a place I can talk and be myself, with music, this intangible space I create.”

Hakim’s debut comes as the culmination of years chiseling his skills as a musician. Hailing from Washington, D.C., he grew up in a musical household—his older brother introduced him to bands like Bad Brains and Nirvana, and his parents exposed him to Nueva canción—while he set out on his own to discover the DC music scene. He didn’t take an interest in learning an instrument until later in high school, when he taught himself to play the keys. After graduation, he moved to Boston to continue his study of music. In the time since moving to Brooklyn and setting to work for three years on Green Twins, he embraced the live circuit, both as a solo musician and with his band, whom he’s brought together from within his community in Boston and New York.

With Green Twins, Hakim plans to tour through the beginning of the year, and hopes that folks will connect with the songs he’d written. “I think everybody feels insecure about certain things and everybody has lost people dear to them. I think I’m writing about common things that people feel,” he says. “I’m very grateful for anybody that’s listening or wants to be a part of my little world that I’ve created through song.”

Joan As Police Woman official site | Joan As Police Woman on Facebook | Joan As Police Woman on Twitter | Joan As Police Woman on Instagram | Joan As Police Woman on YouTube

Joan as Police Woman (Joan Wasser) is a world-renowned recording artist, songwriter, performer, producer and multi-talented instrumentalist. First trained as a classical violinist, Wasser was influenced by the music of Jimi Hendrix, Siouxie and the Banshees, Nina Simone, and Black Flag. She went on to perform in a number of alternative rock bands including The Dambuilders, Those Bastard Souls, and Helium. Throughout the early 2000s, Wasser went on to collaborate with artists including John Cale, Lou Reed, David Sylvian, Antony & The Johnsons, and Rufus Wainwright, several of whom went on to be featured on her own records. In 2002, Wasser formed Joan as Police Woman, and her debut album Real Life was released in 2006 to great acclaim. Pitchfork celebrates her songs that “remind us of a time when pop tunes wound up in jazz clubs without losing anything in translation.” She recently returned from an extensive European tour for her 6th studio album, Let it Be You, a collaboration with Benjamin Lazar Davis. Tonight Wasser will play songs from her upcoming unreleased album and is joined by Parker Kindred, Ben Perowsky, Oren Bloedow, Jared Samuel and Thomas Bartlett.

“Soulful adventurism – a voice so wondrous and moving it makes everyone else’s seem ordinary and mundane” THE GUARDIAN

“Ravishing and lovelorn” MOJO

“The coolest woman in pop” THE TIMES

Landlady official site | Mrs. Adam Schatz on Bandcamp | Mrs. Adam Schatz on Soundcloud | Mrs. Adam Schatz on youtube
 
Mrs. Adam Schatz is the solo extension of “Landladyland” — a world best described as the the solar system of Adam Schatz. Its planets include the acclaimed Landlady, Father Figures (see their NPR Tiny Desk Concert), The Shoe-Ins, Afrobeat band Zongo Junction, a multi-year history of Adam Schatz & Friends residencies and shows, the new large ensemble improvisational project Adam Schatz’s Civil Engineering, and Schatz’s connected work as a promoter, organizer, and producer (including his co-direction of NYC’s Winter Jazzfest, curation for the Red Bull Music Academy nationwide, and his annual benefit bash, the Landlady Holiday Spectacular).
 
Mrs. Adam Schatz has performed frequently in the past two years, including shows with Those Darlins, Adia Victoria, and Made of Oak (Nick Sanborn of Sylvan Esso). Primordial versions of Landlady songs and hyper-evolved covers of kindred artists like The Band, Allen Toussaint, Arthur Russell, Elliott Smith, and Randy Newman tend to populate his extremely moving performances — where his native instrument, the tenor saxophone, enters his vocabulary in ways unseen in any other part of Landladyland.
 
“Adam Schatz, the chief songwriter of Landlady, is arguably one of the most versatile and exciting musicians in recent years.” -Paste
 
“The penetrating tone of Mr. Schatz’s Farfisa organ summons garage-rock and international psychedelia; crisp percussion patterns, moving in and out of odd meters, touch on carnivals, military parades, Minimalism, swing and world music. Guitar lines can have the delicacy of folk-rock, the lilt of Congolese rumba or a spaghetti-western twang.” -The New York Times
 
“Schatz has a truly rare knack for establishing an instant connection through the force of his words – they caress, support, and embrace instead of the normal glancing blow…Landlady strikes a chord as the everyman’s gospel; secularly spirit-rousing but no less powerful, articulate in vision but universal in its delivery.” -I Guess I’m Floating

Dave Harrington official site | Dave Harrington Facebook | Dave Harrington Twitter

Dave Harrington – bass/electronics
Jordan McLean – trumpet/electronics
Brian Chase – drums