with Rafiq Bhatia & Sarah Neufeld “The Ridge”
Wed May 8th, 2013
Minimum Age: 18+
Doors Open: 7:00PM
Show Time: 8:00PM
Event Ticket: $13
Day of Show: $15
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Colin Stetson presents SORROW, a reimagining of Gorecki’s 3rd Symphony
COLIN STETSON PRESENTS: SORROW – A REIMAGINING OF GORECKI’S 3RD SYMPHONY
RELEASED APRIL 8TH on 52Hz VIA KARTEL MUSIC GROUP – CD / 2LP / DIGITAL
Symphony No 3, composed by Polish composer Henryk Górecki in 1977, became one of the biggest sellers of classical music of all time, when Elektra Nonesuch’s 1992 recording of the ‘Symphony of Sorrowful Songs’ was released. The symphony is centred on three texts – including a prayer inscribed by a teenager on a cell wall of a Gestapo headquarters – which the composer turned into haunting laments, backed by simple, slowly churning surges of beautiful music. ‘Symphony of Sorrowful Songs’ sold over 1 million copies and topped classical charts in the USA and Britain. This popular acclaim did not generate wide interest in Górecki’s other works, and he pointedly resisted the temptation to repeat earlier success, or compose for commercial reward. Górecki died in November 2010 aged 76.
Colin Stetson is an American saxophonist and multireedist. ‘SORROW’, led by Stetson, is a re-imagining of Henryk Górecki’s most famous piece.
“We all have those moments when we experience a piece of music that transforms us, and this was one of those moments for me. Over the years, I went on to listen to this record countless times, always determined to absorb every instance of it, to know it throughout and fully. And this dedication to a thorough knowledge of the piece eventually gave way to a need to perform it.
“The concept was simple, and true to the original score. I haven’t changed existing notation, but rather have worked with altering instrumentation, utilizing a group consisting heavily of woodwinds, synthesizers, and electric guitars, as well as retaining an element of the orchestral in a string section of violins and cellos, which features prominent and decorated Canadian musicians Sarah Neufeld (Arcade Fire, Bell Orchestre) and Rebecca Foon (Saltland, Esmerine).
“My approach was “additive”, in that I imagined certain sounds or parts, though not present in the original, were (to me) extensions of the emotional core of the piece. For example, the instrumentation is rounded out by the most extreme of those sonic/timbral/musical additions, the drum set. Performed inimitably here by NYC drummer/percussionist, Greg Fox (Liturgy, Guardian Alien, Z’s). My background and education in classical concert music is here, as well as a focus on group improvisation. The arrangement draws heavily from the world of black metal, early electronic music, and from my own body of solo saxophone music.
“The result is an intact rendition of Henryk Górecki’s 3rd Symphony, though one which has been filtered through the lens of my particular musical aesthetic and experience.” – Colin Stetson, 2015
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The music of composer, guitarist, and producer Rafiq Bhatia seeks to reconcile meticulously sculpted sound art with risk-imbued improvisation, communicating earnest emotional intensity through labyrinthine sonic complexity. His early explorations, documented on two critically-acclaimed recordings – Strata and Yes It Will – have been described by the New York Times as “transcending real sound in real time with the unexpected,” and by the Washington Post as “approximat[ing] life in the information age…profuse, immersive and immense.”
In 2014, Bhatia and drummer Ian Chang joined founder Ryan Lott as members of Son Lux, expanding the former solo project into a trio. They have since been heralded as “the world’s most lethal band” by NPR, and described as “thrilling… an ideal synthesis of contemporary forms” by the Wall Street Journal. In the past two years, Son Lux have written, recorded, and released an LP, Bones, and have given over 250 performances in North America, Europe, and Asia.
Bhatia has also worked with a breadth of creative musicians including improvisers Vijay Iyer, Billy Hart, David Virelles, and Marcus Gilmore; producers Valgeir Sigurðsson and Prefuse 73; vocalists Sam Dew, Olga Bell, and Moses Sumney; emcees Heems (Das Racist) and High Priest (Anti-Pop Consortium); members of the chamber ensembles ICE, JACK, and Alarm Will Sound; and numerous others. You can hear him on recordings featuring pop revisionists Lorde and Sufjan Stevens, and on the soundtracks to the films The Disappearance of Eleanor Rigby, Air, and Afflicted.
Sarah Neufeld “The Ridge”
Sarah Neufeld is a violinist and composer based in Montréal, Canada. Best known as a member of Arcade Fire, she is also a founding member of the acclaimed contemporary instrumental ensemble Bell Orchestre, and most recently as half of an exciting new duo with renowned saxophonist Colin Stetson.
Neufeld began developing pieces for solo violin in a formal sense in 2011, though she has made improvisation and solo composition part of her process and practice since first picking up the instrument at a young age. Neufeld counts Bela Bartok, Steve Reich, Iva Bittova and Arthur Russell among the formative influences for her solo work, in tandem with an ear for the textures and sensibilities of contemporary electro-acoustic, avant-folk and indie rock music.
Neufeld’s debut solo album Hero Brother, released August 20/2013 on Constellation Records, indeed channels all of the above, flowing through shifting atmospheres and oscillating between restrained, stately ambience, emotive études, and raw kinetic energy. Small touches of wordless vocalisation, harmonium and piano supplant the violin in a few places. The album was recorded in Berlin by pianist and producer Nils Frahm, with Neufeld’s performances captured in a number of locations with site-specific acoustics, including an abandoned geodesic dome.
Neufeld is currently preparing for the release of her second full length album, The Ridge, out February 26th, 2016. This new body of work sees Neufeld moving away from Hero Brother‘s classical minimalism and sepulchral ambience, and into the world of rhythmic pop minimalism. The Ridge employs more emphasis on vocalizations than Neufeld’s previous works; the interplay between Neufeld’s voice and violin has become strongly integrated and narrative. The album also features Arcade Fire’s Jeremy Gara on drums, adding greater layers to the compositions, creating an intense, dynamic atmosphere, and a captivating listen from start to finish.
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